Motion pictures

Definition and stakes

Walter Julius Bloem,  The soul of the moving picture (1924)

“ The main wheel in the machinery of film art has been found; the technical bases which decide the limits to which the accomplishments and achievements of the motion pictures may hope to go, these are known. Just as brush and colors, or hammer and chisel, each inartistic means in themselves, circumscribe the arts which they aid in creating, and set up a vigorous resistance to an alien or irrelevant aid, just so does the moving picture mechanism become indignant at the intrusion of any and every foreign contrivance or figuration the essential being of which is beyond its natural control. ”
Source: Gutenberg

Walter Julius Bloem,  The soul of the moving picture (1924)

“ We experiment in the motion picture, though not so much from a mere love of the novel as from a settled conviction that in this field we still have a great deal to learn; we are still undecided about a great number of things.
There is hardly a theme on earth or in the moon with which we have not concerned ourselves; we have conjured the things of the earth and the stars up before the film camera and had them remain there until their pictures were at our disposal. We have descended into the dusty tombs of prehistoric times; we have adapted the stories of foreign countries to the screen.
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Source: Gutenberg

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