Ghost Dance

“ The hypnotic action described is the same which the author has repeatedly seen employed in the Ghost dance, resulting successively in involuntary trembling, violent spasmodic action, rigidity, and final deathlike unconsciousness. The Ghost dancers regard the process not only as a means of bringing them into trance communication with their departed friends, but also as a preventive and cure of disease, just as we have our faith healers and magnetic doctors. ”

“ The participants form a circle, each person grasping the hand of his adjacent neighbor, and all moving sidewise with a dragging, shuffling step, in time to the songs which provide the music. The purpose of the Dream Dance is to communicate with the Great Spirit of Life. The Ghost Dance has for its object the communication of the participants with the spirits of the departed relatives and friends, this being accomplished by hypnotic trances induced through the agency of the medicine man. ”

“ He next marked off, according to one informant, two or three places on the east side of the floor, saying that he and his followers would dance there. This was contrary to the usual procedure in dances, for the regular dancing area in front of the center pole was always used. As a matter of fact, the ghost dance itself was actually performed in the usual area also, but this indicating of another area, and this announcement, are only other evidences that the spirits must always do things differently from mortals. ”

“ The whirlwind is regarded with reverence by all the prairie tribes. In the mythology of the Ghost dance it seems to be an important factor in assisting the onward progress of the new world and the spirit army. It is mentioned also in several Arapaho ghost songs. ”

“ Mary Irvin Wright THE GHOST DANCE—LARGE CIRCLE
We shall now describe the hypnotic process as used by the operators, with the various stages of the trance. The hypnotist, usually a man, stands within the ring, holding in his hand an eagle feather or a scarf or handkerchief, white, black, or of any other color. Sometimes he holds the feather in one hand and the scarf in the other. As the dancers circle around singing the songs in time with the dance step the excitement increases until the more sensitive ones are visibly affected. ”

“ There seems to be something so entirely incongruous in scaring the ghost away by shouting at it and beating him down into his grave, and yet dancing on and around the grave which is so very frequently a mark of honour to the dead. ”

“ The person dancing becomes dizzy and finally drop dead, and the first thing they saw is an eagle comes to them and carried them to where the messiah is with his ghosts. The man said this:
The persons in the ghost dancing are all joined hands. A man stands and then a woman, so in that way forming a very large circle. They dance around in the circle in a continuous time until some of them become so tired and overtired that they became crazy and finally drop as though dead, with foams in mouth all wet by perspiration. All the men and women made holy shirts and dresses they wear in dance. ”

“ If they are so unfortunate as to touch even his stick, all their children will perish out of hand.
[Pg 406]
THE GHOST CEREMONY PROPER
The dancers were of two classes, the ordinary ghost-dancers, or "devils," called xahluigak (E) , and the "ash-devils," or fire-eaters, called nō xahlūigak (E) . The former danced almost exclusively during the day, and the latter at night, though these regulations were not quite absolute. The ash-devils were always present at the ghost ceremony and during the ghost dance proper they served, in a way, as sergeants-at-arms and as clowns. ”

“ The Kiowa assembled on the Washita, at the mouth of Rainy Mountain creek, and here, at the largest Ghost dance ever held by the tribe, Sitting Bull consecrated seven men and women as leaders of the dance and teachers of the doctrine by giving to each one a sacred feather to be worn in the dance as the badge of priesthood. Until the Ghost dance came to the prairie tribes their women had never before been raised to such dignity as to be allowed to wear feathers in their hair. ”

“ The Ghost dance practically superseded all other dances among the Cheyenne and Arapaho, and constantly developed new features, notably the auxiliary “crow dance,” which was organized by Grant Left Hand. This was claimed as a dance seen in a trance vision of the spirit world, but is really only a modification of the “Omaha dance,” common to the northern prairie tribes. The opening of the reservation and the influx of the whites served to intensify the religious fervor of the Indians, who were now more than ever made to feel their dependent and helpless condition. ”

“ By this time it was dark, and the Indians invited the interpreter and myself to come over to a tipi about half a mile away, where we could meet all the old men. We started, and had gone but a short distance when we heard from a neighboring hill the familiar measured cadence of the ghost songs. On turning with a questioning look to my interpreter—who was himself a half-blood—he quietly said: “Yes; they are dancing the Ghost dance. That’s something I have never reported, and I never will. It is their religion and they have a right to it.” ”

“ The ghost shirt may easily have been an inspiration from a trance, while the trance vision itself was the result of ideas derived from previous observation or report. The author is strongly inclined to the opinion that the idea of an invulnerable sacred garment is not original with the Indians, but, like several other important points pertaining to the Ghost-dance doctrine, is a practical adaptation by them of ideas derived from contact with some sectarian body among the whites. ”

“ There might be thought to be a superstitious character in those dances in which the performers are supposed to be 'ghosts,' if it were not that ghosts were believed to amuse themselves with dancing as well as men; it might be thought that when the members of tamate ghost clubs dance in masks representing birds or fish they are dancing in honour of what may be called their totems, if there were the least reason to believe that the emblems of the clubs had any character of the sort. ”

“ After the painting the dancer was robed in the sacred ghost shirt already described. This also was painted with, symbolic figures, among which were usually represented sun, moon, or stars, the eagle, magpie, crow, or sage-hen, all sacred to the Ghost dance among the Sioux. In connection with the painting the face and body were rubbed with the sweet-smelling vernal grass (Hierochloe) , used for this purpose by many of the prairie tribes, and sometimes also burned as incense in their sacred ceremonies or carried as a perfume in small pouches attached to the clothing. ”

“ In this message from the high priest of the Ghost dance we have a synopsis of all three. With regard to the ritual part, ceremonial purification and bathing have formed a part in some form or other of every great religion from the beginning of history, while the religious dance dates back far beyond the day when the daughter of Saul “looked through a window and saw King David leaping and dancing before the Lord.” The feasting enjoined is a part of every Indian ceremonial gathering, religious, political, or social. ”

“ Since the various races from which illustrations of the sacred dance as a mourning rite are gathered were, or are (as the case may be) , in different stages of civilization, it follows that the purposes of the rite vary; for the belief regarding the attitude of the dead towards the living has a good deal to do with the purpose for which the [30] sacred dance was performed. Thus we find that it sometimes has the object of driving away the ghost of the departed; or else there will be a dance on the grave for the purpose of preventing the ghost from roaming. ”

“ From this time the Ghost dance grew in fervor and frequency among the Arapaho and Cheyenne. In almost every camp the dance would be held two or three times a week, beginning about sunset and often continuing until daylight. The excitement reached fever heat in September, 1890, when Sitting Bull came down from the northern Arapaho to instruct the southern tribes in the doctrine and ceremony. ”

“ No drum, rattle, or other musical instrument is used in the dance, excepting sometimes by an individual dancer in imitation of a trance vision. In this respect particularly the Ghost dance differs from every other Indian dance. Neither are any fires built within the circle, so far as known, with any tribe excepting the Walapai. The northern Cheyenne, however, built four fires in a peculiar fashion outside of the circle, as already described. With most tribes the dance was performed around a tree or pole planted in the center and variously decorated. ”

“ We hoped the teachers and Miss Plympton were safe in their downies and we trusted in Mr. Ryan's superstitious nature to keep him out of the Gym.
The ghost dance began later and was kept up buoyantly, without music except a weird rhythmic whistling that the dancers themselves furnished. This whistling is done by sucking in and never blowing out and the effect is most uncanny. It is very hard on your wind to whistle this way, but [87] when your breath gives out, your partner picks up the tune where you leave off and keeps the ball rolling. ”

“ An immense drum is an important feature. Men and women take part, and the songs refer to the general subject of the crow and the messiah, but are set to a variety of dance steps and evolutions performed by the dancers. As the leaders, who are chiefly young men, are constantly studying new features, the crow dance has become one of the most attractive ceremonies among the prairie tribes. Hypnotism and trances form an essential feature of this as of the Ghost dance proper. ”

“ Every Indian parent who has lost a child, every child who has lost a parent, and every young man and woman who has lost a brother, sister, or friend affirms a similar reason for belief in the Ghost dance. ”

“ This song is from the northern Arapaho. The author of it, in his visit to the spirit world, found his former friends playing the old game of the bä′qati wheel, which was practically obsolete among the prairie tribes, but which is being revived since the advent of the Ghost dance. As it was a favorite game with the men in the olden times, a great many of the songs founded on these trance visions refer to it, and the wheel and sticks are made by the dreamer and carried in the dance as they sing. ”

“ PL. CXI SACRED OBJECTS FROM THE SIOUX GHOST DANCE
a, Staff; b, c, Bow and bone-head arrows; d, Gaming wheel and sticks
919
Frequently in the dance one or more of the leaders while sitting within the circle would beat upon the earth with his extended palm, then lay his hand upon his head, afterward blow into his hand, and then repeat the operation, praying all the time. Sometimes the hypnotist would beat the ground in the same way and then lay his hand on the head of the subject (plate cxv) . ”

“ On entering the room where I sat awaiting him, Nĭshkû′ntŭ approached and performed mystic passes in front of my face with his hands, after the manner of the hypnotist priests in the Ghost dance, blowing upon me the while, as he afterward explained to blow evil things away from me before beginning to talk on religious subjects. He was good enough to state also that he had prayed for light before coming, and had found that my heart was good. ”

“ Their enemies weapon will not go through these dresses. The ghost dancers all have to wear eagle feather on head. With this feather any man would be made crazy if fan with this feather. In the ghost dance no person is allow to wear anything made of any metal, except the guns made of metal is carry by some of the dancers. When they come from ghosts or after recovery from craziness, they brought meat from the ghosts or from the supposed messiah. They also brought water, fire, and wind with which to kill all the whites or Indians who will help the chief of the whites. ”

“ So far as personal observation goes, the hypnotic subjects are usually as strong and healthy as the average of their tribe. It seems to be a question more of temperament than of bodily condition or physique. After having observed the Ghost dance among the southern tribes at intervals during a period of about four years, it is apparent that the hypnotic tendency is growing, although the original religious excitement is dying out. ”

“ About 1740 a similar extravagant sect, known as the Jumpers, arose in Wales. According to the description given by Wesley, their exercises were a very exact parallel of the Ghost dance. “After the preaching was over anyone who pleased gave out a verse of a hymn, and this they sung over and over again, with all their might and main, thirty or forty times, till some of them worked themselves into a sort of drunkenness or madness; they were then violently agitated, and leaped up and down in all manner of postures frequently for hours together.” ”

“ It may be remarked here that, under present conditions, when the various tribes are isolated upon widely separated reservations, the Ghost dance could never have become so widespread, and would probably have died out within a year of its inception, had it not been for the efficient aid it received from the returned pupils of various eastern government schools, who conducted the sacred correspondence for their friends at the different agencies, acted as interpreters for the delegates to the messiah, and in various ways assumed the leadership and conduct of the dance. ”