Palladianism

“ Palladio’s compositions are, indeed, based on order and symmetry, but order and symmetry of a mechanical kind. On these and other kindred qualities grammarians in art are prone to lay great stress, but unless accompanied by many others, which for the most part elude all human powers of analysis and description, though they are instinctively grasped by the true artist and appreciated by the discerning and sympathetic beholder, they have little value. ”

“ As Palladius had lived for a whole year with the gentle Possidonius, and he speaks of him with the warmth of a true friend, it seems justifiable to assume that he was himself a man of amiable and sympathetic nature, and one to whom the pathos of the ascetic life appealed more than its grim majesty. ”

“ If we contemplate, on the spot, the noble buildings which Palladio has erected, and see how they are disfigured by the mean filthy necessities of the people, how the plans of most of them exceeded the means of those who undertook them, and how little these precious monuments of one lofty mind are adapted to all else around, the thought occurs, that it is just the same with everything else; for we receive but little thanks from men, when we would elevate their internal aspirations, give them a great idea of themselves, and make them feel the grandeur of a really noble existence. ”

“ Lucian and Palladas are the two most successful poets in this style. Palladas, whose life falls in the first half of the fifth century, a pagan, who regarded with disgust the establishment of Christianity, attained by a style of "elegant mediocrity" to the perfection of proverbial philosophy in verse. When we remember that the works of Euripides, Menander, Philemon, Theophrastus, and the Stoics were mines from which to quarry sentiments about the conduct of life, we understand the general average of excellence below which he rarely falls and above which he never rises. ”

“ The formidable body of architectural dogma, contained in the literature of the Renaissance on this subject, has been so widely accepted as authoritative that modern art has been largely shaped by it. The so-called Palladian style of the seventeenth century was derived mainly from the Italian books, and the more recent teaching has been so implicitly based on the writings of Vignola and Palladio that few architects of academic training have thought of questioning the belief that the formulas of these writers constitute the only true basis of correct design. ”

“ On the whole, we may conclude that the parents of Palladius were people of some standing, and that they could afford to give him money enough to travel from place to place in comfort. That he was never a very robust man is proved by the fact that he was unable to serve his term of three years with Dorotheos of Thebes, and by the allusions to the sickness and fever which attacked him when travelling, and to the troubles caused by his kidneys and stomach, which eventually compelled him to forsake the desert and to go to Palestine. ”

“ It was Palladian, and like most architecture erected since the Gothic age was a compilation rather than a design. But its reasonableness made it impressive. It was not rich, but rich enough. A timely consciousness of the ultimate vanity of human architecture, no less than of other human things, had prevented artistic superfluity. ”

“ The volume of Greek art, compared with which that of Rome was but a debasing translation, has since that time been opened to the world; and, however we may continue to admire the industry by which Palladio obtained his then extended knowledge, the fancy and pictorial beauty which pervade many of his designs, and the worth of the architect himself as a man of genius, taste, and letters, it is yet our duty to direct the architectural student to look much farther than Vicenza for examples of pure design, and for principles of essential value. ”

“ I have often marvelled what it is in those fair white columns, that charms me so much more than the palaces of the East, refulgent with gems and gold."
"The beauty that lies within has ever a mysterious power," answered Plato. "An amethyst may beam in the eye of a statue; but what, save the soul itself, can give the expression of soul? The very spirit of harmony is embodied in the proportions of the Parthenon. It is marble music. I sometimes think the whole visible beauty of creation is formed from the music of the Infinite ”

“ In its pages he had taken his first peep at philosophy—philosophy, as conceived by him, so near to, so replete with, poetry;—‘Really, Phaedrus, you make a most charming guide.’ Nay, it was poetry! deep, impassioned poetry! for with Plato, even the trees and streams, all the lovely things of the visible world, were made to play their parts. It was as if they possessed active and living souls. They had at least, the boy felt, a wonderful share in the development of one’s own soul: they [60] seemed to breathe about it an atmosphere of light and purity and happiness. ”

“ By the example of his numerous architectural works, as well as by his writings, the influence on modern art of this famous neo-classicist has been greater than that of any other architect of the Renaissance, so that we have, in the principal countries of Europe, a style of architecture which is known as Palladian. Palladio was the first architect of the Renaissance who was not at any time either a painter or a sculptor. He begins his well-known book [21] as follows: "Guided by natural inclination, I began in my earliest years to devote myself to the study of ”

“ It is impossible to conceive a structure more truly classical, or to point out a single ornament which has not the best antique authority. I am not in the least surprised that the citizens of Vicenza enthusiastically gave in to Palladio’s plan, and sacrificed large sums to erect so beautiful a model. When finished, they procured, at a vast expense, the representation of a Grecian tragedy, with its chorus and majestic decorations. You can enter into the rapture of an artist, who sees his fondest vision realized ”

“ Olympia was in truth, as Pindar says again, a mother of gold-crowned contests, the mother of a large offspring. All over Greece the enthusiasm for gymnastic, for the life of the gymnasia, prevailed. It was a gymnastic which, under the happy conditions of that time, was already surely what Plato pleads for, already one half music, mousikê,+ a matter, partly, of character and of the soul, of the fair proportion between soul and body, of the soul with itself. ”

“ No creature on the earth has so tortured himself as Man, and none has raised a more exultant Alleluia. It would still be possible to erect places of refuge, cloisters wherein life would yet be full of joy for men and women determined by their vocation to care only for beauty and knowledge, and so to hand on to a future race the living torch of civilisation. When we read Palladius, when we read Rabelais, we realise how vast a field lies open for human activity between the Thebaid on one side and Thelema on the other. ”

“ But in the Phaedrus and Symposium love and philosophy join hands, and one is an aspect of the other. The spiritual and emotional part is elevated into the ideal, to which in the Symposium mankind are described as looking forward, and which in the Phaedrus, as well as in the Phaedo, they are seeking to recover from a former state of existence. Whether the subject of the Dialogue is love or rhetoric, or the union of the two, or the relation of philosophy to love and to art in general, and to the human soul, will be hereafter considered. ”

“ Now, just such a childlike greatness was in the primitive nations. The first Pagan Thinker among rude men, the first man that began to think, was precisely this child-man of Plato’s. Simple, open as a child, yet with the depth and strength of a man. Nature had as yet no name to him; he had not yet united under a name the infinite variety of sights, sounds, shapes and motions, which we now collectively name Universe, Nature, or the like,—and so with a name dismiss it from us. To the wild deep-hearted man all was yet new, not veiled under names or formulas ”

“ Paddy's merits, however, touching the alibi, rest not here. Fiction on these occasions only teaches him how to perform a duty. It may be, that he is under the obligation of a previous oath not to give evidence against certain of his friends and associates. Now, could anything in the whole circle of religion or ethics be conceived that renders the epic style of swearing so incumbent upon Paddy? There is a kind of moral fitness in all things; for where the necessity of invention exists, it is consolatory to reflect that the ability to invent is bestowed along with it. ”

“ With all his zeal for reform by a stricter conformity to classic models, the designs of Inigo Jones were never truly classical, and they often exhibit ludicrous aberrations. He had no true conception of the principles of classic art, as no architects of the Renaissance ever had. The Palladian architecture, which he mainly strove to follow, was itself, as we have seen, far from true to classic design. ”

“ He lived in that great city a perfect model of meekness, patience, mortification, and prayer. He frequently burst into tears at table, saying: "I who am a rational creature, and made to enjoy God, eat the food of brutes, instead of feeding on the bread of angels." Palladius, afterwards bishop of Helenopolis, on going to Egypt to embrace an ascetic life, addressed himself first to our saint for advice: the skilful director bade him go and exercise himself for some time in mortification and self-denial, and then return for further instructions. ”

“ The reader, along with Nausicaa, is to see the transformation of the beggarly wanderer, who, having taken his bath and put on his raiment, comes forth like a God. This is said to be the work of Pallas, "who caused him to appear taller and more powerful, with flowing locks, like the hyacinth." He becomes plastic in form, beautiful as a statue, into which the divine soul has been transfused by the artist. Such a transforming power lies within him, yet is granted also by a deity; the godlike in the man now takes on a bodily, or rather a sculpturesque appearance, and prophesies Greek plastic art. ”

“ How could they make any progress in the sciences without first arranging them? These are the deficiencies which Plato is seeking to supply in an age when knowledge was a shadow of a name only. In the earlier dialogues the Socratic conception of universals is illustrated by his genius; in the Phaedrus the nature of division is explained; in the Republic the law of contradiction and the unity of knowledge are asserted; in the later dialogues he is constantly engaged both with the theory and practice of classification. ”

“ But it is highly significant that a man who has mixed among mystics of all grades for probably thirty years, who is affiliated to innumerable orders, and in his present mood would be glad to expose everything, has nothing to tell us of the Palladium, though he dwelt at its gates, and the circles he frequented were at a stone’s cast from the alleged Mother-Lodge Lotus of Paris. ”

“ A striking example of the part played by moral and personal factors in the evolution of truth may easily be found, as has already been suggested, in some of the circumstances connected with the evolution of the Platonic philosophy in the mind of its creator. Plato’s constant use of the dialogue form of exposition is of itself an expression of the fact that philosophy was always to him a living and a personal thing, the outcome of an intellectual emotion of the soul in its efforts after true knowledge and spiritual perfection. ”

“ Palladin told us. "From what we have been able to gather astronomically, that planet seems habitable. Mirla, we know, is out of the question; it is a holocaust of fire. And to dwell on the semi-aquatic world of Venia, a new environmental adaptation would be necessary."
Fantastic, wasn't it, O Exalted Empress, that we the rightful Lords of Diskra should be compelled to abandon our beloved homes by a horde of vermin? Indeed it was a tragic day when the first scientific expedition was assembled. And I, Braanol, was honored beyond my humble desserts by his Supreme Magnificence, Palladin. ”

“ Thus, there was an idea or notion of a man, horse, etc., before there was any actual man or horse—though he was rather staggered at the notion of there being eternal ideas of mud, hair, dirt, etc. Thus, besides the world of spiritual existences, Plato held that there is also a distinct world of invisible, self-existent, eternal, and unchangeable ideas. These, with some variations, were the doctrines which were called realism in the middle ages. ”

“ Philosophy itself indeed, as he conceives it, is but the sympathetic appreciation of a kind of music in the very nature of things.
There have been Platonists without Plato, and a kind of traditional Platonism in the world, independent of, yet true in spirit to, the Platonism [269] of the Platonic Dialogues. Now such a piece of traditional Platonism we find in the hypothesis of some close connexion between what may be called the aesthetic qualities of the world about us and the formation of moral character, between aesthetics and ethics. ”

“ But each one will possess it, I am persuaded, in the proportion in which he prepares himself by a pure life and habitual meditation. It will then reveal itself with new strength every day. So will it also be of service to contemplate the characters and lives of those who have lived illustriously, both for their virtue and their philosophy. To study the character of Plato will be more beneficial in this regard than to ponder the arguments of the Phoedo. ”