Character building

“ Things which outgo daily experience have been attested over all the world by the personal character of the narrators; especially when one after another deposits his stone of experience and the unpremeditated building rises under an unseen hand into heavenly proportions, and becomes the only fitting abode of conscience, affection and religion. ”

“ Character wants room; must not be crowded on by persons nor be judged from glimpses got in the press of affairs or on few occasions. It needs perspective, as a great building. It may not, probably does not, form relations rapidly ”

“ But an hour afterwards the clay stands forth adorned with all the beauty of a lovely vase. Thus the soul begins, a mere mass of mind, but hands many and powerful soon shape it into the outlines of some noble man or woman. These sculptors of character include home, friendship, occupation, travel, success, love, grief and death.
Life's first teacher is the external world, with its laws. Man begins at zero. ”

“ Their might has, for the most part, been the might of goodness. The chief mark that Paul and Wesley and Wilberforce, and all the great have carried about in the body has been the mark of character. What beauty is to the statue; what ripeness is to the fruit; what strength is to the body; what wisdom is to the reason—that character is to the soul! ”

“ When the mind has learned to appreciate the difference between reputation and Character, between the Seeming and the being, it must next decide, if it would build up a worthy Character, what it desires this should be; for to build a Character requires a plan, no less than to build a house. A deep and broad foundation of sound opinions, believed in with the whole heart, can alone insure safety to the superstructure. Where such a foundation is not laid, the Character will possess no architectural unity,—will have no consistency. ”

“ All are great qualities, but the last is the greatest. Growth, the reaction of events upon character—not the easily por [Pg 213] trayed action of character upon events—are the marks by which we recognize the work of the master-artists in characterization. ”

“ Not only does he achieve a large unity of action, building into a shapely structure round his central figure a complex of persons, motives and social conditions, but he deals in detail with the inner life of his characters, and he gives to passion and sentiment the pervading importance that has now become traditional in this form of literature. ”

“ This is what I call ideal and imaginative representation, which marks the outlines and boundaries of character, not by arbitrary lines drawn at this angle or that, according to the whim of the tracer, but by those mountain-ranges of human nature which divide man from man and temperament from temperament. ”

“ The walls of that grand edifice called a good character have to be worked at during life. ”

“ Study and reflection enable him, with the aid of experience and of the intuition which genius bestows, but which experience may in a high degree supply, to interpret, to combine, and to supplement given materials. But in the transformation of the conception into the represented character the actor’s functions are really creative; for here he becomes the character by means which belong to his art alone. ”

“ We have just come upon one of the unities most coveted in our literature, and most valued by us when attained, — the portrait, the individuality, the character. The construction of a plot we call invention, but that of a character we dignify with the name of creation. It may therefore not be amiss, in finishing our discussion of form, to devote a few pages to the psychology of character-drawing. How does the unity we call a character arise, how is it described, and what is the basis of its effect? ”

“ He had a fine eye for detecting the peculiar features which gave individuality and character to a landscape—those features, as he used to say, which the artist or poet should seize and render prominent, while, at the same time, lest they should be lost as in a mob, he softened down the others ”

“ It releases individuality from stereotyped shackles, it transfers interest from achievement to achievement’s atmosphere, and it lends to landscape-painting the same element that it lends to character-drawing. ”

“ These lights and shades (as the poet finely calls the intermixture of many passions, which, with the leading or principal one, form the human character) must be blended together in every picture of dramatic manners; because the avowed business of the drama is to image real life. Yet the draught of the leading passion must be as general as this strife in nature permits, in order to express the intended character more perfectly. ”

“ On your style often depends your own character,—almost always the character given you by the world. If you adopt the lofty style,—if you string together noble phrases and swelling Sonora,—you have expressed, avowed, a frame of mind which you will insensibly desire to act up to; the desire gradually begets the capacity. ”

“ One must ask, "According to this method what will the child recall if his mind reverts to the story—courage, or the variety of images from the number of short-stories told to impress the abstract moral idea of courage?" Dramatization like life represents character in the making and therefore helps to make character. ”

“ For those who hold that every fine dramatic architecture must have its spire of meaning, that by the very selection of character and incident the dramatist writes his commentary on life, there is still an explanation possible. ”

“ We turned humanity inside out, and then I walked in day-time in the streets with a lamp in my hand in search of a normal man, of a human being. If you vitriole a person's face or character first, how can you expect him to have unscathed features? ”

“ The beauty which belongs to this production, should be in the form of the thought rather than the fashion of the setting: that genuineness and simplicity of character which constitute almost its essence, are destroyed by any appearance of the cold artifices of construction, palpable springs set for our admiration, whereby the beginning is obviously arranged in reference to a particular ending. ”

“ Perhaps in every face, whether it has beauty of line or the homely ruggedness graved by generations of positive character, the dominant feature is a certain poise of mind: these men would think, and then judge ”

“ They applaud the "drawing" of a character, which drawing turns out on inspection to be little more than an epigrammatic enumeration of particularities, the character thus "drawn" losing all individuality as soon as speech and action are called upon. ”

“ And yet this strength of character, which is commonly sacrificed to establish aesthetic culture, is the most powerful spring of all that is great and excellent in man, and no other advantage, however great, can make up for it. ”

“ But then it must be confess’d, that as the great difficulty of Characteristic-Writing consists in this, so does the main Beauty and Force of it too: For Objects are apt to affect and move us according to their Presence or Absence; and a Character will naturally strike us more forcibly, the more the Images, which it consists of, are lively and natural; because the Object is then most present to our Mind. ”

“ Busy men, moreover, are given to detail, and detail fills the eye and ear; men of reflection deal more with principles, and these lie beyond the range of ordinary vision.
The proposition which I here put forward, based on many years of observation and study, is fundamental, and affects, more or less, a wide range of character in every individual. ”

“ Every character creates it own stories; we are like spools, and each spool fills itself up with a different-coloured thread. The story, such as it is, began one evening in Victoria Street at the end of a long day's work. ”

“ His fertile brain had evolved character after character, all clear-drawn and distinct, startlingly natural in many instances—even the most venomous of his critics acknowledged that—until the sum of them was immense. ”

“ A thousand exhibitions of human character will fling themselves athwart his pathway, inconsiderable indeed in themselves, yet which, as days of the year and seconds of the day, go to make up the lineaments of man ”

“ She weighed this, a forefinger against a cheek.
“The big ways are those which indicate character, aren’t they? While the little ones only make for habits. Men differ as to their habits, but in character they’re all cut on the same pattern—two or three patterns at most.” ”

“ The drama, on the contrary, has to exhibit situations and the spiritual atmosphere that belongs to them as definitely motived by the individual character, which is charged with specific aims, and which makes these an effective part of the practical content of its volitional self-identity. ”

“ It is the formation of that habit which becomes a second nature — a prime force of life. Hence, character is something sub-conscious, if I may us© the expression—something that is formed in the unseen foundations of human life. ”

“ Only the novel of creative—not merely synthetised—character in the most expert hands escapes—for human character undoubtedly partakes of the Infinite; but few are they who can command the days and ways of creation. ”

“ It is therefore in the first place concerned to personify abstract conditions of a general character or similar qualities both from the human and the natural world, such as religion, love, justice, strife, fame, war, peace, the seasons, death, and the like, and conceive them under the mode of personality. ”

“ And from a further point of view we have not here the type of personality which asserts its development to our vision in the entire complexity of national qualities as such are displayed by the epic, but rather character viewed in direct relation to its action, character which possesses a definite end directed to spirit life in its universality. ”

“ Many stories, of course, we begin with ‘Character-starts.’ Some of these come from clippings, like the following—‘Man who feeds nuts to squirrels,’ ‘Dead laborer was wealthy sociologist,’ ‘Former waiter becomes hotel manager.’ Members of the staff, also, turn in suggestions, like the following—‘The man with the wardrobe trunk,’ ‘Doubles in appearance but not in character,’ ‘Hero and centre of story who never appears.’ Gradually we are making up a canon of contemporary characters like the famous stock characters of the Roman or the Restoration comedy. ”

“ This is obviously true in the case of the strict story of plot, and it is very curiously true in the case of the story of character or of atmosphere. For in the story which lays emphasis on personality, the evolution or degeneration of the particular trait which has been selected for presentation is the real story-element of the fiction. The fact is the root of the necessity that the action develop in concert with the trait of character, giving it opportunity for expression. ”

“ There are an equal number of actions and events like blind alleys leading nowhere; from these also the novelist abstracts; it is only when he can trace some effect upon fate or character that he is interested. The delineation of nature or the milieu is governed by the same reference: a social or intellectual environment, no matter how interesting in itself, without potent individualities which it molds, or scenery, no matter how romantic, unless it is a theater of action or a spiritual influence upon persons, has no place in a story. ”

“ When character is exemplified in a living person or is shown through story once to have had expression in a fellow mortal, interest is awakened and the child instinctively imitates the vision before him. ”

“ Similar illustrations of character imitating character, and moulding itself by the style and manner and genius of great men, are to be found pervading all history. Warriors, statesmen, orators, patriots, poets, and artists—all have been, more or less unconsciously, nurtured by the lives and actions of others living before them or presented for their imitation. ”

“ What interests us in Requisites
of character. a man or woman in real life, or in the impressions we form of historical personages, is that which seems to us to give them individuality. A dramatic character must therefore, whatever its part in the action, be sufficiently marked by features of its own to interest the imagination; with these features its subsequent conduct must be consistent, and to them its participation in the action must correspond. ”

“ Character and education, as we are not too often reminded, are not the same; and these men have character, which is sound in the warp and the woof, though it lacks frills and misses the motion pictures 'round the corner from the soda fountain. ”

“ It cannot, of course, be expected that the characters of the actors in these stories will be drawn with skill, or indeed that any attention will be paid to them. Character-study is a late development. ”

“ The process of his growth, therefore, is a development of power from within to assimilate objects from without, the power increasing with every vital exercise of it. The result of this assimilation is character. Character is the spiritual body of the person, and represents the individualization of vital experience, the conversion of unconscious things into self-conscious men. ”

“ When a creation of characters is imperative, as in dramatic poetry, the classic mold fashions but one kind, that which through education, birth, or impersonation, always speak correctly, in other words, like so many people of high society. ”

“ And if we turn to that region where beauty is most subtly embodied, if we turn to human character, 150 we find the conditions not dissimilar. The character which impresses us most is that which has fully organized its powers, so that every ability finds its appropriate place without prominence ”

“ Unified impression secured by character domination
While unity of impression is the sovereign demand in the modern short story, the ways in which this impression may be secured possess interesting variety. One of the most important of these ways is evident in the pervading or directing influence of some strongly dominant character. ”