Riva degli Schiavoni

Definition and stakes

Portrait of Paul Heyse Paul Heyse,  Andrea Delfin

“ The Riva degli Schiavoni, which was to his left, was also densely crowed with people full of expectation. Behind a Turk's turban appeared a red Greek fez, the picturesque cap of a mariner from Chioggia, a triangular hat, or a powdered wig, and likewise the various tongues could be heard chattering all together, while the monotonous calls of the gondoliers, echoing from the waterside, told even the blind that the Great Canal of Venice flowed at their feet. ”
Source: Gutenberg

Beryl De Zoete,  Venice

“ Massiveness and grace are magnificently combined in this east wall of the Ducal Palace; it is at once solemn and brilliant; and as we look back to its angle with the Riva, the rose and snowy marbles gleam as if they were transparent.
A little further and the waters have us in their power. The Ponte di Canonica denies us passage; the tide is too high for us to pass beneath it, and we are forced to return to the Riva degli Schiavoni.200 But before we turn we may see one of the most beautiful of Renaissance palaces rising in clear whiteness against the blue of the sky.
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Source: Gutenberg

Beryl De Zoete,  Venice

“ There is nothing here of that wild disorder of the beast untamed, which is mistaken sometimes for strength. The hand of Colleoni is light upon the bridle, the horse glories in a subjection that is itself a triumph: he and his master are one. Do but compare this for a moment with the prodigious mass, the plunging man and beast, that overlook the Riva degli Schiavoni—Victor Emanuel on horseback. It is not altogether an arbitrary contrast; the two great monuments seem to represent Venice before the fall and Venice after. ”
Source: Gutenberg

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