Hindu art

Definition and stakes

Portrait of Ernest Binfield Havell Ernest Binfield Havell,  A Handbook of Indian Art (1920)

“ The Hindu artist, on the other hand, was both a court chronicler and a religious teacher. Vaishnava and Saiva legends, in which the gods descended to earth, lived the life of the people, and performed wondrous miracles, were their favourite themes, treated with all the reverence of the earnest devotee. But though the Hindu painter imbues such subjects with a sensitiveness and artistic charm which are peculiarly his own, the appeal which he makes to the Indian mind is not purely æsthetic. His is no art for art's sake: for the Hindu draws no distinctions between what is sacred and profane. ”
Source: Wikisource

Portrait of Ernest Binfield Havell Ernest Binfield Havell,  A Handbook of Indian Art (1920)

“ The most sacred places both of Buddhist and Hindu India are those where a mountain torrent pours over a scarp of rock curved like the crescent moon on Siva's brow, reminding the pious pilgrim of the holy Ganges as she descends into the plains of India at Hardwar over Himālayan wooded precipices—the tangled locks of the Great Yogi of Kailāsa, who represents the Brahman ideal of the Enlightened One. ”
Source: Wikisource

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