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“ The inherited habit of composition in the form of oral verse and prose is vastly older than our modern practice of secluding ourselves and scratching down rows of little black symbols on a white expanse of paper, or still more incongruously tapping celluloid keys with the tips of our fingers. ”

“ Style, the Latin name for an iron pen, has come to designate the art that handles, with ever fresh vitality and wary alacrity, the fluid elements of speech. By a figure, obvious enough, which yet might serve for an epitome of literary method, the most rigid and simplest of instruments has lent its name to the subtlest and most flexible of arts. Thence the application of the word has been extended to arts other than literature, to the whole range of the activities of man. ”

“ Then, again, we have discovered that often we are made to feel most deeply, not by detailed statement, but by suggestion: in the case of a speaker, perhaps by a momentary gesture, or play of features, by a sudden inflection of the voice, or a pause in speech, and the occasional accent of a word or sentence; in the case of a writer, often as much by what he leaves unsaid, by the thought that is veiled behind the statement, by the choice and emphasis of certain features of his record. Further, we may have learned to find occasional value even in uncertainty or indecision. ”

“ A clear, crisp articulation holds an audience as by the spell of some irresistible power. The choice word, the correct phrase, are instruments that may reach the heart, and awake the soul if they fall upon the ear in melodious cadence; but if the utterance be harsh and discordant they fail to interest, fall upon deaf ears, and are as barren as seed sown on fallow ground. In language, nothing conduces so emphatically to the harmony of sounds as perfect phrasing—that is, the emphasizing of the relation of clause to clause, and of sentence to sentence by the systematic grouping of words. ”

“ I can not too often urge you to use your pen in daily composition as a means to felicity and facility of speech. The act of writing out your thoughts is a direct aid to concentration, and tends to enforce the habit of choosing the best language. It gives clearness, force, precision, beauty, and copiousness of style, so valuable in extemporaneous and impromptu speaking. ”

“ Facts, incidents, plots, simply form the artistic speech—its mode of expression, or medium—and if there is no idea behind the facts, then you have no longer language but gibberish. Just as language is made up of the letters of the alphabet, arranged in significant words and sentences; so is the artistic language made up of plots, incidents, sentences which are informed with significance. ”

“ But language, by its very nature, offers to the ear not only a pattern of rhythm but also a pattern of letters. A mastery of literation is therefore a necessary element of style. Effects indisputably potent in suggestion may be gained by running a recurrence of certain letters, deftly for a time withheld,—since blatancy must always be avoided,—and yet triumphant in harmonious return. The great sentences of literature which echo in our ears because their sound is married to their meaning will be found upon examination to incorporate an intricate pattern of tastefully selected letters. ”

“ The latter is therefore the more expressive and correct term to use for drawing or painting, while it illustrates the process of augmenting the vocabulary to meet the requirements of novel acquisitions in art. But its chief value consists in its affording illustration not only of the inherent capacity of the language to express with minute nicety of detail the manifestations of an æsthetic faculty, as yet very partially developed, but of the compass of its grammar to indicate every distinctive variation of form expressive of time, place, action, object, or subject. ”

“ And the whole duty of beautiful typography is not to substitute for the beauty or interest of the thing thought and intended to be conveyed by the symbol, a beauty or interest of its own, but, on the one hand, to win access for that communication by the clearness and beauty of the vehicle, and on the other hand, to take advantage of every pause or stage in that communication to interpose some characteristic and restful beauty in its own art. ”

“ Not only is perception measurably quite distinctly slower, but book language is related to oral speech somewhat as an herbarium is to a garden, or a museum of stuffed specimens to a menagerie. The invention of letters is a novelty in the history of the race that spoke for countless ages before it wrote. The winged word of mouth is saturated with color, perhaps hot with feeling, musical with inflection, is the utterance of a living present personality, the consummation of man's gregarious instincts. ”

“ He seemed to love his pen, and to write without effort,—never aiming, it is true, at the higher graces of style, somewhat diffuse, too, both in French and in English, but easy, natural, idiomatic, and lucid, with the distinctness of clear conceptions rather than the precision of vigorous conceptions, and a warmth which in his public letters sometimes rose to eloquence, and in his private letters often made you feel as if you were listening instead of reading. ”

“ Till, at last, some happy genius arose, and tracing the sounds made by the human voice, to their most simple elements, reduced them to a very few vowels and consonants; and, by affixing to each of these, the signs which we now call letters, taught men how, by their combinations, to put in writing all the different words, or combinations of sound, which they employed in speech. By being reduced to this simplicity, the art of writing was brought to its highest state of perfection; and, in this state, we now enjoy it in all the countries of Europe."--Blair's Rhetoric, Lect. ”

“ As letter writing is the most common form of composition, the general rules pertaining to that art should be observed in even the most informal of letters.
All letters should be concise and definite. An involved style is a great waste of time and mental power, and has no advantage. ”

“ It involves a careful recognition of what psychology calls the 'prose attitude' and the 'verse attitude,' and also (as has been suggested above) the peculiar union of prose with the spatial rhythm of verse. We read with ear and eye together, though with varying proportions of emphasis on the one or the other; for some 'vocalize' whatever they read, others read almost entirely with the eye. Since it is the eye that takes the earlier and quicker perception of printed language, we tend to judge by the appearance of a page whether it contains prose or verse. ”

“ By style we mean the tone, air, or manner of expression. Dignity and strength should characterize the style of the business letter. No ornament of expression or eloquence of language is necessary or appropriate in a correspondence between business men. ”

“ Copiousness of speech will give opportunities to capricious choice, by which some words will be preferred, and others degraded; vicissitudes of fashion will enforce the use of new, or extend the signification of known terms. The tropes of poetry will make hourly encroachments, and the metaphorical will become the current sense: pronunciation will be varied by levity or ignorance, and the pen must at length comply with the tongue ”

“ Suppose half-a-dozen works going through the press at the same time, embracing three styles of orthography, and four or five styles in cap­i­tal­i­za­tion; one style which requires turned commas at the beginning only, of a quotation, and one which requires them at the beginning of every line of an extract,—you see at once that a proof-reader, so beset, must needs have his wits about him. ”

“ A Figure, in grammar, is an intentional deviation from the ordinary spelling, formation, construction, or application, of words. There are, accordingly, figures of Orthography, figures of Etymology, figures of Syntax, and figures of Rhetoric. When figures are judiciously employed, they both strengthen and adorn expression. They occur more frequently in poetry than in prose; and several of them are merely poetic licenses.
SECTION I.—FIGURES OF ORTHOGRAPHY. A Figure of Orthography is an intentional deviation from the ordinary or true spelling of a word. ”

“ The letter you write, whether you realize it or not, is always a mirror which reflects your appearance, taste and character. A "sloppy" letter with the writing all pouring into one corner of the page, badly worded, badly spelled, and with unmatched paper and envelope—even possibly a blot—proclaims the sort of person who would have unkempt hair, unclean linen and broken shoe laces; just as a neat, precise, evenly written note portrays a person of like characteristics. ”

“ Language in general includes the following parts:—Letter, Syllable, Connecting word, Noun, Verb, Inflexion or Case, Sentence or Phrase.
A Letter is an indivisible sound, yet not every such sound, but only one which can form part of a group of sounds. For even brutes utter indivisible sounds, none of which I call a letter. The sound I mean may be either a vowel, a semi-vowel, or a mute. A vowel is that which without impact of tongue or lip has an audible sound. ”

“ Amateurs in literary composition soon acquire the bad habit of writing carelessly; they spell strange names in two or more different ways; they form capital letters, and even the small lower-case letters, so obscurely that one word may be mistaken for another; they have no clearly defined system, or at least observe none, for the proper placing of capitals, italic, and the marks of punctuation.
The above sentence is from the preface of what is probably the most complete work on composition written in recent years. ”

“ Vocabulary may be increased at will by patiently memorising a dictionary; and style is a matter of cadence and sound sequence—it is quite possible to write rather sad trash in an impeccable style. But a sense of the value of words, an instinct for finding, within the limits of our spoken language, the precise word and phrase that will as nearly as possible convey a thought that is perhaps bigger or subtler than any spoken words—this indeed stamps the possessor as having the Inborn Talent. ”

“ And as I cannot suppose words to represent external things, I have said "A Word is one or more syllables spoken or written as the sign of some idea." But of what ideas are the words of our language significant? Are we to say, "Of all ideas;" and to recognize as an English word every syllable, or combination of syllables, to which we know a meaning is attached? No. For this, in the first place, would confound one language with an other; and destroy a distinction which must ever be practically recognized, till all men shall again speak one language. ”

“ You will not find the ill-defined though sumptuous penmanship affected by our copyists, or rather painters, of to-day, which delights us at a distance, but, as if invented for any other purpose than to be read, strains and tires the eyes when we look at it intently, thus belying the saying of the prince of grammarians that the word letter comes from legere, to read. ”

“ The root of the mother-word will stand in the centre, and around her the grove of her children. By influence of taste, diligence, sound sense, and the judicious comparison of different dialects, lexicons will be brought to distinguish what is essential from what is accidental in the signification of words, and to trace the gradual process of transition; while in the derivation of words, and the application of metaphors, we shall behold the invention of the human mind in its act, and more fully understand the logic of ancient figurative language. ”

“ The three principal elements of English—viz. Saxon, French, and Latin—have, each, and all, had some influence on the formation of our words; and this will account for the various forms of our spelling. A word, [121] when introduced into a language, is at first spelled in accordance with the genius of the nation from which it comes. By degrees, and generally by slow degrees, it is moulded into a new form by the genius and instinct of the language in which it is at length naturalised; still, however, retaining sufficient of its original form to indicate its source and etymology. ”

“ Almost any topic will serve to arouse the argumentative zeal of the average reader, who rushes to the fray with that joyous alacrity which is so exhilarating to the peaceful looker-on. The disputed pronunciation or spelling of a word, if ventilated with spirit in a literary journal, will call forth dozens of letters, all written in the most serious and urgent manner, and all apparently emanating from people of rigorous views and limitless leisure. ”

“ The paper, type and ink are the body, in which its soul is domiciled. And these three, soul, body, and habilament, are a triad which ought to be adjusted to one another by the laws of harmony and good sense. ”

“ It is better for criticism to be modest on this point, till it has the sense or independence to make our alphabet and its uses, look more like the work of what is called—wise and transcendent humanity: till the pardonable variety of pronunciation, and the true spelling by the vulgar, have satirized into reformation that pen-craft which keeps up the troubles of orthography for no other purpose, as one can divine, than to boast of a very questionable merit as a criterion of education."—Ib., p. ”

“ Perfect illumination is only writing made lovely; . . . But to make writing itself beautiful—to make the sweep of the pen lovely—is the true art of illumination;” And also that those who have acquired “a habit of deliberate, legible and lovely penmanship in their daily use of the pen, . . . may next discipline their hands into the control of lines of any length, and, finally, add the beauty of colour and form to the flowing of these perfect lines.” ”