Buddha-nature

Definition and stakes

Paul Claudel,  The East I know (1914)

“ Before the golden Buddha in the leaves, time is measured by the burning of a little candle; and in the depth of this ravine, by the dripping of a triple fountain.
Swept away, overthrown in the chaos and turmoil of the incomprehensible sea, lost in the churning abyss, mortal man with all his strength clutches at something that may prove solid in his grasp. That is why he accords the permanence of wood, metal, or stone to the human figure, and makes it the object of his devotion and his prayer. Besides their common names, he gives proper names to the forces of nature
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Source: Gutenberg

Portrait of Daisetz Teitaro Suzuki Daisetz Teitaro Suzuki,  Essays in Zen Buddhism (1927)

“ Those who have not seen into their own Nature, may read the Sutras, think of the Buddha, study long, work hard, practise religion throughout the six periods of the day, sit for a long time and never lie down for sleep, and may be wide in learning and well-informed in all things; and they may believe that all this is Buddhism. All the Buddhas in successive ages only talk of seeing into one’s Nature. All things are impermanent; until you get an insight into your Nature, do not say, ‘I have perfect knowledge.’ Such is really committing a very grave crime. ”
Source: Gutenberg

Portrait of Arthur Waley Arthur Waley,  Zen Buddhism, and Its Relation to Art

“ There is another aspect of Zen which had an equally important effect on art. The Buddha-nature is immanent not in Man only, but in everything that exists, animate or inanimate. Stone, river and tree are alike parts of the great hidden Unity. Thus Man, through his Buddha-nature or universalised consciousness, possesses an intimate means of contact with Nature. ”
Source: Gutenberg

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