Daughters of Danaus

Definition and stakes

Emilie K. Baker,  Stories of Old Greece and Rome

“ As soon as the gates close on the newly-admitted soul, there is a renewed clamor of voices, while heart-breaking sighs and groans mingle with the curses of those who in their misery dare to defy the gods. And beneath all the awful sounds that greet the listener's ears, there is an undertone of pitiful wailing like the sea's "melancholy, long-withdrawing roar" that seems to come from millions of throats too feeble to utter a loud cry. The deepest sighs proceed from the Danaïdes,—the beautiful daughters of Danaüs, king of Argos,—who must forever strive to fill a bottomless cask with water. ”
Source: Gutenberg

Roy C. Flickinger,  The Greek theater and its drama (1918)

“ In the earliest Greek tragedy extant, Aeschylus’ Suppliants, the chorus, the fifty daughters of Danaus who have fled from Egypt to Argos in order to escape marriage with their fifty cousins, are themselves the story. The actors are of secondary importance. From the standpoint of dramatic interest Danaus himself, the king of Argos, and the suitors’ herald do not compare with the girls themselves. In the Persians and the Seven against Thebes, Aeschylus has been nearly as successful. ”
Source: Gutenberg

Half a Hundred Hero Tales of Ulysses and The Men of Old

“ There Ixion, murderer of his father-in-law, is racked upon the ever-turning wheel, and Tantalus, who slew his son, endures eternal hunger in sight of food and eternal fear from the stone ever ready to fall. There the daughters of Danaüs cease not to pour water into bottomless urns. There Sisyphus, who broke faith with the gods when they permitted him to return a little while to the upper world, evermore rolls up a steep hill a great stone that, falling back from the summit, crushes the wretch in its downward rush. ”
Source: Gutenberg

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