E. K. Chambers, The Elizabethan Stage, Vol. 3 (1923)
“ The public theatre gets in some ways a greater variety of dramatic situation, partly [102] owing to its free use of the open stage, instead of merely a portico, for hall scenes, partly owing to its characteristic development of action ‘above’. This, in spite of the battlements of the Revels accounts, may perhaps be a contribution of the inn-yard. The main change is, of course, the substitution for the multiple staging of the Court, with its adjacent regions for different episodes, of a principle of successive staging, by which the whole space became in turn available for each distinct scene. ”
