Summary

Various Encyclopaedia Britannica, 11th Edition…

The vast canvas, more than 30 ft. long, the Sea Fight at Salamis, painted for the Maximilianeum, Munich, evinces wonted imagination and facility in composition; the handling also retains its largeness and vigour; but in this astounding scenic uproar moderation and the simplicity of nature are thrown to the winds, and the whole atmosphere is hot and feverish.
Kaulbach’s was a beauty-loving art. He is not supreme as a colourist; he belongs in fact to a school that holds colour in subordination; but he laid, in common with the great masters, the sure foundation of his art in form and composition.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

On the whole no one of the ten or twelve really great writers of ancient Rome leaves on the mind so mixed an impression, both as a writer and as a man, as Juvenal. He has little, if anything at all, of the high imaginative mood—the mood of reverence and noble admiration—which made Ennius, Lucretius and Virgil the truest poetical representatives of the genius of Rome.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

Ghastly shadows, they flitted in the precincts of hostile villages far distant from their own valleys, living upon the poorest food carried in a fetid goatskin bag; ever ready to stab in the darkness or to wriggle through apertures, to slay as they slept men, women and babies. Then, with clothing for prize, and human ears as a trophy, they sped, watchful as hares, for their far-away hills, avenger Pathans racing furiously in their track. Kafirs, most faithful to one another, never abandoned a comrade.
Source: Gutenberg

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