Bass singer

“ He was 'considered by competent judges to be without question the most legitimate English bass singer, the most accomplished in various styles, and altogether the most perfect and finished that has appeared in this country. He was endowed by nature with organs of great strength and delicacy ”

“ The singer in an opera company who shares with the contralto the hard work, but seldom reaps much of the glory, is the bass, while the tenor is always an object of adoration, or should be, if he is a good singer, and the baritone has many good parts. ”

“ In the Study of Airs, as I have before said, one cannot take Pains enough; for, though certain Things of small Effect may be omitted, yet how can the Art be called perfect if the Finishing is wanted.
§ 11. In Airs accompanied only a Bass, the Application of him who studies Graces is only subject to Time, and to the Bass; but in those, that are accompanied with more Instruments, the Singer must be also attentive to their Movement, in order to avoid the Errors committed by those who are ignorant of the Contrivance of such Accompaniments. ”

“ They will compose more for the Voice than the Instruments: The part for the Voice will no more have the Mortification to resign its Place to the Violins: The Soprano's and Contr'Alto's will no more sing the Airs in the Manner of the Bass, in Spight of a thousand Octaves: And, finally, their Airs will be more affecting, and less alike; more studied, and less painful to the Singer ”

“ Bass singers, and especially the Basso Profundos, will be glad to know that Dickens pays more attention to them than to the other voices, though it must be acknowledged that the references are of a humorous nature. ‘Bass!’ as the young gentleman in one of the Sketches remarks to his companion about the little man in the chair, ‘bass! I believe you. He can go down lower than any man; so low sometimes that you can't hear him.’ ”

“ If a very low bass found a note rather high, he may have howled it as he best could, or it would perhaps itself have cracked up into falsetto, or he will have gone down instinctively to the octave below, or remained where he was until the melody came again within his reach—ears being not yet critically cultivated. Even now, towards the end of the 19th century, it is not at all unusual to hear amongst a congregation basses singing the air of a hymn below the actual bass part, or soprani singing in the tenor-compass for convenience sake. ”

“ The basso continuo of certain organists, who have fallen asleep over their pedals, soon becomes an intolerable nuisance for the audience. We should go wild at a performance of a symphony in which the double-basses played uninterruptedly from the first note to the last. Plain-song itself, thus interpreted, loses its eloquence; although the apparent monotony of its design, closely confined within the limits of an octave, would, above all, seem to be better adapted than any other form of music to a continuous bass. ”

“ One is, the wise God will have it so; some must pipe, and some must weep. Now Mr. Fearing was one that played upon this bass. He and his fellows sound the sackbut, whose notes are more doleful than the notes of other music are; though, indeed, some say the bass is the ground of music. And, for my part, I care not at all for that profession which begins, not in heaviness of mind. The first string that the musician usually touches is the bass, when he intends to put all in tune. God also plays upon this string first, when He sets the soul in tune for Himself. ”

“ The high, squeaking tones of the violins and flutes, and the growling ground bass of the bassoon are all that I can hear; they follow each other up and down in octaves, which tear the ear, until, at last, like one who is seized with a burning pain, I cry out involuntarily,
“What mad music! Those detestable octaves!”—Near me some one mutters.
“Cursed Fate! Here is another octave-hunter!” I look up and perceive now for the first time that imperceptibly to me a man has taken a place at the same table, who is looking intently at me, and from whom I cannot take my eyes away again. ”

“ A man's voice breaks into falsetto on the “Boo-ee!” Well, anyhow, such a young man as I am telling you of would be ashamed to sing with a hog noise. He wants to sing bass. Now the regular hymn-tunes change the bass as often as they change the soprano, and if you go fumbling about for the note, by the time you get it right it is wrong, because the tune has gone on and left you. The Sabbath-school songs had the young man Absalom distinctly in view. ”

“ The boom of the breakers finds a marvellously close echo in the splendid volume of the men’s voices, which are bass for the most part, and very much more powerful and sonorous than anything one hears in the country of the “superior” race. The women’s voices are somewhat shrill, but they sound well enough as one usually hears them, wandering wildly in and out of the massive harmonies of the basses. ”

“ A bass-drum would thunder down, breaking the back at a stroke of a long roll proceeding from a tenor one near by, whilst another of the latter species would rub-a-dub right into a pair of cymbals, and scatter their silver clashings into an entire route. New tunes would be constantly arriving as the distant companies came marching up to give fresh life to the wrangling discord, whilst to add to the uproar, the whole pack of pedlers, amounting to nearly a dozen, had given tongue at the first hurly-burly of the music, bursting out, as it were, in full cry. ”

“ I have heard, and you doubtless, in a fine concert of viols, extemporary descant upon a thorough bass in the Italian manner, when each performer in turn plays such variety of descant, in concordance to the bass, as his skill and present invention may suggest to him. In this manner of play the consonances invariably fall true upon a given note, and every succeeding note of the ground is met, now in the unison or octave, now in the concords, preserving the melody throughout by the laws of motion and sound. I have thought that this is life. ”

“ If the violin is the leader of the orchestra, the double bass is its foundation. To it is given the lowest part, on which both harmony and melody rest. The English term 'double bass' has probably been applied to the instrument because it often doubles in the lower octave the bass of the harmony, given to the bass voice, the violoncello, the bassoon, or some other instrument. ”

“ As I heard the deep bass of the old Drummer, rolling in a low, solemn undertone, a sudden shifting of the scene came to me. I was in a great auditorium filled with light, and packed with humanity rising tier on tier and stretching far back till lost in the maze of distances. A grand orchestra, banked before me, with swaying arms and earnest faces, played a wonderful harmony which rolled about me like the sea and whelmed me with its volume till I was almost swept away by the tide, then suddenly down under its sweep I found the low deep roll of the bass drum. ”

“ In any case, when the Bass Voices are silent, the lowest of the upper Parts is given in the Thoroughbass, either with or without Figures, in accordance with the law which regards the lowest sound as the real Bass of the Harmony, even though it may be sung by a Soprano Voice. ”

“ The mechanism and fingering are very intricate. Theoretically the whole construction of the bassoon is imperfect and arbitrary, important acoustic principles being disregarded, but these mechanical defects only enhance its value as an artistic musical instrument. The player is obliged to rely very much on his ear in order to obtain a correct intonation, and next to the strings no instrument gives greater scope to the artist.
The bassoon has an eight foot tone, the compass extending from B♭ bass [1] to A♭ treble , or in modern instruments by means of additional mechanism to C or even F . ”

“ Fairest blossom of the heart. 63
Dark may be the days and years
Strewn with leaves of roses dead;
Smile we brighter for the tears
When the northern winds have fled.
Singer sweet, the thought is true,—
Roses fade and springs run dry;
But there's nothing old or new
That has life can ever die.
Sweetest hopes must needs be fed
If they'd spring to life anew,
When grief's winter shall have fled,
Giving place to sun and dew;
When earth withers like the rose,
All its treasure leaves closed up,
Then that other blossom blows
Life immortal in its cup.
64
LAUGH ON.
Laugh on! ”

“ These new singers are called by the novel appellation of basso cantante (which by-the-bye is a kind of apology, and an acknowledgment that they ought not to sing) , and take the lead in operas with as much propriety as if the double-bass were to do so in the orchestra, and play the part of the first fiddle. A bass voice is too unbending and deficient in sweetness for single songs, and fit only for those of inferior character, or of the buffo style. ”

“ That light, cheerful movement, which caresses the soul, is cleverly supported by chords in the bass, and by a vague fanfare on the trumpets, restricted to their lowest notes, so as to give a vivid idea of the last cool shadows that linger in the valleys while the first warm rays touch the heights. Then all the wind is gradually added to strengthen the general harmony. ”

“ Its four strings are tuned as follows the entire range of the instrument being from EE to a. In music written for double-bass the notes are always printed an octave higher than the tones are to sound: that is, when the bass-player sees the note he plays this being done to avoid leger lines. The tone of the bass is much heavier and [Pg 119] the instrument itself is much more clumsy to handle than the other members of the group, hence it is almost never used as a solo instrument but it is invaluable for reinforcing the bass part in orchestral music. ”

“ The notes of the lowest register, when played piano, sound weird and sometimes grotesque, and are sometimes used instead of the kettledrum; when played forte the tone is grand and full. The lowest octave is mainly used as a fundamental octave bass to ’cello, bassoon or trombone. ”

“ Well, sir, well, I think we may say, without boasting, that the service was as well per formed this evening as you often see; I think, quite as well as I ever knew it to be done in old Trinity—that is, if we except the organ. But there is the school-master leads the psalm with a very good air. I used to lead myself, but latterly I have sung nothing but bass. There is a good deal of science to be shown in the bass, and it affords a fine opportunity to show off a full, deep voice. Benjamin, too, sings a good bass, though he is often out in the words. ”

“ The wood wind, for example, consists of flutes and oboes, which are purely soprano instruments, clarinets, which extended from upper bass to moderately high soprano, English horn, which has a tenor range, bass clarinet, which runs from deep bass up into treble, and bassoons, which comprise bass, baritone, and tenor registers. That organization of instruments is capable of independent performance, possessing, as it does, all the components of full and extended harmony and a wide variety of color. ”

“ Double Basses by the great makers are rare and not effective in the orchestra: professional players usually choose old English ones, or modern ones by such makers as Fendt and Lott, who made the Double Bass a speciality.
Fiddle-making is so little practised as a trade in this country, that a short explanation of the process may be useful. ”

“ I mean your bass-viol, which grumbles in the bottom of the concert, and with a surly masculine sound strengthens the harmony, and tempers the sweetness of the several instruments that play along with it. The bass-viol is an instrument of a quite different nature to the trumpet, and may signify men of rough sense, and unpolished parts, who do not love to hear themselves talk, but sometimes break out with an agreeable bluntness, unexpected wit, and surly pleasantries, to the no small diversion of their friends and companions. ”

“ Of the duet: “Bei Männern, welche Liebe fühlen,” &c., a terzet has been made, and so on. Worse than all, however, they have taken the liberty of making alterations in the score: for example, in the air: “In diesen heil’gen Hallen,” at the words: “So wandelt er an Freundes Hand,” the imitating bass
is entirely left out, which is here indispensably necessary, not alone to the harmony, but because it expresses the act of wandering in so characteristic a manner, and the bass sound the B only a few times instead. ”

“ In the “singing-pew” sat a clarionet, a double bass, a bassoon, and a flute: also a tenor voice which “set the tune”. The carpenter, to whom the tenor voice belonged, had a tuning-fork which he p. 18struck on his desk and applied to his ear. He then hummed the tuning-fork note, and the octave below, the double bass screwed up and responded, the leader with the tuning-fork boldly struck out, everybody following, including the orchestra, and those of the congregation who had bass or tenor voices sang the air. Each of the instruments demanded a fair share of solos. ”

“ They at any rate perceived that the vital fact concerning the new monophonic style was that the melody alone demanded individual independence, while the other parts could not, as in polyphony, ask for equal suffrage, but must sink themselves in the solid and concrete structure of the supporting chord. Thorough bass was in later periods utilized in such music as Bach's and Handel's, but its original nature always stood forth most clearly when it was employed in the support of vocal music approaching the recitative type. ”

“ The bass-bar has to be cut and adjusted to meet the requirements of every violin; and only long experience can determine how long, how thick and exactly where the bass-bar should be made and placed. The fraction of a line makes all the difference in the world.
The bass-bar is the only member, or organ, of the violin’s body that has undergone any change since the days of Antonio Stradivari. Owing to the increased pitch (higher tuning) of the present time, the tension, or pull, of the strings equals eighty pounds! ”