Summary

Israel Abrahams Chapters on Jewish literature

But whatever contrast there may have been in the two characters, Akiba, like Jochanan, believed that a literature was worthless unless it expressed itself in the life of the scholar. He and his school held in low esteem the man who, though learned, led an evil life, but they took as their ideal the man whose moral excellence was more conspicuous than his learning. As R. Eleazar, the son of Azariah, said: "He whose knowledge is in excess of his good deeds is like a tree whose branches are many and its roots scanty; the wind comes, uproots, and overturns it.
Source: Gutenberg

Israel Abrahams Chapters on Jewish literature (1899)

Rabbinism was a sequel to the Bible, and if like all sequels it was unequal to its original, it nevertheless shared its greatness. The works of all Jews up to the modern period were the sequel to this sequel. Through them all may be detected the unifying principle that literature in its truest sense includes life itself; that intellect is the handmaid to conscience; and that the best hooks are those which best teach men how to live. This underlying unity gave more harmony to Jewish literature than is possessed by many literatures more distinctively national.
Source: Wikisource

Israel Abrahams Chapters on Jewish literature

Lessing, before he knew Mendelssohn, had written a drama, "The Jews," in which, perhaps for the first time, a Jew was represented on the stage as a man of honor. In Mendelssohn, Lessing recognized a new Spinoza; in Lessing, Mendelssohn saw the perfect ideal of culture. The masterpiece of Lessing's art, the drama "Nathan the Wise," was the monument of this friendship. Mendelssohn was the hero of the drama, and the toleration which it breathes is clearly Mendelssohn's. Mendelssohn held that there was no absolutely best religion any more than there was an absolutely best form of government.
Source: Gutenberg

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