Walter Julius Bloem, The soul of the moving picture (1924)
“ The main wheel in the machinery of film art has been found; the technical bases which decide the limits to which the accomplishments and achievements of the motion pictures may hope to go, these are known. Just as brush and colors, or hammer and chisel, each inartistic means in themselves, circumscribe the arts which they aid in creating, and set up a vigorous resistance to an alien or irrelevant aid, just so does the moving picture mechanism become indignant at the intrusion of any and every foreign contrivance or figuration the essential being of which is beyond its natural control. ”
