“ The Irishman waved his hand toward the turnstile."In with you! The world forgetting, by the world forgot!"His ease of manner was contagious. Whatever misgivings had assailed the boy were banished with this reassurance, and his confidence flowed back as the custodian took the two-franc piece and the turnstile clicked twice, making them free of the long, bare galleries that opened in front of them. ”
Turnstile
Definition and stakes
A turnstile is a mechanical barrier, typically featuring a rotating gate, used to regulate passage and collect fees. This concept has been examined in various literary and historical contexts, from Cyril Tourneur’s dramatic dialogues, where turnstiles represent entrapment and social hierarchy, to Adrian C. Anson’s critique of commercialized access in sports, emphasizing the shift from moral priorities to profit-driven motives.
The Hillsborough Stadium Disaster report highlights its role in crowd management, while Charles Babbage’s quip suggests its metaphorical application in social dynamics. Across these works, the turnstile appears as a multifaceted symbol of control, transition, and the tensions between personal autonomy and systemic limitations.
Quotes about “turnstile”
Charles Babbage,
Passages from the Life of a Philosopher
(1864)
“ Enter Tripes, from Turnstile's house. Tripes. (Putting on his hat.) He might have been more civil, too;—though he did count upon me for his chairman. But I'll show him that I'm not to be insulted; and if, MacLeech manages the matter well for Charles, this Mr. Philosopher Turnstile, though he thinks himself so clever, may go to the devil. ”
Adrian C. Anson, A Ball Player's Career
“ In taking this step we feel that we owe it to the public and to ourselves to explain briefly some of the reasons by which we have been moved. There was a time when the League stood for integrity and fair dealing; to-day it stands for dollars and cents. Once it looked to the elevation of the game and an honest exhibition of the sport. To-day its eyes are upon the turnstile. Men have come into the business for no other motive than to exploit it for every dollar in sight. Measures originally intended for the good of the game have been turned into instruments for wrong. ”
The Rt Hon Lord Justice Taylor, The Hillsborough Stadium Disaster Interim Report… (1989)
“ Those witnesses attributed the crush to the sheer numbers of fans all anxious to gain entry. There was no criticism of the crowd by any of the witnesses in the period up to 2.30 pm or even 2.35 pm. What happened then was not a sudden deterioration in the mood or sobriety of those assembled there. No doubt those coming behind would have had more to drink and would have included the unruly minority. But the crisis developed because this very large crowd became packed into a confined turnstile area and its very density hampered its passage through the turnstiles. ”
Cyril Tourneur, Webster & Tourneur
“ Enter Vendice, disguised.Ven. My honoured lord.Lus. Away! prythee, forsake us: hereafter we'll not know thee.Ven. Not know me, my lord! your lordship cannot choose.Lus. Begone, I say: thou art a false knave.Ven. Why, the easier to be known, my lord. Lus. Pish! I shall prove too bitter, with a word Make thee a perpetual prisoner, And lay this iron age upon thee. Ven. Mum! For there's a doom would make a woman dumb. Missing the bastard—next him—the wind's come about: Now 'tis my brother's turn to stay, mine to go out. ”
Cyril Tourneur, Webster & Tourneur
“ Vit. Cor. You shall not kill her first; behold my breast: I will be waited on in death; my servant Shall never go before me. Gas. Are you so brave? Vit. Cor. Yes, I shall welcome death As princes do some great ambassadors; I'll meet thy weapon half way. Lod. Thou dost tremble: Methinks fear should dissolve thee into air. Vit. Cor. O, thou art deceived, I am too true a woman: Conceit can never kill me. I'll tell thee what, I will not in my death shed one base tear; Or if look pale, for want of blood, not fear. Carlo. Thou art my task, black Fury, Zanche. ”
George Randolph Chester,
The Early Bird: A Business Man's Love Story
“ Turner, or to thank him for the ride or the bouquet of branches or even the geranium slips which she had received under false pretenses, she hurried away to her room, oppressed with Heaven only knows what mortification, and also with what wonder at the ways of men! ”
Cyril Tourneur, Webster & Tourneur
“ Thou art a box of worm-seed, at best but a salvatory of green mummy. What's this flesh? a little crudded milk, fantastical puff-paste. Our bodies are weaker than those paper-prisons boys use to keep flies in; more contemptible, since ours is to preserve earth-worms. Didst thou ever see a lark in a cage? Such is the soul in the body: this world is like her little turf of grass, and the Heaven o'er our heads, like her looking-glass, only gives us a miserable knowledge of the small compass of our prison.Duch. Am not I thy duchess? ”
Cyril Tourneur, Webster & Tourneur
“ Women are caught as you take tortoises; She must be turned on her back.—Sister, by this hand, I am on your side.—Come, come, you have wronged her: What a strange credulous man were you, my lord, To think the Duke of Florence would love her! Will any mercer take another's ware When once 'tis toused and sullied?—And yet, sister, How scurvily this frowardness becomes you! Young leverets stand not long; and women's anger Should, like their flight, procure a little sport; A full cry for a quarter of an hour, And then be put to the dead quat. [74] Brach. ”
Cyril Tourneur, Webster & Tourneur
“ ACT THE FIFTH. SCENE I.—A Room in the Lodge. The Duke's corpse, dressed in Vendice's disguise, lying on a couch. Enter Vendice and Hippolito.Ven. So, so, he leans well; take heed you wake him not, brother.Hip. I warrant you my life for yours.Ven. That's a good lay, for I must kill myself. Brother, that's I, that sits for me: do you mark it? And I must stand ready here to make away myself yonder. I must sit to be killed, and stand to kill myself. I could vary it not so little as thrice over again; 't has some eight returns, like Michaelmas term. ”
Cyril Tourneur, Webster & Tourneur
“ Ay, that's the trick. 3rd Off. You delay too long, my lord. Y. Son. Stay, good authority's bastards; since I must Through brothers' perjury, die, O, let me venom Their souls with curses. 3rd Off. Come, 'tis no time to curse. Y. Son. Must I bleed then without respect of sign? well— My fault was sweet sport which the world approves, I die for that which every woman loves. [Exeunt.SCENE IV.—A Lodge in the Ducal Grounds. Enter Vendice, disguised, and Hippolito.Ven. O, sweet, delectable, rare, happy, ravishing!Hip. Why, what's the matter, brother? [Pg 390] Ven. ”
Cyril Tourneur, Webster & Tourneur
“ A pox on't, as I am a Christian. Tell me to-morrow how scurvily she takes my unkind parting.Flam. I will.Cam. Didst thou not mark the jest of the silkworm? Good-night: in faith, I will use this trick often.Flam. Do, do, do. [Exit Camillo; and Flamineo locks the door on him.] So now you are safe.—Ha, ha, ha! thou entanglest thyself in thine own work like a silkworm. Come, sister; darkness hides your blush. Women are like curst dogs: civility keeps them tied all daytime, but they are let loose at midnight; then they do most good, or most mischief.—My lord, my lord!Re-enter Brachiano. ”
The Rt Hon Lord Justice Taylor, The Hillsborough Stadium Disaster Interim Report… (1989)
“ The layout of the turnstiles and the number they were required to serve left no margin of safety against an uneven flow of fans. Because police strategy in advance and on the day did not cater for it, the arrival of a large number of supporters between 2.30 pm and 2.40 pm created an unmanageable crush. The presence of a substantial minority of fans who had drunk too much aggravated that problem. Having lost control and rejected the option of postponing kick-off, the police were faced with a serious danger of deaths or injuries. ”
Neil Munro,
Gilian The Dreamer: His Fancy, His Love and Adventure
“ Turner smiled anew, with a mock little bow and a wave of the fingers, a trick picked up abroad and maddening in its influence on a man with the feeling that it meant he was too small to have words with. ”
Cyril Tourneur, Webster & Tourneur
“ O hell unto my soul! Ven. In that disguise, I, sent from the duke's son, Tried you, and found you base metal, As any villain might have done. Gra. O, no, No tongue but yours could have bewitched me so. Ven. O nimble in damnation, quick in tune! There is no devil could strike fire so soon: I am confuted in a word. Gra. O sons, forgive me! to myself I'll prove more true; You that should honour me, I kneel to you. [Kneels and weeps. Ven. A mother to give aim to her own daughter! [227] Hip. True, brother; how far beyond nature 'tis. Ven. Nay, an you draw tears once, go you to bed ”
Cyril Tourneur, Webster & Tourneur
“ Would I had rotted in some surgeon's house at Venice, built upon the pox as well as on piles, ere I had served Brachiano!Savoy Am. You must have comfort.Flam. Your comfortable words are like honey; they relish well in your mouth that's whole, but in mine that's wounded they go down as if the sting of the bee were in them. O, they have wrought their purpose cunningly, as if they would not seem to do it of malice! In this a politician imitates the devil, as the devil imitates a cannon; wheresoever he comes to do mischief, he comes with his backside towards you. ”
George Somes Layard,
Kate Greenaway
“ You must like Turner as soon as you see landscape completely. His affectations—or prejudices, I do not wish or expect you to like—any more than I should have expected him to like roses drawn like truffles. ”
Various, Punch, or the London Charivari…
“ The most rabidly-engaged gentleman was Turner, who, despite the remonstrances of his colleagues upon the expense attendant upon his whimsical notions, would persist in making the grass more natural by emptying large buckets of treacle and mustard about the ground. ”
Ivan Turgenev,
The Novels of Ivan Turgenev
(1896)
“ He felt one thing only: a blow had fallen and life was sundered like a cord, and all of him was being drawn along in the clutches of something chill and unfamiliar. Sometimes it seemed to him that a whirlwind had swooped down upon him, and he had the sensation of its swift whirling round and the irregular beating of its dark wings. ”
Cyril Tourneur, Webster & Tourneur
“ Ven. Vendice, my lord. Lus. 'Tis a good name that. Ven. Ay, a revenger. Lus. It does betoken courage; thou shouldst be valiant, And kill thine enemies. Ven. That's my hope, my lord. Lus. This slave is one. Ven. I'll doom him. Lus. Then I'll praise thee. Do thou observe me best, and I'll best raise thee.Re-enter Hippolito. Ven. Indeed, I thank you. Lus. Now, Hippolito, where's the slave-pander? ”
Mrs. Lawrence Turnbull,
The Royal Pawn of Venice
“ The commanding habit of a lifetime was strong upon him and again his resentment rose to quench the softer mood which was possessing him, and of which he was afraid."I knew not that I had been summoned from my work for Christ to answer of myself," he said sternly. "If thou hast need of counsel, tell it quickly."Again her lip quivered at the hurt, but she put it aside bravely, as she rose and moved backward for a pace further into the shadow. "I ask it for my people's sake—I being their Queen," she said, "and knowing that my people are rather Greek in feeling, I would do naught to hurt them." ”
The Rt Hon Lord Justice Taylor, The Hillsborough Stadium Disaster Interim Report… (1989)
“ Towards the end of the morning, fans gathered on and around the bridge near the Leppings Lane entrance. They seemed reluctant to enter the ground early. All turnstiles were open at 12 noon and one or two as early as 11.30 am. Some 53 police had been deployed to operate outside the turnstiles and in the Leppings Lane area. They enquired at random whether fans had tickets. Those who had not were advised to go away; nevertheless, many returned more than once. Those who had tickets were guided in the right direction. The police tried to persuade them to enter the ground early. ”
George Kibbe Turner,
Piracy in Reverse
(1922)
“ I looked at him.“The new speech of the air—all over—universal!” he said, talking English like a pocket dictionary, the way those foreigners do. And then he introduced me to his girl, a nice, merry-looking kid, but kind of shy. And dresses? You'd be surprised! All this bright, gay-looking batik-dyed stuff they make out around there; and little bangles and green earrings, in gold, and all Eastern stuff like that. She looked like an escaped butterfly. ”
C. Lewis Hind,
Turner: Five letters and a postscript
“ Turner, to whom the world of men and women was a place to escape from, brooded on scenes that open a pathway to tired eyes leading away somewhere west of the sun and east of the moon; he loved distances, lakes that feel their way round hills to infinity, and sunsets that are a world in themselves. ”
James P. Boyd, Triumphs and Wonders of the 19th Century…
“ While Turner subordinated fact to fancy, illuminating his subjects with the glow of his fervid imagination, Constable devoutly stood before nature in the attitude of a worshiper, and faithfully labored to represent as truthfully as his powers permitted exactly what he beheld. ”
Cyril Tourneur, Webster & Tourneur
“ Perhaps you'll say, but only to the duke's son In private; why she first begins with one, Who afterward to thousands prove a whore: "Break ice in one place, it will crack in more." Gra. Most certainly applied! Hip. O brother, you forget our business. Ven. And well-remembered; joy's a subtle elf, I think man's happiest when he forgets himself. Farewell, once dry, now holy-watered mead; Our hearts wear feathers, that before wore lead. Gra. I'll give you this—that one I never knew Plead better for and 'gainst the devil than you. Ven. You make me proud on't. ”
John Ruskin,
Modern Painters, Volume 1 (of 5…
“ They should keep to quiet colors—grays and browns; and, making the early works of Turner their example, as his latest are to be their object of emulation, should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thoughts but how best to penetrate her meaning, and remember her instruction, rejecting nothing, selecting nothing, and scorning nothing; believing all things to be right and good, and rejoicing always in the truth. ”
C. Lewis Hind,
Turner's Golden Visions
“ Stains Italy's blanched barrier with storms. In vain each pass, ensanguined deep with dead Or rocky fragments, wide destruction roll'd.'And the eyes fall upon two lines that mean something, that aptly express the thought of the dumb poet, the lines which I quoted in Chapter III.,—'Still the chief advanced, Looked on the sun with hope'—Turner's fitting epitaph, and life-long aspiration. He added to the Fallacies of Hope off and on for forty years, and it dealt with almost every conceivable subject from the Deluge to Napoleon. ”
C. Lewis Hind,
Turner: Five letters and a postscript
“ That poor "Buttermere Lake" is still the only picture by Turner that you have ever seen. And now that you are far from here, walking and digging in Sparta, and sailing in insecure little crafts to the Islands, I hold it a duty to write you in detachments this interminable letter explaining as well as I can what I mean by the Flame of Turner. Your sister will read the letters to you, ill-starred student, who, at the beginning of your art career, must not use your eyes for twelve months on penalty of blindness. ”
Choderlos de Laclos, Les liaisons dangereuses, volume 1… (1898)
“ With what traits you venture to depict Madame de Tourvel!... What man but would have paid with his life for such insolent boldness? What woman other than yourself would have escaped without receiving at least an ungracious retort? ”
C. Lewis Hind,
Turner's Golden Visions
“ A CRITIC IS CRITICAL, AND A PAINTER IS ENTHUSIASTIC'Waft me to sunny Baiæ's shore' wrote Turner in the Fallacies of Hope, one of the simple lines, a line that it was quite permissible to print in the catalogue of the Academy of 1823 against his much discussed, much criticised, and much loved 'Bay of Baiæ.' The picture indeed wafts us to Baiæ, one of the most beautiful spots in Italy, and we are content with its beauty if we neglect the pines, their heavy shadows, and the figures of Apollo and the Cumæan Sibyl posing in the shade. ”
Joseph Turnley,
The Language of the Eye
(1856)
“ INNOCENCE; OR, THE EASTERN EYE. The natural appearance of the brow is unaltered; as no passion, no hope or fear has ever been there. Peace sits there on her parian throne; her various fairies are couchant around her; no appearance of alarm or rancour there. The portals of the palace of this divinity are kept by Silence. The upper lid has a play so slow and easy that you scarcely think it lives; yet you may observe a constant downward tendency; the lower lid is elevated, the pupil clear and expanding, there is much lustre about the sclerotica. ”
Cyril Tourneur, Webster & Tourneur
“ From the least wanton jest, their puling stomach Sick of the modesty, when their thoughts are loose, Even acting of those hot and lustful sports Are to ensue about midnight: such his cunning: He sounds my depth thus with a golden plummet. I am doubly armed now. Now to the act of blood, There's but three Furies found in spacious hell, But in a great man's breast three thousand dwell. [Exit. [Pg 83] ACT THE FIFTH. SCENE I.—An Apartment in a Palace at Padua. A passage over the stage of Brachiano, Flamineo, Marcello, Hortensio, Vittoria Corombona, Cornelia, Zanche, and others. ”
