Tragedy (genre)

“ We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second—compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. We maintain that Tragedy is primarily an imitation of action, and that it is mainly for the sake of the action that it imitates the personal agents. ”

“ The greatness of tragedy depends upon its allegiance to this meaning of literature. The dramatic form gives opportunity for a close approach to the semblance of actuality. The very subjects of tragedy, suffering and disaster, discourage the seeking of mere amusement or a contentment with mere beauty of expression. ”

“ During the periods that we have examined, blank verse, illustrious persons, the pomp of courts, the great passions of revenge, ambition, jealousy, lust, love, and hate, hideous crimes, and the conflict of potent wills have been the usual accompaniments of the actions of suffering and ruin. There has been only occasional departure from the Shakespearean conception of tragedy as representation of great personalities engaged in disastrous conflict. ”

“ Modern tragedy, born in the Renaissance, the product of the germinating conflict of medieval and humanistic ideas and models, has never altogether lost the marks of its heritage from both lines of ancestry. Elizabethan tragedy, in particular, reveals in every lineament, in its scenic presentation, its methods of acting, its themes, structure, characters, style, theory, and artistic impulses, the influences both of the long centuries of medieval drama and also of the inspiration of the classics and the freer opportunity for individual effort which resulted from humanism. ”

“ It is not enough to distinguish Classical and Western tragedy merely as action-drama and event-drama. Faustian tragedy is biographical, Classical anecdotal; that is, the one deals with the sense of a whole life and the other with the content of the single moment. ”

“ It is in the realization of their emotions that the plays secure their great impressiveness. Tragedy has become not the presentation of history, myth, or events of any sort, but the presentation of the passionate struggle and pitiful defeat of an extraordinary human being. ”

“ We are stirred by the painful emotions of our fellows as readily as by their pleasurable ones. The tragic plays a large part in many forms of literature and in sculpture, music, and painting. And tragedy, dedicated to painful actions, also interests, fascinates, absorbs us. ”

“ Tragedy, on this view, is the exhibition of that convulsive reaction; and the fact that the spectacle does not leave us rebellious or desperate is due to a more or less distinct perception that the tragic suffering and death arise from collision, not with a fate or blank power, but with a moral power, a power akin to all that we admire and revere in the characters themselves. ”

“ From the nature of its subjects, tragedy may claim a certain preëminence in literature. If it be not truer, as is sometimes asserted, than comedy or other fiction, it has the opportunity to be more intense, more profound, more permeating in its emotional effect. As of all forms of literature, we ask for truth to life in incident, character, and word; of tragedy we ask for truth in regard to those things that affect us most deeply,—pain, disaster, failure, death. ”

“ The production of a kind of poetry is perfect when the form peculiar to its kind has been used in the best way. Thus, a perfect tragedy is that where the form is best used to awaken sympathy. Thus, the best tragedy is that where the pity excited results more from the treatment of the poet than the theme. Such is the ideal of a tragedy. ”

“ The relationships of tragedy, however, are not confined to the theatre or to literature. That tragedy, like other forms of literature, is an imitation of life, is a platitude whose meaning sometimes fails to impress us. But its truth has a witness in every writer of tragedy. However insignificant or thoughtless, he has been trying to put into his play something of life as he knows it, trying to find some relationships in the world of fact that will carry meaning and interest to his fellows. ”

“ In a modern era, when it is commonly supposed that skeletons no longer hang in closets, that day after day brings commonplace occurrences or, at the best, trivial abnormalities to be explained to-morrow, that romance is dead, it is strange that Fate should have picked me, when, by custom and my own desire, I am aloof from all things turbulent, morbid, and uncanny, to play an unwilling part in so extraordinary a drama, or, possibly, a tragedy. ”

“ From the fact that it is a tragedy flow all the forms and tests by which we say it is a murder or an execution, a martyrdom or a suicide. They all depend on an echo or vibration, not only in the soul of man, but in the souls of all men. ”

“ A typical tragedy is concerned with a great personality engaged in a struggle that ends disastrously.
In the Aristotelian tradition thus amended by the Shakespearean or modern conception we have a definition of tragedy that, in spite of differences of theorists and variations in practice, is extraordinarily comprehensive. ”

“ It has all the terrible beauty of a great tragedy, a tragedy in which I took part, but by which I have not been wounded."
"It is an interesting question," said Lord Henry, who found an exquisite pleasure in playing on the lad's unconscious egotism,--"an extremely interesting question. I fancy that the explanation is this. It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. ”

“ Second, it is part of the essence of tragedy that the conflict should be recognized as necessary and its issue as inevitable. In one form or another, whether as Greek or Christian or naturalistic, fatality has remained an abiding element in the idea of tragedy. The purpose or passion or sentiment which impels the hero to undertake and maintain the struggle must be a part of his nature so integral that nothing else is possible for him. "Ich kann nicht anders" is the cry of every tragic personality. ”

“ Though the French tragedy is well acted throughout, yet unhappily there is no male actor now with a spark of fire, and these men seem the meanest pigmies by the side of Rachel;—so on the scene, beside the tragedy intended by the author, you see also that common tragedy, a woman of genius who throws away her precious heart, lives and dies for one unworthy of her. ”

“ The old tragedy, if we understand it, is a display of the affections of the heart and the energies of the will; the modern romantic tragedy is a mixture of fanciful exaggeration and indolent sensibility; the former is founded on real calamities and real purposes: the latter courts distress, affects horror, indulges in all the luxury of woe, and nurses its languid thoughts, and dainty sympathies, to fill up the void of action. ”

“ Tragedy, indeed, carried the thoughts into the mythologic world, in order to raise the emotions, the fears, and the hopes, which convince the inmost heart that their final cause is not to be discovered in the limits of mere mortal life, and force us into a presentiment, however dim, of a state in which those struggles of inward free will with outward necessity, which form the true subject of the tragedian, shall be reconciled and solved;—the entertainment or new comedy, on the other hand, remained within the circle of experience. ”

“ XIII. (Plot continued.) What constitutes Tragic Action. The change of fortune and the character of the hero as requisite to an ideal Tragedy. The unhappy ending more truly tragic than the 'poetic justice' which is in favour with a popular audience, and belongs rather to Comedy.
XIV. (Plot continued.) The tragic emotions of pity and fear should spring out of the Plot itself. To produce them by the Scenery or Stage Spectacle is entirely against the spirit of Tragedy. Examples of Tragic Incidents designed to heighten the emotional effect. ”

“ At all events, for the appreciation of Elizabethan tragedy, we sometimes need to reassert a childish and uncultivated disregard for the rapid changes of emotional tone, a liking for tears and laughter close together; or, perhaps there is ground for saying, we need to recognize the validity of the medieval taste for a comic contrast and relief in tragedy, and to accept in art the incongruities and grotesqueness of actual life. ”

“ English tragedies constitute a dramatic type, a literary form. This type has, to be sure, permitted many variations,—revenge tragedy, chronicle play, tragicomedy, domestic tragedy, sentimental tragedy, heroic play, or the closet tragedy of the romanticists—but every one of these species has had its connections with others, and in every period the tragedies of varying kinds have been related not only to one another but to those that have gone before. ”

“ It excites our sensibility by exhibiting the passions wound up to the utmost pitch by the power of imagination or the temptation of circumstances; and corrects their fatal excesses in ourselves by pointing to the greater extent of sufferings and of crimes to which they have led others. Tragedy creates a balance of the affections. It makes us thoughtful spectators in the lists of life. ”

“ To this its value is due and the supreme position among the arts which it has occupied in historical times and still occupies; what will happen in the future we can only conjecture. Tragedy is too great an exercise of the spirit to be classed among amusements or even delights, or to be regarded as a vehicle for the inculcation of such crude valuations as may be codified in a moral. But the fuller discussion of Tragedy we must defer. ”

“ A large part of the nature of this form of drama is common to the drama in all its forms; and of this nothing need be said. It will be agreed, further, that in all tragedy there is some sort of collision or conflict—conflict of feelings, modes of thought, desires, wills, purposes; conflict of persons with one another, or with circumstances, or with themselves; one, several, or all of these kinds of conflict, as the case may be. Again, it may be taken for granted that a tragedy is a story of unhappiness or suffering, and excites such feelings as pity and fear. ”

“ Reserving hexameter poetry and Comedy for consideration hereafter, let us proceed now to the discussion of Tragedy; before doing so, however, we must gather up the definition resulting from what has been said. A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language with pleasurable accessories, each kind brought in separately in the parts of the work; in a dramatic, not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. ”

“ Whereas the reading of a tragedy is a fine abstraction. It presents to the fancy just so much of external appearances as to make us feel that we are among flesh and blood, while by far the greater and better part of our imagination is employed upon the thoughts and internal machinery of the character. But in acting, scenery, dress, the most contemptible things, call upon us to judge of their naturalness. ”

“ Tragedy has always owed a double allegiance, to literature and to the theatre. A tragedy is a play, not merely a dialogue in [Pg 13] poetry or prose, but a play to be interpreted by actors before an audience in a theatre. ”

“ What is the substance of a Shakespearean tragedy, taken in abstraction both from its form and from the differences in point of substance between one tragedy and another? Or thus: What is the nature of the tragic aspect of life as represented by Shakespeare? What is the general fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or conception of tragedy? ”

“ In realistic novels and dramas a new type of the tragic has been evolved. It may be called tragedy without a meaning. In classical and Shakespearean tragedy, the inevitable calamities incident to human existence were given significance and nobility by the poets. ”

“ In this sense, then, tragedy satisfies its definition as "the flight or elevation of life." The two indispensable supports which render this elevation possible, are metrical expression and great situations. "In the regeneration" the language of the market-place and the morning call may answer to the realised harmony of life; there may, indeed, be "the fifth act of a tragedy in every death-bed;" there may be no distinction of great or little, high or low. ”

“ Not only the main actor, but the most conventional part, the most absurd business, the merest supernumerary, receives its touch of truth. And something more than truth to life or knowledge of motive is manifest. The great characters are cast in large moulds. They represent the courses of the master passions. Smallness of horizon, triviality of design, feebleness of mind or body are absent. Momentous crises that try men's souls are the real subjects of the tragedies. ”

“ Tragedy is a Dramatic Poem, imitating some great, but unfortunate Event, in a grave, majestic, and entertaining Style, to raise the Passions, especially those of Pity and Terror, and to purge the Mind of them.
This Definition, expresly, or by Implication, contains these several Parts; the Argument, or the Subject Matter, the Sentiments, the Language and Versification, the Characters and Manners, and, lastly, the Moral, or the propos'd Effect. All which agree in this, that they ought to be great and sublime; for with Regard to all these, Tragedy is the noblest Kind of Poetry, except one. ”