Mezzotint

Definition and stakes

Portrait of Campbell Dodgson Campbell Dodgson,  Contemporary English woodcuts (1922)

“ The development of the woodcut, in the earliest specimens of which we recognise the Gothic style of about 1390-1410, out of the printed pattern was followed before very long by the development of line engraving out of ornament engraved by the goldsmith upon vessels of silver, and that of etching out of the armourer's practice of decorating plates of steel by designs bitten in with acid. Of these two processes, the first came into use about 1430-40, and the second quite early in the sixteenth century. Every century contributes its process: the seventeenth, mezzotint ”
Source: Wikisource

Portrait of Henri Barbusse Henri Barbusse,  Meissonier

“ At that time life-masks happened to be quite the rage: people had their faces moulded in plaster just as nowadays they sit for a photograph; and young Meissonier related, not without vanity, that on the preceding Sunday he had taken the mask of the Johannot brothers, and he added that he knew those two princes of engraving quite intimately. ”
Source: Gutenberg

Portrait of Sabine Baring-Gould Sabine Baring-Gould,  Mehalah: a story of the salt marshes (1920)

“ He made, like enough, Phœbe Musset and George De Witt out of one piece, but you and me was moulded together at the same time, out of the same clay, and the same breath is in our hearts, and the same blood in our veins. You can't help it, it is so. You cannot, you shall not, escape me. Soon or late you must find your proper mate, soon or late you must seek your double, soon or late find your heaven."
He came now quietly and seated himself in his chair opposite Mehalah.
”
Source: Wikisource

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