Stone (building)

Definition and stakes

Julia de Wolf Gibbs Addison,  Arts and Crafts in the Middle Ages

“ The plain, solid Northern building was capable of unlimited enrichment by carving; this carving, when deeply cut, with forcible projection, acted as a noble embellishment in which the principal feature was a varied play of light and shade; the stone having little charm of colour or texture in itself, depended for its beauty entirely upon its bold relief, its rounded statuary, and its well shaped chiselled ornament. ”
Source: Gutenberg

T. Eric Peet,  Rough Stone Monuments and Their Builders

“ The use of stone for building might have arisen in many places independently. But megalithic architecture is something [145] much more than this. It is the use of great stones in certain definite and particular ways. We have already examined what may be called the style of megalithic architecture and found that the same features are noticeable in all countries where these buildings occur. In each case we see a type of construction based on the use of large orthostatic slabs, sometimes surmounted by courses of horizontal masonry, with either a roof of horizontal slabs or a corbelled vault. ”
Source: Gutenberg

Seumas O'Kelly,  Waysiders, Stories of Connacht

“ The study of the veins of limestone that he turned in his hands, the slow moulding of the crude shapes to their place in the building, the rhythm and swing of the mallet in his arm, the zest with which he felt the impact of the chisel on the stone, the ring of forging steel, the consciousness of mastery over the work that lay to his hands—these were the things that seemed to him to give life a purpose and man a destiny. He would whistle a tune as he mixed the mortar with the broad shovel, for it gave him a feeling of the knitting of the building with the ages. ”
Source: Gutenberg

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