Body paint

“ One of the earliest methods of personal decoration was probably to daub the body with paint, as is the custom during the performance of various religious and semi-religious rites among the Australian aborigines. A desire to find a permanent substitute for paint led to the practice of cicatrization, and the later and more refined custom of tattooing. But personal mutilation has taken many and strange forms, such as knocking out the front teeth, filing them to saw-like points, inserting gold or jewels, or staining them. ”

“ This is done in a thoroughgoing manner, and as if the paint were "laid on with a trowel," leaving a sharply defined margin on cheek and neck between the pink and white and the sallow ground on which the colour is overlaid, giving it the appearance of a mask which might be easily removed. Even young children are subjected to the cosmetic treatment; and the very aged do not discard the artificial flowers in the remnant of their hair. ”

“ She rents her face with painting, puts the best colours she can upon her present distresses and does her utmost to palliate and extenuate her losses, sets a good face upon them. But this painting, though it beautifies the face for the present, really rends it; the frequent use of paint spoils the skin, cracks it, and makes it rough; so the case which by false colours has been made to appear better than really it was, when truth comes to light, will look so much the worse. ”

“ They have also made a most immoderate use of paint, covering their brow, cheeks, and neck with thick coats of rouge and white. Some have even gone so far as to gild their lips, but the more modest have been content to color them with carmine, and the excessive use of paints is diminishing. ”

“ When you have finished carving both the head and hands you are ready to paint them. You will need red, yellow, blue, and white oil paints. Use a piece of smooth wood or glass for a palette. Squeeze onto your palette a small amount of each color. As you know, people do not have pure-white skins. There is a tinge of yellow-orange in the white man’s skin, deep red and orange in that of the red man, brown in that of the Negro, and yellow in that of the Oriental. Begin by squeezing out onto your palette a small quantity of white paint. ”

“ Then again, the pigments I have just mentioned, like Lamp Black, and which take years to harden, will crack any hard drying pigment which is placed over them, because in drying, the slow drying colors wrinkle and contract, and a hard drying color placed over them, not having sufficient elasticity will be torn asunder, and a small crack, which may widen into a fissure, will take place. The whole idea of permanent painting, then, [Pg 79] simmers itself down to one of sense and judgment. No one has ever seen a Water Color painting which is cracked. ”

“ In the same way the human skin, sensitive throughout in its minutest parts, reveals to us the morbidezza of its colouring, those tints of flesh-colour and vein-colour which are the despair of an artist. On the other hand, however much the human body presents, as the apparent mirror of Life, a contrast with that of animals, it undoubtedly expresses also the natural process of self-preservation in the subdivision of the skin, and the indentations, wrinkles, pores, small hairs and veins which we find attach thereto. ”

“ And then you will find, as the plaster sucks in the colour which you have first laid on, that there will be—it may be in the course of half-an-hour, it may be an hour, that depends upon the temperature of the atmosphere—a pleasant suction from your brush, the colour going from it agreeably, and you will find that it will cover better. Now is the time to paint rapidly, and complete the work you have in hand. When the colour leaves your brush as though the wall was thirsty for moisture, you should cease painting ”

“ After the hairbrushing, which is performed by means of a rude hand brush, the women adorn the men’s faces with paint; if in mourning they put on black paint, and if going to fight, sometimes put a little white paint under the eyes, which assists in contrast to the other in giving a savage expression. The women paint each other’s faces, or if possessed, as sometimes occurs, of a fragment of looking-glass, paint their own. ”

“ I said.
“Ah, my dear friend,” he replied, “a subtle difference in colour is very slight, but when you are standing back from your canvas and decide that a particular shade is wanted on a particular point of a particular nose, if you have the palette on your hand you can mix it at once, while if you have to walk back six or eight feet to the palette to338 prepare the paint to complete this little alteration, you may just get sufficiently off the shade to entirely alter the idea. I weigh every tone. I am not an impressionist.” ”

“ In proceeding to paint the letters, squeeze out a small quantity of the colour on to the wooden palette, and with the flexible palette-knife mix it with a little of the pale drying oil, and a very little spirits of turpentine. The latter can be dispensed with, if the smell of it be found injurious; otherwise it contributes to brighten the colours, and makes them dry more quickly. In painting keep the brush full, laying on the colour in long steady sweeps, not in short, hasty touches, which would leave irregularities of surface. ”

“ When you look as much like the part as you possibly can without the aid of artificial disguise, begin to apply nose paste, paint and powder. Obliterate one characteristic and accentuate another. Alter the shape of your nose, paint your eyebrows out and redraw them, altering their form. Change the colour of the skin. Cover eyelashes and lips with paint and note the difference. Put shadows round the eyes, sinister lines running from the nostrils. ”

“ Always remember that as little paint should be used as possible, for though it is easy to disguise by a thick mask of pigment, the heavier the make-up the more difficult it is to convey sensitive emotional variations by the changing expression of the face.
If it is possible to arrange your own hair in a way suitable to the character so much the better, for though it may in no way seem more real than a wig it will prove infinitely more comfortable. ”

“ On the other hand, the women, by walking with the toes of their feet turned inwards, have a disagreeable and lame appearance. The men are specially fond of painting their faces and bodies with vermilion, white and blue clay, charcoal or soot mixed with a little grease or water. With this colour they daub the body, legs, and thighs in bars and patches, and take the greatest pains about painting the face, usually with red and black. Their skins are generally tattooed with figures representing the sun, stars, eagles, serpents, &c, especially objects which have appeared to them in their dreams. ”

“ Paulina Maria accordingly, standing on a kitchen-chair, had scrubbed with soap and sand the old paint-streaks as high as her long arms would reach, and had, at times, when his rheumatism would permit, set her tall husband to the task. The paint, which was difficult to remove by any but its natural effacers—the long courses of nature—was one of those minor material antagonisms of life which keep the spirit whetted for harder ones. ”

“ Cheer up, my young friend, your paint is as good as new."
"Good God!" cried the young man, "and what then can be the use of it?"
"Why," said the physician, "I perceive I must explain to you the nature of the action of my paint. It does not exactly prevent sin; it extenuates instead the painful consequences. It is not so much for this world as for the next; it is not against life; in short, it is against death that I have fitted you out. And when you come to die, you will give me news of my paint." ”

“ To resume your real self is a matter of little difficulty, and yet it may be helpful to have a method suggested.
Begin by removing parts of the clothing, as it unquestionably would be soiled in the dirty process of removing the make-up.
First take off the wig, next the moustache, then the beard; carefully remove the false nose, or any other modelling in relief, for if they are preserved with care they may be used repeatedly. Next, with a small quantity of oil, or any other grease that may be preferred, soften the grease-paint slightly and remove it with a towel. ”

“ Deploring an error neither flattering to the craft they practise nor to themselves, we would urge such to bear in mind this axiom, semi-stable pigments become fugitive when used in thin washes. Even in body they do not preserve their primitive hue, but in glazing and the like, their colour altogether flies or is wholly destroyed.
It is this semi-stability, recommended to the thoughtless and indifferent by the beauty which generally accompanies it, that is the bane of modern art. Even our greatest painters have yielded to its fascination. ”

“ Never Paint.—The use of white paint as a cosmetic affects the eyes, which it renders painful and watery. It changes the texture of the skin, on which it produces pimples; attacks the teeth, destroys the enamel, and loosens them. It heats the mouth and throat, infecting and corrupting the saliva. Lastly, it penetrates the pores of the skin, acting by degrees on the spongy substance of the lungs, and inducing disease. Powdered magnesia, or violet powder, is no further injurious than by stopping the pores of the skin ”

“ This mixing of white with the pigments, so as to render them opaque, constitutes body-colour drawing as opposed to transparent-colour drawing and you will, perhaps, have it often said to you that this body-colour is "illegitimate." It is just as legitimate as oil-painting, being, so far as handling is concerned, the same process, only without its uncleanliness, its unwholesomeness, or its inconvenience; for oil will not dry quickly, nor carry safely, nor give the same effects of atmosphere without tenfold labour. ”

“ You’re so impulsive, so headstrong. Now, that red streak, a mere blur, may have been here for days—even weeks.”
“Not in this house. Do you see any other smudges or smears on this immaculate white paint? Enamel paint, of the finest sort. ”

“ If you are painting a red man’s face, you must add more red and a bit of blue. For the face of an Oriental, add yellow to your white paint and the least bit of red and blue. For the black man’s face, use black paint instead of white paint and into it mix a very small amount of orange and blue. Use a palette knife for mixing oil paints and turpentine for thinning them. Do not be timid when you begin to paint. Strong and vigorous painting is as important and necessary as strong and vigorous modeling in bringing out the features and expression. ”

“ The application of paint to the skin produces an effect so different from the bloom of youth, that it can only deceive an unpractised eye. It is the same with the hair: there is such a want of harmony between false hair and the face which it surrounds, especially when that face bears the marks of age, and the color of the hair denotes youth, that the effect is unpleasing in the extreme. Deception of this kind, therefore, does not answer the end which it had in view; it deceives nobody but the unfortunate perpetrator of the would-be deceit. ”

“ I do not mean to say that a Medium like Copal Varnish mixed with certain colors is not a good Medium, for such a material will produce enamel paints which will have a permanent gloss, but when you come to consider that the Old Masters had only from seven to ten pigments ground in a drying oil like Linseed Oil, and that most of their paintings are to-day a complete example of permanence, there should be no reason why [Pg 65] the mind of the painter should be clouded with a multiplicity of materials and why many materials should be used which may in time prove detrimental. ”

“ Dirty Brushes and Palette.—Using dirty brushes causes muddy color. Don't be too economical about the number of brushes you use. Keep a good big rag at your hand, and wipe the paint out of your brush often. If the color is getting muddy, clean your palette and take a clean brush. Your palette is sure to get covered with paint of all colors when you have painted a little while. You can't mix colors with any degree of certainty if the palette is smeared with all sorts of tints. Use your palette-knife—that's what it's for. Scrape the palette clean every once in a while as it gets crowded. ”

“ Having pleasing features by nature, it may be expected that the women do their best to disfigure them by art. The soft pale brown of their complexions is made ghastly and hideous by white paint, with which the face, neck, and bust are thickly covered. The natural pink of the lips is rendered disgusting by a layer of red paint, the white teeth are blackened, and the eyebrows are pulled out. ”

“ Without attempting to give a hard and fast definition, it may be said that a paint consists of any pigment, such as white lead, mixed with linseed oil, and thinned by means of turpentine to render it in such a condition that it may be readily applied to the surface of wood, iron and other work by means of a brush. Paint serves the purpose first of preserving the material to which it is applied, and secondly, but not always, a decorative object where the colour is of importance. ”

“ They daubed themselves all over with bright, sticky paint. But what they thought most handsome of all was to have a great many tattoo marks. When a man had killed another he was allowed to have his skin pricked with coloured dye. ”

“ And that is because they are not perfectly black. Were they perfectly black, absolutely black, as it were, we could not see them--ay, not in the blaze of a thousand suns could we see them! And so I say, with the right pigments, properly compounded, an absolutely black paint could be produced which would render invisible whatever it was applied to. ”

“ Be careful to cover all the space around the eyes, also rub in on the eyelashes, using care to keep155 it out of the eyes, for it will cause stinging. Greasing the eyelashes this way makes the removal of the makeup much easier. Now rub your face with a piece of cheesecloth until all the superfluous cold cream has disappeared. If the face shines too much, you have not removed enough of the cream. The surface should give the appearance of being well oiled, but not have a sticky, pasty or greasy surface.
Second stage. Foundation Grease Paint. The quality of your makeup depends upon this. ”