Lining

Definition and stakes

Butterick Pattern Company,  The New Dressmaker (1921)

“ Both the outside and lining portions are cut exactly alike, the seams stitched and pressed open. The sack and lining are then basted together, with seams turned toward the inside. The sleeve portions are gathered separately at the top. Sew the outside material of the sleeve in at the armhole. Turn the raw edge of the sleeve lining under, gather it and hem to the armhole. A tiny turnover collar may be added with the same kind of finish. The edges of the sack may be turned in and secured with a row of feather-stitching, or they may be buttonholed together by a scalloped edge. ”
Source: Wikisource

Butterick Pattern Company,  The New Dressmaker (1921)

“ Be sure to have the neck and armhole exactly right. Stitch the seams through the bastings. If you can't remove them afterward, it doesn't matter in this case. Press the seams open. (Chapter 32.) It is not necessary to bind or overcast them. Run a strong basting around the armholes and neck to keep them from stretching, turning the neck edges under three-eighths of an inch.
Make up the single sleeve you cut with the rest of the lining, following the directions given with the pattern. Baste it into the lining and try it on to be sure that it is the right length and sets comfortably on the arm.
”
Source: Wikisource

Richard G. Moulton,  Shakespeare as a Dramatic Artist

“ The regular arch-form applicable to Passion-Movement.To repeat an illustration already applied to Plot: the movement of the passion seems to follow the form of a regular arch, commencing in calmness, rising through emotional strain to a summit of agitation at the centre, then through the rest of the play declining into a calmness of a different kind. ”
Source: Gutenberg

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