Wavelet

“ This is where the utility of a wide aperture arises—by affording a wider difference of route of the individual wavelets, so that those from one part of the aperture may be retarded relatively to and interfere with those from another part. A small object-glass can furnish light; it takes a big object-glass to furnish darkness in the picture. ”

“ Their enthusiasm became almost painful in its intensity; and as the Flying Fish rushed at headlong speed through the rippling waters, tossing the wavelets aside in a great outward-curling fringe of sparkling foam, and as the minutes lagged slowly away, the eyes of the quartette in the pilot-house were strained with ever-increasing intensity in their vain efforts to pierce the mysteries of the horizon ahead. ”

“ The noble bay, gently ruffled by the morning breeze, shimmered and sparkled brilliantly in the strong unclouded sunlight, its rippling wavelets chasing each other shoreward in long lines until they plashed with a soothing murmur into mimic breakers upon the broad, smooth, firm expanse of sand, whereon happy children were disporting themselves, bare-footed, with boat, and spade, and bucket, to their innocent hearts’ content. ”

“ Sounds which crush and crowd have wearied and retired. The timid and shy venture forth to join the quiet revelry of the night.
On its northern aspect the sand spit is the steeper. There the folds of the sea fall in velvety thuds ever so gentle, ever so regular. On the southern slope, where the gradient is easy, the wavelets glide up with heedless hiss and slide back with shuffling whisper, scarce moving the garlands of brown seaweed which a few hours before had been torn from the borders of the coral garden with mischievous recklessness. ”

“ So she saw them; she heard them; but whatever they said had also this quality, as if what they said was like the movement of a trout when, at the same time, one can see the ripple and the gravel, something to the right, something to the left; and the whole is held together; for whereas in active life she would be netting and separating one thing from another; she would be saying she liked the Waverley novels or had not read them; she would be urging herself forward ”

“ For the first process to which the material is subjected is the opposite of weaving--I mean carding. And the art of carding, and the whole art of the fuller and the mender, are concerned with the treatment and production of clothes, as well as the art of weaving. Again, there are the arts which make the weaver's tools. And if we say that the weaver's art is the greatest and noblest of those which have to do with woollen garments,-- this, although true, is not sufficiently distinct; because these other arts require to be first cleared away. ”

“ You dolt, did you ever try to get a crease out of a piece of paper?"
"I—I don't understand," murmured Harper.
"That paper doll was creased, wasn't it?" shouted Gault.
"Once a piece of paper is creased," he resumed heatedly, "it can't be perfectly flattened out again. At the crease a thin cross-section continues to bulge—into the third dimension in the case of that paper cutout. Into the fourth dimension in my case! I'm creased too, at the line where I was bent into the fourth dimension! Surely you aren't blind?" ”

“ And then the needlework! Could there be a duller, more unsatisfactory occupation? Particularly if your stitches would always look crooked and straggling, and when the thimble hurt your finger, and the needle got sticky, and the thread broke when you least expected it. It was quite as bad as music in its way. Penelope would sigh wearily over her task, and envy the people in the Waverley novels, who, she felt sure, never sewed seams or had music lessons. ”

“ With a desire of amusement, therefore, which better discipline might soon have converted into a thirst for knowledge, young Waverley drove through the sea of books like a vessel without a pilot or a rudder. Nothing perhaps increases by indulgence more than a desultory habit of reading, especially under such opportunities of gratifying it. ”

“ To the causal class belong the arts of washing and mending, of carding and spinning the threads, and the other arts of working in wool; these are chiefly of two kinds, falling under the two great categories of composition and division. Carding is of the latter sort. But our concern is chiefly with that part of the art of wool-working which composes, and of which one kind twists and the other interlaces the threads, whether the firmer texture of the warp or the looser texture of the woof. ”

“ In all weaving we have a geometrical relation between the warp and weft elements since they have a right-angle relation to each other and, in the main, can build up a design by equal rectangular units only. ”

“ A fine example occurs in the Boden Glass apparition in Waverley, which the great novelist, far from attempting to explain on any philosophical principles, or even by an intimation of its being the mere creation of a feverish imagination, has left as he found it, trusting that the reader's poetic feeling will readily accommodate itself to the popular superstitions of the country he is depicting. ”

“ Getting to what may be truly called art-velvets, we come to several specimens here. Some are raised or cut, the design being done in a pile standing well up by itself from out of a flat ground of silk, sometimes of the same, sometimes of another colour, and not unfrequently wrought in gold, as at pp. 18, 90, 107, 110, 263. Then we have at No. 7795, p. 145, an example of that precious kind—velvet upon velvet—in which the ground is velvet, and again of velvet is the pattern itself, but raised one pile higher and well above the other, so as to show its form and shape distinctly. ”

“ This personage seems to be quite familiar to his mind, present to his eye, domesticated in the chambers of his fancy. The minutest motions of the farmer’s body, and the most trivial workings of his mind, are alike bright in his eye; and so faithful a representation has been produced, that one might almost think the author had taken his sketch by some species of mental camera obscura, which brought the figure beneath his pencil in all its native colours and proportions.
It is impossible to point out any individual of real life as the original of this happy production. ”

“ Every woman, even the most respectable, had roses blooming under glass; lips cut with a knife; curls of Indian ink; there was design, art, everywhere; a change of some sort had undoubtedly taken place. What did the young people think about? Peter Walsh asked himself. ”

“ Woollett stands in the front rank of the professors of his art, and he was the first English engraver whose works were admired and purchased on the continent. In his landscapes he succeeded, by a skilful combination of the graver and needle, in rendering the effects of distance, light, and atmosphere in a way not previously attempted, and his figure subjects are executed with remarkable vigour and purity of line. In landscape work he has, however, been surpassed by the modern school founded by John Pye [q. v.] ”

“ As Waverley moved on, here and there an old man, bent as much by toil as years, his eyes bleared with age and smoke, tottered to the door of his hut, to gaze on the dress of the stranger, and the form and motions of the horses, and then assembled with his neighbours, in a little group at the smithy, to discuss the probabilities of whence the stranger came, and where he might be going. ”

“ For example, the rolling of the Greek scroll or wave pattern awakens in us the idea of one object following another. “It also suggests the waves of the ocean; or the poet may see in it a troop of maidens pursuing each other in space, not frivolously, but in cadence, as if executing a mystic [Pg 63] dance.” Change the curves into angular forms, as making the key pattern, and it will no longer flow, but become as severe as the other was graceful. No principle gives greater pleasure than repetition, and next to it, alternation. ”

“ There a square of colour, here something round and hard that was cool to touch, now a gleaming rod that ran high into the air, now a shape very soft and warm against which it was pleasant to lean. The clouds, the sweep of dim colour, the vast horizons of that other world yielded, day by day, to little concrete things—a patch of carpet, the leg of a chair, the shadow of the fire, clouds beyond the window, buttons on some one's clothes, the rails of his cot. ”

“ And the threads which are more loosely spun, having a softness proportioned to the intertexture of the warp and to the degree of force used in dressing the cloth,—the threads which are thus spun are called the woof, and the art which is set over them may be called the art of spinning the woof. ”

“ Waverley had the curiosity to clamber up and look in upon him in his den, as the lurking-place might well be termed. Upon the whole, he looked not unlike that ingenious puzzle called “a reel in a bottle,” the marvel of children (and of some grown people too, myself for one) , who can neither comprehend the mystery how it has got in or how it is to be taken out. ”

“ In 1766 he gained a premium at the Society of Arts. He practised as a landscape painter, and also as a drawing master. Like his brother he excelled as a performer upon the violin; like him, also, he reached no more than a moderate excellence in his proper profession. His skill upon the violin gained him an introduction to Sir Edward Walpole, who gave him a situation in the exchequer, which in 1808 he still held. ”

“ Wahlenberg display a singular acuteness of observation. They are a complete picture, drawn by a masterly hand, not only to the adept in Natural History, but to every one who has the least taste for beholding the face of Nature, under its most striking and unusual aspects. ”

“ This is a typical Watteau composition, founded on a rhythmic play of gradated tones and gradated edges. Flat tones and hard edges are avoided. Beginning at the centre of the top with a strongly accented note of contrast, the dark tone of the mass of trees gradates into the ground and on past 212the lower right-hand corner across the front of the picture, until, when nearing the lower left-hand corner, it reverses the process and from dark to light begins gradating light to dark, ending somewhat sharply against the sky in the rock form to the left. ”

“ It moves in infinite circumferences of circles, as when, by throwing a stone into still water, you produce innumerable circles of waves, increasing from the centre and spreading outwards, till the boundary of the space, or some obstacle, prevents their outlines from going further. In the same manner the voice makes its motion in circles. But in water the circle moves breadthways upon a level plain; the voice proceeds in breadth, and also successively ascends in height. ”

“ In “Waverley” these emendations are very rare, and are unimportant. A few callidæ juncturæ are added, a very few lines are deleted. The postscript of the first edition did not contain the anecdote about the hiding-place of the manuscript among the fishing tackle. The first line of Flora Macdonald’s battle-song (chapter xxii.) originally ran, “Mist darkens the mountain, night darkens the vale,” in place of “There is mist on the mountain and mist on the vale.” For the rest, as Scott says, “where the tree falls it must lie.” ”

“ Walpole enthusiastically describes it thus: 'It is a set of letters in verse, in all kind of verses, describing the life at Bath, and incidentally everything else; but so much wit, so much humour, fun, and poetry, so much originality, never met together before. Then the man has a better ear than Dryden or Handel. ”

“ The conversation gradually assumed the tone best qualified for the display of his talents and acquisitions. The gaiety of the evening was exalted in character, rather than checked, by the approaching dangers of the morrow. All nerves were strung for the future, and prepared to enjoy the present. This mood of mind is highly favourable for the exercise of the powers of imagination, for poetry, and for that eloquence which is allied to poetry. Waverley, as we have elsewhere observed, possessed at times a wonderful flow of rhetoric ”

“ It is scarcely imaginable that a piano and a cornet should be mistaken for one another. Now, if the tracing instrument had been at work while the notes were made successively it would have recorded a wavy line, each wave of exactly the same length as its fellows, but varying in its outline according to the character of the note’s origin. We should notice that the waves were themselves wavy in section, being jagged like the teeth of a saw, and that the small secondary waves differed in size. ”

“ The extraordinary author of Waverley is always true to nature in his depiction of character, and it has been a great subject of interest to me to trace in remote spots and corners of the earth the original lines which he has beautifully copied, and very often to find that realized, which I had before imagined to be merely the conception of a brilliant imagination. ”

“ Thoughts, breath, pulses, flying feet, the murmur of voices, all existence has adapted itself to this waltz tempo, as to its normal element, and the very planets seem to swing through space in triple rhythm. The true waltz has but two moods, which touch the opposite poles of emotion—that of joyous elation and of dreamy languor. We may call them the Allegro and the Penseroso of the waltz. And Weber, in the “Invitation to the Dance,” has recognized this and woven his composition of but two themes, representing the contrasting phases of feeling described. ”

“ How readily our thoughts swarm upon a new object, lifting it a little way, as ants carry a blade of straw so feverishly, and then leave it.... If that mark was made by a nail, it can't have been for a picture, it must have been for a miniature—the miniature of a lady with white powdered curls, powder-dusted cheeks, and lips like red carnations. A fraud of course, for the people who had this house before us would have chosen pictures in that way—an old picture for an old room. ”