Phrasing

“ We begin to see now what an intricate affair is any perfect passage; how many faculties, whether of taste or pure reason, must be held upon the stretch to make it; and why, when it is made, it should afford us so complete a pleasure. From the arrangement of according letters, which is altogether arabesque and sensual, up to the architecture of the elegant and pregnant sentence, which is a vigorous act of the pure intellect, there is scarce a faculty in man but has been exercised. ”

“ In all good writing we find a similar dependence in thought. Each sentence takes a meaning because of its relation to some other. The personal pronouns and pronominal adjectives, adverbial phrases indicating time or place, conjunctions, and such expressions as certainly, however, on the other hand, etc., are used to indicate more or less directly a relation in thought between the phrase or sentence in which they occur and some preceding one. If the reader cannot readily determine to what they refer, the meaning becomes obscure or ambiguous. ”

“ The verb has implies that only one man has departed, hence the sentence should be, “A great and good man has departed.”
“They sang the first and second verse,” should be, “They sang the first and the second verse.” “The literal and figurative meaning of words” should be, “The literal and the figurative meaning of words.”
“In framing of his sentences he was very exact,” should be, “In the framing,” etc., or, “In framing his sentences he was very exact.” “The masculine and feminine gender,” should be, “The masculine and the feminine gender.” ”

“ Function.—When we wish to assert that a thing possesses a certain quality, we do it by a predicate made up of some form of the verb be together with an adjective; as in the sentence, “The very name was uncanny.”—Page. Here the idea words are the subject noun and the adjective in the predicate; the verb was serves merely as a copula, or tie-word, necessary for the grammatical structure of the sentence, but having little, if any, meaning. ”

“ The principal parts of a simple sentence are the nominative or subject, the verb or attribute, or word that makes the affirmation, and the object, or thing affected by the action of the verb; as, "A wise man governs his passions." In this sentence, man is the subject ”

“ CHAPTER VI VERBS § 72. The MHG. verb has the following independent forms:—one voice (active) , two numbers, three persons, two tenses (present and preterite) , two complete moods (indicative and subjunctive, the latter originally the optative) , besides an imperative which is only used in the present tense; two verbal nouns (the present infinitive, and the gerund, generally called the inflected infinitive) , a present participle with active meaning, and one verbal adjective (the past participle) . ”

“ EMPHASIS. Emphasis generally may be divided into two classes—Emphasis of sense and Emphasis of feeling. Emphasis relates to the mode of giving expression; properly defined it includes whatever modulation of the voice or expedient the speaker may use, to render what he says significant or expressive of the meaning he desires to convey, for we may, by this means, give very different meanings to our sentences, according to the application of emphasis. For instance, take the sentence—"Thou art a man." ”

“ In a bad attack, she may go to bed young one night and rise next day with grey hairs in her head, and write a book about it; but then she recovers: and I think you are right about phrases, too. 'Syllables govern the world,' John Selden said; but 'phrases' would have been the better word. Phrases are the keynotes to life; they set the tune to which men insensibly shape their course, and so rule us for good and ill. ”

“ Through lack of such discernment, gross faults are very often committed. For neither to all ranks, fortunes, and ages, nor to every time, place, and auditory, can the same style either of language or of sentiment be adapted. In every part of a discourse, as in every part of life, we must consider what is suitable and decent; and this must be determined with reference both to the matter in question, and to the personal character of those who speak and those who hear."—CICERO, Orator ad Brutum. ”

“ When we wish to express strong emotion or to describe action resulting from excitement, we only weaken the impression by using unnecessary words. Simple, direct sentences are most forceful. In aiming to secure sentence emphasis, then, we should avoid circumlocution, redundancy, tautology, and verbosity. (Look up these terms in the Century Dictionary.) ”

“ Tense expresses the time of the action or existence. The tenses are the present, the past, the future (employing the auxiliaries shall and will) , the perfect (employing have) , the past perfect (employing had) , and the future perfect (employing shall have and will have) . Verbals are certain forms of the verb used as other parts of speech (noun, adjective, adverb) . For the verbal forms, infinitive, gerund, and participle, see the separate headings. Adjective.An adjective is a word used to modify a noun or pronoun. ”

“ Nothing is more destructive of propriety and energy than this habit. The tones and inflections of the voice at the close of a sentence, ought to be diversified, according to the general nature of the discourse, and the particular construction and meaning of the sentence."—Murray's Gram., 8vo, p. ”

“ He possessed it as every one who dabbles in poetry with us, possesses what may be called the poetical vocabulary, as distinguished from the vocabulary of common speech and of modern prose: I mean, such expressions as perchance for perhaps, spake for spoke, aye for ever, don for put on, charméd for charm’d, and thousands of others. ”

“ His phraseology rolls ever in solemn and majestic periods, in which every substantive marches ceremoniously accompanied by its epithet; grand pompous words peal like an organ; every proposition is set forth balanced by a proposition of equal length; thought is developed with the compressed regularity and official splendour of a procession. ”

“ Zoe Montrose to Francis Hume
Do not write verse until you fail to express yourself in prose. Verse should glide full-winged over the surface of the waters where the spirit of God lies sleeping. It should deal carelessly with poor things like prepositions and pronouns. They are but the spray-bubbles beaten back by its wings. Your smaller words are staffs falling as regularly and heavily as a tread on a board walk. Your phrases march; they do not fly. ”

“ These principles pertain to diction, structure, matter, and spirit or purpose. No one will deny [4] that the diction should be well chosen; that the structure of the sentences should be correct and clear; and that, in the case of poetry, the laws of versification should be observed. These elements contribute to excellence of form. In addition to these external elements there should be unity of thought, symmetry of presentation, truth of statement, and sincerity and self-restraint in sentiment. These elements give substantial worth to the matter or content of literature. ”

“ The vitalising power is in the rhythm of the sentence, the turn of phrase, the knowledge of idiom, and of, beyond all, the attitude of mind. A laborious system of spelling exasperates the reader, jades the eye, and fails to convince the ear. ”

“ In the reading of poetry, these pauses ought to be observed, as well as those which have reference to the sense; for, to read verse exactly as if it were prose, will often rob it of what chiefly distinguishes it from prose. ”

“ If you study this lecture attentively, you will perceive, that when I say, I write, the verb is in the indicative mood; but when I say, if I write, or, unless I write, &c. the verb is in the subjunctive mood; write thou, or write ye or you, the imperative; I may write, I must write, I could write, &c. the potential; and to write, the infinitive. Any other verb (except the defective) may be employed in the same manner.
II. OF THE TENSES.
TENSE means time. ”

“ What a miserable instrumentality is language! A tone of satiny flesh, a luminous shadow on a bare shoulder, a flickering light on floating silk, attract, recall, and retain the eye for a long time, and yet there is but a vague phrase with which to express the charm.... ”

“ A large part of our thinking consists of furnishing specific instances to illustrate general ideas which arise. Since the language we use is but the expression of the thoughts we have, it happens that many of our paragraphs are made up of general statements and the specific instances used to illustrate these statements. When the topic sentence is a general statement, we naturally seek to supply specific instances, and the writer will most readily make his meaning clear by furnishing such illustrations. ”

“ A common type of sentence, similar to this, is one in which the anticipative subject is followed by the verb is, next by an adverb, or a phrase, or a clause, and then by the real subject; for example, “It is chiefly through [Pg 44] books that we enjoy intercourse with superior minds.” ”

“ Phrases, which are not in themselves bad, if they were elevated by something in the syntax or rhythm distinguishing them from prose, become in him prose out-and-out. ‘To Peleus why did we give you, to a mortal’? ‘In the plain there were kindled a thousand fires; by each one there sate fifty men’. ”

“ Every word and every letter is studied and put into its fit place: the terrific numbers are reserved for the terrific parts—the mild & gentle, for the mild & gentle parts, and the prosaic, for inferior parts: all are necessary to each other. ”

“ Compare these with: (Worth makes the man; the want of it, the fellow.) (His life was spent in sinning and repenting; in inculcating what was right, and doing what was wrong.) Here the regularity of form gives pleasure to the taste, while the position of balanced and parallel parts adds clearness, coherence, and emphasis to the thoughts expressed. This method of sentence structure, if employed too frequently, however, will lead to a mannerism difficult to overcome. The caution to be heeded in the case of this type of sentence as well as in the case of every other is, "Nothing too much." ”

“ A simple sentence consists of a verb, its subject, and its object. The verb indicates the action, the subject is the noun (name of a person or thing) which does the act, the object is the noun to which the thing is done. Verbs have forms denoting person and number, for example:
Verbs agree with their subjects in person and number. ”

“ Verse is simply an ordering of words so that the modulation by the voice especially attracts the ear by the regularity of stress. We have stories, dramas and essays in different measures of verse just as we have them in prose. Description, narration, exposition, even argument and exclamation, appear in verse as well as in prose. ”

“ The useful ways in which people ordinarily talk or seem to talk about meanings boil down to two: the having of meanings, which is significance, and sameness of meaning, or synonymy. What is called giving the meaning of an utterance is simply the uttering of a synonym, couched, ordinarily, in clearer language than the original. ”

“ As a rule, a quotation of more than one sentence is written in a separate paragraph. When the quotation is to be set in smaller type than the body of the story, all quotation-marks at the beginning and end of the paragraphs are omitted.
75. Quotations and Summaries.—When reporting a speech or interview and alternately summarizing and quoting verbatim, do not include in the same paragraph a direct quotation and a condensed summary of what precedes or follows. Make a separate paragraph for each. Thus:
"Shall we continue to listen to a wandering voice as imbecile as our condition?" ”

“ The principle that the proper place for what is to be made most prominent is the end applies equally to the words of a sentence, to the sentences of a paragraph, and to the paragraphs of a composition. ”

“ The tones of the voice, the construction of our sentences, the choice of our words, and the manner in which we pronounce and articulate them—all have their influence in impressing, either favorably or unfavorably, even the most unlettered. ”

“ INFLECTION OF VERBS 216. Verbs have inflections of tense, person and number, and mood. They also have the distinction of voice, which is expressed by the help of verb-phrases.
Tense indicates time; person and number correspond with person and number in substantives; mood shows the manner in which the action is expressed; voice indicates whether the subject acts or is acted upon. ”

“ Action of the emotions, denoted by such verbs as hate, love, revere; as, “When Père Antoine was a very young man, he had a friend whom he loved as he loved his life.”
3. Action of the senses, denoted by the verbs see, hear, feel, smell, taste; as, “To see a good man and hear his [Pg 172] voice once a week would be reason enough for building churches and pulpits.”—Holmes.
Verbs of saying, like tell, remark, declare, exclaim, are followed by a direct object, usually a quotation or a noun clause telling just what was said ”

“ Take a sentence of a dozen words, and take twelve men and tell to each one word. Then stand the men in a row or jam them in a bunch, and let each think of his word as intently as he will: nowhere will there be a consciousness of the whole sentence. ”

“ Having pointed out the importance of correct grammar and the right choice of language, I wish now to furnish you with some practical suggestions for the construction of sentences. Remember that a good thought often suffers from a weak and faulty expression of it.
Your sentences will certainly shape themselves after the structure of your own mind. If your thoughts are vivid and definite, so will be your language; if dreamy and hazy, so will your composition be obscure. Your speech, whether oral or written, can be but the expression of yourself; and what you are, that speech will be. ”