Songwriting

“ Thus from the definite number of twenty-four notes, varied in different degrees, by sharps, flats, semi-tones, &c., are produced all that is so magical, enthusiastic, and transporting in the empire of omnipotent music. Like as the alphabetic characters may be varied into myriads of forms suitable to every multifarious species of conversation or composition; in a word, a few musical notes in the hands of a master may be made by his skill to produce, from agreeable interchanges of time, harmony, &c., every variety of musical sentiment which can affect the human soul. ”

“ CONTENTS OF THE PHRASE.—The question may arise, what is it that makes a phrase,—the rhythm, harmony, or melody? Strictly speaking, all three; for music subsists in the ceaseless co-operation of these three primary elements of composition, and no phrase is wholly complete without the evidence of each and all. Generalizing the definitions already given, the function of each of these primary elements may be thus described: The element of harmony regulates the choice of the tones that are to sound together; the upright shafts of tone (chords) which determine the body, or framework, of the music. ”

“ Surely it is the most glaring error possible to imagine that because a melody is simple, because it can be rendered by the average singer after but comparatively little practice, it must be impossible to imbue it with beautiful effects; for no matter how technically simple a composition may be, provided a singer possesses real soul and a sense of poetry he or she can bring out an exquisite beauty and colour from the music which a mere mechanical vocalist who merely regards a simple piece as an easy piece to sing invariably fails to recognise. ”

“ Music, using sound for its material, is a pattern-weaving in tones. The power of music to satisfy and delight resides in the sensuous value of its material and in the character of its pattern as form, the balance and contrast of tonal relations, the folding and unfolding of themes, their development and progress to the final compelling unity-in-variety which constitutes its form and which in its own inherent and self-sufficing way is made the expression of the composer's emotion and musical idea. ”

“ First of all, I will endeavour, by the following explanations, to give you as clear an idea as possible of what thorough-bass or harmony is, and to what purpose it serves.
Music consists of melody and harmony. When, for example, a female sings quite alone, without any accompaniment, her song is pure, simple melody. When another female singer, with a somewhat deeper voice, accompanies the first with a different, but still agreeably sounding melody, this will form music in two parts, which may also be called two-part harmony. ”

“ CHAPTER IV THE MUSICAL SENTENCE BEFORE passing on to an explanation of the fundamental types of musical structure, we must give some idea of the constituent parts of the Period in music. Every art has its units of expression: the straight line, the curve, the arch, the poetic stanza and the prose sentence. Just as poetry and prose are a series of stanzas or sentences, so a musical composition is a succession of definitely organized portions of thought and emotion, in terms of rhythm and sound. ”

“ When words are set to music they command greater attention than when they are spoken. They are usually compact and in rhyme. We strain to hear each word to gather the full meaning and humor or cleverness of the lyricist. Yet, we willingly lower our literary standards when words are put to music. The verses of many songs sound vacuous and repetitious without accompaniment. But the words are made interesting by [Pg 36] the melody, and melody takes on additional meaning from words. “Vocal music has greater power to arouse a definite emotional response than has instrumental music. ”

“ It is the business of the interpreter of music to be so thoroughly acquainted with the elements of which music is composed that he can promptly recognize the color, complexion and individual character of every interval, chord and chord-combination, every consonance and dissonance, every timbre and nuance, and every degree of phrasing and rhythm. He must have so complete a mastery of his materials and working forces that his imagination may be influenced unimpeded by the emanations from the composer's imagination which animate the moving forms he commands. ”

“ Be Sure Your Words and Music Fit Exactly
Here we may draw the second moral from the little scene we witnessed in the song publisher's room—this is the big lesson of that scene. In a word, successful song-writers consider a song not as a lyric and a melody, but as a composite of both. A successful song is a perfect fusing of both. The melody writer is not averse to having his melody changed, if by changing it a better song can be made. And the successful lyric writer is only too glad to change his words, if a hit can be produced. ”

“ Contenting myself with the certainty that Music, in its various modes of metre, rhythm, and rhyme, is of so vast a moment in Poetry as never to be wisely rejected—is so vitally important an adjunct, that he is simply silly who declines its assistance, I will not now pause to maintain its absolute essentiality. It is in Music, perhaps, that the soul most nearly attains the great end for which, when inspired by the Poetic Sentiment, it struggles–the creation of supernal Beauty. ”

“ Rhythm—the swing—is the secret of successful songs. Every lyric must have one or more punch lines—which may occur at the end of each verse, but must be found in the last lines of the chorus. Contrast—either of idea, poetic measure or music—is one sure way of securing the punch. Love is the greatest single element that makes for success in a song idea. The one-word standard of popular-song writing is simplicity—music easy to sing, words easy to say, the idea simple and plain. ”

“ And not until singers realise that the composition is but the raw material waiting to be imbued with expression at their hands, waiting, in fine, to be given life, personality, and real being, can they thoroughly grasp the innermost meaning of music which, rendered by the true artist, expresses more clearly than any words ever written, the true emotions of the soul. ”

“ However, although by itself of small significance, the musical element in verse makes all the difference between poetry and prose. Through its own vague expressiveness it fortifies the emotional meaning of the poetic language, and, at the same time, sublimates it by scattering it in the medium. And finally it imparts an intimacy, a personal flavor, which also allies poetry with music; for the substance of rhythm is the movement of our own inner processes; the rhythm of thoughts and sounds is a rhythm in our own listening and attending, our own thinking and feeling ”

“ Leaving this actual experience and its effects on the community, let us ask ourselves what this singing means to the individuals who do it. In the first place, it makes articulate something within them which never finds expression in words or acts. In the second place, it permits them to create beauty instead of standing outside it. Or, to speak still more definitely, it not only gives them an intimate familiarity with some great compositions, but it accustoms them to the technique by means of which music expresses itself. ”

“ In both cases the immediate appeal is to the feelings and the imagination, without recourse to intervening 283 imagery borrowed from external nature. Both embody the cry of one soul to another, and they are not widely divergent in quality or effect. Language at its highest is almost song, and music at its best is idealized declamation. All good poetry must be musical. It should, as we say, sing itself; and all good music must be poetical, conveying a distinctly poetic impression.
To me every poem presupposes a possible musical setting, and every worthy composition, a possible poetic text. ”

“ Find some work, a poem is best, because briefer and more concrete, which expresses, approximately at least, the sentiment of the composition to be studied. Most persons are more familiar with the language of words than with that of tones, and will reach a given mood more directly and easily through that channel. Let the poem be well studied, not only with the mind, but with the imagination, dwelling upon it, trying to feel its meaning and beauty as deeply as possible; then throw the same emotional content into the music, making the tones tell what the words have said. ”

“ It will now have become clear, what according to the view of music that I have endeavoured to explain, is the task of a song composer. He has far more to do than to express again in tones the feeling of the song. He has to furnish a composition that, in the first place, has life; and, in the domain of art, to have life is to have beauty. ”

“ No one would think of writing that style of vocal music now-a-days. The day of writing instrumental music for voices is past. Our time demands true sentiment in words and a corresponding sentiment in the music. ”

“ We referred at some length, in the chapter on "The Dance and Its Development," to this germination of musical thought as of the greatest importance in composition. The reader will readily understand that the highest form of an art like music, in which the element of time enters as a vital matter—in which the message of the composer comes to us in successive sounds—must depend on something more than the beauty of its several and successive melodies. ”

“ I admit at once, as among artists we all have our favourites, so among song-writers the works of some appeal to us more than do others, in that we respond to one or other of them more readily than to the rest. But, at the same time, I would lay special emphasis on the fact that every song, however simple, should be dealt with by the singer like a separate picture in which specially beautiful effects may be produced, according to the quality and variety of tone and colour. ”

“ We shall look relatively in vain for such colors in the music of the ‘poets.’ They are lyricists, they express moods in music and each little piece partakes of the color of the mood which it enfolds—is in general delicate and monochrome. The poets are essentially composers for the pianoforte. They have chosen the instrument suitable for the home and for intimate surroundings, and their choice bars the brilliancy of color from their now exquisite now passionate and profoundly moving art. They are musicians of the spirit and the mood, meditative, genuine, passionate, tearful and gay by turn. ”

“ It is almost impossible to make them idealize the words through the elocution of singing; and yet in the artistic rendition of a song, a ballad, or a dramatic aria, the words are often of more importance than the music. The singer should study the story of a song by reading it aloud upon the highest plane or level of emotional or dramatic expression. ”

“ An unusually emotional nature being thus the general characteristic of musical composers, we have in it just the agency required for the development of recitative and song. Intenser feeling producing intenser manifestations, any cause of excitement will call forth from such a nature tones and changes of voice more marked than those called forth from an ordinary nature—will generate just those exaggerations which we have found to distinguish the lower vocal music from emotional speech, and the higher vocal music from the lower. ”

“ There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few. In speaking of song-writing, I mean, of course, the composition of brief poems with an eye to their adaptation for music in the vulgar sense. In this ultimate destination of the song proper, lies its essence—its genius. ”

“ From the clapping, or rudimentary rhythmical noise, has been evolved the whole art of instrumental music, down to the entrancing complexity of the modern symphony. From the shout, or rudimentary emotional utterance, has proceeded by a kindred evolution the whole art of vocal music down to the modern opera or oratorio. From the leap, or rudimentary expression of emotion by rhythmical movements of the body, has descended every variety of dancing, from the stately figures of the tragic chorus of the Greeks to the kordax of their comedy or the complexities of the modern ballet. ”

“ But this process of purging and refining the ballad, so that it shall become—like the language, the proverbs, the folklore and nursery tales, and the traditional music of a nation—the reflection of the history and character of the race itself, if it is to be genuine, must go on unconsciously. As soon as the ballad is written down—at least as soon as it is fixed in print—the elements of natural growth it possesses are arrested. ”

“ The use in recitative and song of inflections more expressive than ordinary ones, must from the beginning have tended to develope the ordinary ones. Familiarity with the more varied combinations of tones that occur in vocal music, can scarcely have failed to give greater variety of combination to the tones in which we utter our impressions and desires. The complex musical phrases by which composers have conveyed complex emotions, may rationally be supposed to 234 have influenced us in making those involved cadences of conversation by which we convey our subtler thoughts and feelings. ”