The Faerie Queene

“ The personages in The Faerie Queene, noble and miraculous as they are, are not of the fairy persuasion at all. They wander through the forests in the hope of coming upon these supernatural denizens, but they never succeed in doing so. The Holy Grail appeared far oftener to the Knights of the Round Table than a real fairy was perceived by Paradel or Blandamour. ”

“ There is something in Spenser that pleases one as strongly in old age as it did in youth. I read the Faerie Queene when I was about twelve, with infinite delight; and I think it gave me as much, when I read it over about a year or two ago."
The imperishable charm of the poem lies in its appeal to the pure sense of beauty. "A beautiful pagan dream," says Taine, "carries on a beautiful dream of chivalry." ”

“ PURPOSE OF THE EDITION When reading a book such as The Faerie Queene, it is tempting to minimize the looking up of difficult words, which are often glossed, if at all, in the end pages. Although Spenser's use of certain words appears quaint and lumpish, the language is superficially modern enough to enable the reader to "get by". Yet such an approach can lead only to a faulty appreciation of the poem, and deprives one of much enchantment. Queen Elizabeth would have found nothing lumpish about the language: her only impatience might have been with Spenser's weakness for archaisms. ”

“ The next year Spenser was back in London and published the Prothalamion, a lovely ode on the marriage of Lord Worcester's daughters, and his four Hymns on Love and Beauty, Heavenly Love, and Heavenly Beauty. The first two Hymns are early poems, and the two latter maturer work embodying Petrarch's philosophy, which teaches that earthly love is a ladder that leads men to the love of God. In this year, 1596, also appeared the last three books of the Faerie Queene, containing the Legends of Friendship, Justice, and Courtesy. ”

“ It is not easy to imagine the Thames bargees chanting passages from the Faerie Queene. Those English poets who have taken strongest hold upon their public have done so by their profound interpretation of our common life. But Spenser escaped altogether from reality into a region of pure imagination. His aerial creations resemble the blossoms of the epiphytic orchids, which have no root in the soil, but draw their nourishment from the moisture of the air.
Their birth was of the womb of morning dew,
And their conception of the glorious prime. ”

“ Probably, however, then, as in later days, the most ardent appreciators of of Spenser were the men of the same craft with himself—the men who too, though in a different degree, or in a different kind, possessed the 'vision and the faculty divine.' This great estimation of the Faerie Queene was due not only to the intrinsic charms of the poem—to its exquisitely sweet melody, its intense pervading sense of beauty, its abundant fancifulness, its subtle spirituality—but also to the time of its appearance. For then nearly two centuries no great poem had been written in the English tongue. ”

“ So much more profitable and gracious is doctrine by ensample then by rule. So have I laboured to do in the person of Arthure: whom I conceive, after his long education by Timon (to whom he was by Merlin delivered to be brought up, so soone as he was borne of the Lady Igrayne) to have seen in a dreame or vision the Faerie Queene, with whose excellent beautie ravished, hee awaking, resolved to seek her out: and so, being by Merlin armed, and by Timon throughly instructed, he went to seeke her forth in Faery land. ”

“ The Faerie Queene might almost be called the epic of the English conquest of Ireland. The poet himself and many of his friends were in that unhappy island as representatives of the queen's government, trying to pacify the natives, and establish law and order out of discontent and anarchy. Spenser's poem was written for the most part amidst all these scenes of misery and disorder, and the courage, justice, and energy shown by his countrymen were aptly portrayed under the allegory of a mighty spiritual warfare of the knights of old against the power of evil. ”

“ To enumerate its imitators would be to recount the names of the most distinguished of our poets; for all have been more or less indebted to the inspiration of Spenser’s genius.
The plot of the Faerie Queene is far more entangled than is at first sight apparent; and too many are disposed, in the more conspicuous attractions of its poetical embellishment, to forget the moral which is conveyed beneath its surface. Besides the moral allegory which is the distinguishing feature of the poem, Spenser has embodied in his story a second and political one. ”

“ We will now proceed to consider the Fairies of romance; and as they are indebted, though not for their name, yet perhaps for some of their attributes, to the Peries of Persia, we will commence with that country. We will thence pursue our course through Arabia, till we arrive at the middle-age romance of Europe, and the gorgeous realms of Fairy-land; and thence, casting a glance at the Faerie Queene, advance to the mountains and forests of the North, there to trace the origin of the light-hearted, night-tripping elves. ”

“ There is no despot so absolute as fashion; and, in the days of Elizabeth, the fashion, whether in literature or manners, was derived from Italy, as now from France; and the glowing tales of knight-errantry and magic, which Ariosto had given to the world, had strongly imbued our ancestors with a taste for the chivalric and marvellous. To this passion we are certainly indebted for the structure of the Faerie Queene ”

“ After the appearance of the Faerie Queene, all distinctions were confounded, the name and attributes of the real Fays or Fairies of romance were completely transferred to the little beings who, according to the popular belief, made 'the green sour ringlets whereof the ewe not bites.' The change thus operated by the poets established itself firmly among the people ”

“ Within a single virtue we have at most a medieval series of exempla. Even if Spenser had lived to subsume all his virtues in Magnificence, the Renaissance virtù, he would have achieved only the summary of a series. The earlier critics of the Faerie Queene were embarrassed by their obligation to consider it as epic. Spenser’s quoting of the Horatian in mediis rebus “A poet thrusteth into the middest” in his preface, and his beginning thus “A gentle knight was pricking on the [132] plaine” are merely superficial. No long poem is farther removed from epic than the Faerie Queene. ”

“ Who is the lady, thus elevated? We see only one solution: namely, that furnished by the conclusion of the poem. It was the Faerie Queene herself whom the God lifted thus, in honour of her English Poets, to rank as the Tenth Muse, an equal with Urania, Clio, Euterpe, and their sisterhood. ”

“ As the child is beautiful he does not take it to [85] be one of the ugly elves left in exchange for a stolen babe, but a human changeling which the fairy thieves have for some reason abandoned. If it were not for the gold left with it, he might suppose that the stolen infant had been temporarily hidden there. We have an allusion to such behavior on the part of the fairies in Spenser's Faerie Queene (i. 10. 65) ”

“ So pleased was Raleigh that he persuaded the poet to accompany him to London, and there lay his poem at the feet of the great queen, whose praises he had so gloriously sung. The trip was made, Spenser was presented to Elizabeth, and read to her Majesty the three Legends of Holiness, Temperance, and Chastity. She was delighted with the fragmentary epic in which she heard herself delicately complimented in turn as Gloriana, Belphoebe, and Britomart, conferred upon the poet a pension of £50 yearly, and permitted the Faerie Queene to be published with a dedication to herself. ”

“ The whole land was saturated with an unexpressed poetry, and the imagination of young and old was so fired with patriotism and noble endeavor that nothing seemed impossible. Add to this intense delight in life, with all its mystery, beauty, and power, the keen zest for learning which filled the air that men breathed, and it is easy to understand that the time was ripe for a new and brilliant epoch in literature. First among the poetic geniuses of the Elizabethan period came Edmund Spenser with his Faerie Queene, the allegory of an ideal chivalry. ”

“ The sustained power and scope of Spenser's master-work, of his "sacred fury", comprise a feat unsurpassed in English literature. But, by its very nature, language changes with time, and access to Spenser's magic kingdom is becoming ever more difficult. I hope this edition provides a key.
THE TEXT OF THE POEM No manuscript of The Faerie Queene is known; we depend for our text upon printed copies of the work. ”

“ The Faerie Queene, too, was a tale of knight-errantry. Its hero was King Arthur, and its pages swarm with the familiar adventures and figures of Gothic romance: distressed ladies and their champions, combats with dragons and giants, enchanted castles, magic rings, charmed wells, forest hermitages, etc. But side by side with these appear the fictions of Greek mythology and the personified abstractions of fashionable allegory. Knights, squires, wizards, hamadryads, satyrs, and river gods, Idleness, Gluttony, and Superstition jostle each other in Spenser's fairy land. ”

“ In the first are some spirited lines in honour of beauty; and the latter contains much poetical imagery, melodiously expressed.
Having thus cursorily enumerated the chief of what are generally called Spenser’s Minor Poems, we may here hazard a few words as to their general merit in relation to “The Faerie Queene.” Though possessed in the highest degree of poetical feelings and imagination, Spenser was evidently of an indolent turn of mind, and required a strong excitement to exhibit his intellect in all its force. ”

“ SUGGESTIONS FOR NEW READERS Readers who are new to The Faerie Queene and who are working without the help of a teacher may be daunted by its sheer size. Such readers are invited to sample some of the poem before deciding to embark on a detailed reading.
If you are at present unfamiliar with Elizabethan spelling and usage, I recommend that, in the beginning, you read each stanza first in the Shadow Text, just to get the mechanical meaning. ”

“ This enemy was no other than a huge and fearful dragon. From every quarter of the globe knights came to fight the accursed beast, but only those whose faith was strong and conscience clear could prevail; and thus knight after knight fell before the dragon, who grew stronger and more cruel in his success.
The king and queen had one child, a daughter, whose name was Una. She loved her parents dearly, and hearing of the knights of queen Gloriana, she resolved to go to the Faerie Court and pray for assistance for her parents who had now been four years prisoners, and were in great distress. ”

“ When she had thus completed the Princess' attire, she took another suit of armour and put it on herself, that she might attend Britomart and act as her squire. And now, both being fully equipped, they mounted the horses which Glaucé had caused to be ready, and under cover of the darkness escaped from the palace, nor did they rest until they reached the Faeryland to which Merlin, the great magician, had directed them. ”

“ Having turned from the beliefs of ages with passionate rejection, the English people had achieved religious freedom, and were strongly rooted in Protestantism, which took on a distinctly national aspect. That Calvinism was at that time the popular and aristocratic form of Protestantism is evident from references in the Faerie Queene.
Spenser lived in the afterglow of the great age of chivalry. The passing glories of knighthood in its flower impressed his imagination like a gorgeous dream, and he was thus inspired to catch and crystallize into permanent art its romantic spirit and heroic deeds. ”

“ In Shenstone’s “Schoolmistress” (1737-1742) instances of personification are rare, and, where they do occur, are merely faint abstractions like “Learning near her little dome.” It is noteworthy that one of the most successful of the Spenserian imitations should have dispensed with the cumbrous machinery of abstract beings that, on the model of the “Faerie Queene,” might naturally have been drawn upon. ”

“ We always rise from perusing him with melody in the mind’s ear, and with pictures of romantic beauty impressed on the imagination.” That the Faerie Queene has faults, every one unblinded by prejudice, must be ready to allow; for though teeming with passages of grandeur, beauty, pathos, and sublimity,yet, as a whole, it is wanting in uniformity and compactness. Each of the books might have been published as a separate poem, without injury to the remainder. Indeed, the first, esteemed as by far the best of the six, is a complete work in itself ”

“ Soone after entred a faire Ladie in mourning weedes, riding on a white Asse, with a dwarfe behind her leading a warlike steed, that bore the Armes of a knight, and his speare in the dwarfes hand. She falling before the Queene of Faeries, complayned that her father and mother, an ancient King and Queene, had bene by an huge dragon many yeers shut up in a brazen Castle, who thence suffered them not to issew: and therefore besought the Faery Queene to assigne her some one of her knights to take on him that exployt. Presently that clownish person upstarting, desired that adventure ”