Clay figure

Definition and stakes

Chautauqua Institution,  The Chautauquan, Vol. 04, October 1883

“ Clay modeled and dried in the sun, or hardened by the fire, was naturally one of the early forms in which sculpture was developed. At once ready to hand, and easily modeled, it was adopted for the same reasons that made clay convenient for the ordinary vessels of every-day use. We find countless numbers of these baked, or sun-dried clay figures. They have escaped destruction because of the little value of the material and because they resist decay. ”
Source: Gutenberg

Various,  The Atlantic Monthly, Volume 14…

“ The clay is then pressed firmly around and upon the irons and crosses with strong hands and a wooden mallet, until, from a clumsy and shapeless mass, it acquires some resemblance to the human form. When the clay is properly prepared, and the work advanced as far as the artist desires, his own work is resumed, and he then laboriously studies every part, corrects his ideal by comparison with living models, copies his drapery from actual drapery arranged upon the lay-figure, and gives to his statue the last refinement of beauty. ”
Source: Gutenberg

Alfred B. Searle,  The Natural History of Clay

“ Both as raw materials and in the form of pottery, bricks, tiles, terra-cotta and many other articles of use and ornament, clays are amongst the most important rock products. Yet the origin of the substances we know as 'clay,' the processes occurring in its formation and the causes of some of the most important of its characteristics are of such a nature that it is remarkable that its use should have become so extended in the arts and sciences, while we know so little of its properties when in a pure state. ”
Source: Gutenberg

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