Concert of Europe

Definition and stakes

The European Concert in the Eastern Question (1885)

The Porte and the Powers, 7−9.
The European concert. Art. VII. Her Majesty the Queen of the United Kingdom of Great Britain and Ireland, His Majesty the Emperor of Austria, His Majesty the Emperor of the French, His Majesty the King of Prussia, His Majesty the Emperor of all the Russias, and His Majesty the King of Sardinia, declare the Sublime Porte admitted to participate in the advantages of the public law and system (concert) of Europe. Their Majesties engage, each on his part, to respect the independence and the territorial integrity of the Ottoman Empire
Source: Wikisource

Portrait of Arthur Greenwood Arthur Greenwood The War and Democracy

But until Germans realise, as the other Powers are slowly realising, that the true basis of Empire is not a love of glory but a sense of responsibility towards backward peoples, it will be hard to readmit them into the comity of the Great Powers. Only a sense of common purposes and ideals, and of joint responsibility for world-problems, can make the Concert of Europe a reality.
Source: Gutenberg

Portrait of John Spencer Bassett John Spencer Bassett The Lost Fruits of Waterloo

One of them is the incompetency of the principle of the Concert of Europe to deal with a situation like that we have reviewed in the Balkans. Concert predicates a group of satisfied great states, without over-reaching ambitions, who are willing to unite their efforts to restrain small states, or even one large state, from a course which shall force the rest of the world into conflict. When a group of great states have united to carry out a certain policy, and another tries to restrain the first group, concert is in great danger of breaking down.
Source: Gutenberg

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