Arabic art

“ The art was soon afterwards introduced by the Arabs into Spain, where it was brought to the highest perfection.709 Gunpowder was known to the Arabs a hundred years before Europeans mention it.710 The compass was used by them nearly two centuries before the Italians and French used it. The number of Arabic inventions which we unsuspectingly enjoy, without being aware of their origin, is prodigious. ”

“ The vivacity of Arabic poetry is one of its greatest charms. Its imagery is born of the fiery imagination of the East; its proficiency in the delineation of human passion is the fruit of centuries of study, reflection, and jealous rivalry. Perfect familiarity with the poems of the pre-Islamic Bedouins, regarded as models by every generation of their descendants, was considered an indispensable qualification of every well-informed scholar. The Arabs were so deeply impressed by the potent influence of poetical genius that they assigned it a place among the kabbala of magical science. ”

“ He has surrendered his position as a leader in the world of the near East in order to bring the traditions and genius of the Arabic people to the attention of the Western world. And although commentators have long since acknowledged our debt in literature to the Arabs, who introduced rhyme into Europe over a thousand years ago, and historians have admitted the impetus which was given to the sciences by Arabic philosophers, yet it remains the task of a modern to introduce us in painting to the vast poetical conceptions which constitute a part of the heritage of the Arabian race mind. ”

“ Many critics hasten to reassure us regarding his judgment and discrimination. But even a slight acquaintance with Arabic literature will show that they have been carried [42] away by their prejudice in favour of the subject on which they wrote. In the garden of the Arabian poet every flower is a jewel, every plot is a silken carpet, tapestried with the intricate patterns of the weavers of Persia, and every maiden is a houri, each of whose physical attributes becomes in turn the subject of a glowing quatrain. ”

“ The fall of the 'Umayyads and the replacing of the Arabs by the Persians commences the golden age of Arabic literature and scholarship. The older Arabic literature, that namely which was written by Arabs as yet untouched by external influences, consists entirely of poetry, the work of professional bards who sing of desert life and warfare, lament over the deserted camping grounds, boast of their tribe, and abuse their enemies. It forms a distinct class of poetic composition, which has developed its own literary standards, and attained a high standard of excellence in its way. ”

“ The real question is whether a word for word version of the Arabian Nights, executed with peculiar literary vigor, exact scholarship, and rare insight into Oriental modes of thought and feeling, can under any shadow of presence be classed with 'the garbage of the brothels.' In the lack of lucidity, which is supposed to distinguish English folk, our middle-class censores morum strain at the gnat of a privately circulated translation of an Arabic classic, while they daily swallow the camel of higher education based upon minute study of Greek and Latin literature. ”

“ It is characteristic of the Arabs that they reckon caligraphy among the fine arts; and certainly any one who has seen finished examples of the work of Arab penmen must acknowledge that there is in them something more than mere dexterity and elegance,—that these wonderfully free and pure forms are controlled by the same feeling for nobility of outline which appears in all branches of Arab decorative art. ”

“ The mysterious accents of the Arabic language, and the intricate manner in which its characters were combined in the inscriptions which adorned the public edifices, aroused in the minds of the ignorant suspicions of sorcery, with its accompaniments of talismans, amulets, charms, and incantations. The magnificent architectural works of Arab genius were attributed to infernal agency, as beyond the efforts of unaided human power ”

“ A long and tedious apprenticeship is usually required for the attainment to perfection in any of these accomplishments; but the versatile Arab seemed, by intuition, to be able to grasp them all, without previous experience or instruction. In literature, as well, was this pre-eminence of genius disclosed. Poetry was the sole form of literary manifestation appreciated by the Arabic mind; improvisation the only talent it deemed worthy of applause. Even among the most intelligent, nothing deserving of the name of history was preserved ”

“ By the early twentieth century a new crop of writers, authors, poets, littèrateurs and scientific workers had been raised and was beginning to inch its way slowly to the front, receiving its stimulation from the living present rather than the dead past. Through their pens the Arabic language, rusty with age and given to the expression of traditional unprogressive thought, received a fresh polish and an injection of new life which started it on its way to becoming a vehicle capable of expressing the finest shades of scientific thought and the most delicate sentiments of the human heart. ”

“ In the most ancient times the Arabs had a particular taste for poetry, which among almost all people had opened a way to the most elevated and abstract studies. Their language, rich, flexible and abundant, favored their fertile imagination; their spirit lively and sententious; their eloquence natural and artless, they declaimed with energy the pieces they had composed, or they sang, accompanied with instruments, in a very expressive chorus. ”

“ In text "Ghayth al-Hátíl = incessant rain of small drops and widely dispread. In Arab. the names for clouds, rain and all such matters important to a pastoral race are well nigh innumerable. Poetry has seized upon the material terms and has converted them into a host of metaphors; for "the genius of the Arabic language, like that of the Hebrew, is to form new ideas by giving a metaphorical signification to material objects (e.g. 'Azud, lit. the upper arm; met. a helper) ." ”

“ No picture can ever adequately represent the bazaar, not even a moving picture; for besides the unending kaleidoscopic changes of coloring, as brightly dressed peddlers and purchasers move hither and thither, there is a ceaseless, deafening, indescribable and untranslatable tumult of sound. Yet to one who understands Arabic, this is more than noise: it is music, poetry and romance. The hawker of each commodity uses a peculiarly worded appeal which, in eloquent circumlocution, extols the virtues of his wares. ”

“ Of the Badi'a or euphuistic style, "Parleying euphuism," and of AI Saj'a, the prose rhyme, I shall speak in a future page.
The characteristics of the whole are naivete and simplicity, clearness and a singular concision. The gorgeousness is in the imagery not in the language; the words are weak while the sense, as in the classical Scandinavian books, is strong; and here the Arabic differs diametrically from the florid exuberance and turgid amplifications of the Persian story-teller, which sound so hollow and unreal by the side of a chaster model. ”

“ We read there: “The Arabs had such an interest in poetry, and valued it so highly, that they took seven long pieces selected from the ancient poetry, wrote them in gold on pieces of Coptic linen folded up, and hung them up (‛allaqat) on the curtains which covered the Ka‛ba. Hence we speak of ‘the golden poem of Amra’al Qais,’ ‘the golden poem of Zuhair.’ The number of the golden poems is seven; they are also called ‘the suspended’ (al-Mo‛allaqāt) .” Similar statements are found in later Arabic works. ”

“ There are among them professed story-tellers, who delight the listeners with fanciful tales of enchantment, adventure, and love, or perhaps they repeat, in an animated manner, some fine specimens of Arabic poetry. Thus it is, that mankind, occupying the gloomiest parts of the earth, have amusements. As the steel is made to yield its spark, so the Arab finds pleasure in the desert. ”

“ A revival, however, of Arabian learning is taking place in Egypt, Syria, and North Africa, but in accordance with European models, and chiefly under European auspices. All original research has long been extinct, even among those populations whose vernacular is the Arabic language; and consequently it is the former, and not the present state of Arab literature, which is the most interesting to the people of to-day. ”

“ In no other family of human speech would it be possible that the most antique and original of its dialects, the fullest in its forms, the most uncorrupted in its phonetic structure, the most faithful representative of the ideal type inherent in them all, should be the youngest of their number. But such is the character of the classical Arabic, whose earliest literary monuments are from fifteen to twenty centuries later than those of the Hebrew and Assyrian. ”

“ In the art of the Arabs the inspiration is completely independent of living nature. The Arab artist proceeds from within to the exterior; he sets himself problems, and transfers them by means of the compass and rule. The decorative impulse of Arab art consists of geometrical diagrams either carved into relief, or inlaid, or simply laid flat. ”

“ The Arab children in the mission schools now sing Christian hymns and many of the stories that you love to read, such as “Ben Hur” and “Black Beauty” and “Robinson Crusoe,” have been translated into Arabic. At the Beirut press alone about twenty-five million pages of Christian books are printed every year.
When the Bible takes the place of the Koran, the Arab speech with all its beauty and strength will become more than ever “the language of the angels.” ”

“ To borrow a simile from a sister art; the Arab poet sets before the mental eye, the dim grand outlines of picture,which must be filled up by the reader, guided only by a few glorious touches, powerfully standing out, and by the sentiment which the scene is intended to express;whereas, we Europeans and moderns, by stippling and minute touches, produce a miniature on a large scale so objective as to exhaust rather than to arouse reflection. As the poet is a creator, the Arabs is poetry, the Europeans versical description. ”

“ Imperfect translations, and type which seemed to caricature their alphabet, had done much to prejudice Arabic scholars against the Christian Scriptures. By the labors of the mission, these objections were now removed. The educated Arab finds a book printed in characters modeled after the most approved specimens of Arab caligraphy. He soon perceives the style to be that of a man who is master of this wonderful language in all its grammatical and idiomatic niceties and rich resources. As a literary work it secures his respect, and thus invites a candid perusal. ”

“ We shall not easily forget 'the splendid comet of Arab civilization that has left such a trail of light behind it,' but cannot help remarking that neither the Arab in a state of nature, nor the Moor surrounded by every refinement and luxury, seem to be much influenced by the grace and beauty around them; and in this they do not stand alone, for it is, as we said, a notable fact? that contact with what is beautiful in scenery or in art, is of itself of little worth. ”

“ Had it not been for the Koran and its cognate literature, by this time the people of Syria, Egypt, Morocco and Oman would perhaps scarcely understand each other, and their written language would differ vastly; but the existence of this literature has kept the written language a unit and put a constant check on the vagaries of dialect.
The last, and chief element of beauty in the Arabic tongue249 is undoubtedly its wonderful literature. In poetry alone, the Arabians can challenge the world; in grammar, logic and rhetoric the number of their works is legion ”

“ The Persian and Mesopotamian civilisation triumphed in its glorious use of coloured glaze decoration, which has been carried westward to Syria and Rhodes, and still continues in the vast domes of coloured tiles in Spain.
In Arab art we meet the exquisite calm of geometrical design with various angles, which cannot be analysed at a glance like a Roman pavement: they arrest the eye to linger over them, to seek how they arise, and what they mean.
Further east, it is difficult for us to enter sufficiently into the fundamental feelings of the races, to enable us to value their art truly. ”

“ In the art of mural decoration the Arab stands alone and unrivalled. The exterior of his edifices, as a rule, was bare and sombre, but within, the glowing imagination of the artist revelled in a myriad forms of exquisite taste and beauty. A religious system, whose simple doctrines appealed rather to the heart than to the senses; social customs, whose jealous observance forbade even the appearance of publicity, screened from the eyes of the curious the celebration of religious ceremonies and the instructive exhibition of domestic life and manners. ”

“ But, even if spoken Egyptian becomes the language of writing, what is to prevent your keeping up the Arabic of the Koran? In the village schools the children can still learn it by heart. In the other schools you can continue to teach it, as we teach classics in England. It has long been considered part of the accomplishments of an English gentleman to write verse and prose in correct Latin and Greek. You have much stronger reasons for making a sound knowledge of classical Arabic a necessary accomplishment of every educated Egyptian. ”