Sensationalism, a journalistic approach emphasizing emotional impact over factual objectivity, has long influenced mass media by highlighting trivial or provocative content to draw in audiences. From ancient Roman times to 19th-century "sensation novels," it has developed as a means to capture public attention, often at the cost of precision. Authors like Herbert Quick criticized its ethical uncertainties, while Charles Raymond Barrett praised its vibrancy in contrast to dull traditionalism.
William Graham Sumner denounced it as a parasitic force on civilization, and Helen Barrett Montgomery emphasized its role in spreading fabricated or overstated stories. These differing viewpoints illustrate how sensationalism, though effective in boosting engagement, risks misrepresenting reality, revealing both the appeal and the dangers of favoring spectacle over depth in media communication.