Theatrical performer

“ When the seeker after histrionic honors has at last crossed the threshold of the stage, he or she will find it entirely different from the glitter and glory with which the imagination had clothed things theatrical. The first revelation made to new-comers in the profession is the rehearsal. ”

“ Again, when walking to the theatre or to the railroad station, to see the town-folk turn curiously, regarding the players with a condescending smile, which curled the corners of the mouth downward as they whispered, "Show people." In larger cities these marks of opprobrium are less pronounced, but, nevertheless, exist. I resented this attitude towards the theatrical profession until I became better acquainted with it. ”

“ Everybody who is at all acquainted with theatrical matters, knows what a host of shabby, poverty-stricken men, hang about the stage of a large establishment—not regularly engaged actors, but ballet people, procession men, tumblers, and so forth, who are taken on during the run of a pantomime, or an Easter piece, and are then discharged, until the production of some heavy spectacle occasions a new demand for their services. ”

“ These musicians seem to be as important elements in the action and meaning of the play as the actors themselves are. As soon as the performance begins they immediately tune up, and from that on until the show is over they never give the audience or the music a single rest. ”

“ New plays, while rare, are not theatrical events, and first nights by no means indicate success or failure. The play is tried on the audience, changed, cut, and altered as actors, manager, scene-painter, carpenter, and patrons desire, without consideration of the author’s rights or feelings. ”

“ ELLEN TERRY
AND HER SISTERS CHAPTER I BEGINNINGS
I know that to the majority of people who merely regard the theatre as a place for occasional recreation, it is a subject for amazement that others can exist who, not belonging to the theatrical profession, take an absorbing and lasting interest in the stage, and in those actors and actresses who have made its past history glorious, as well as in the artists who adorn and make it a delight in the present. ”

“ To such a pitch has this new method of attracting audiences been carried, that this class of performances, or rather exhibitions, are now known in theatrical parlance as 'leg-pieces.' It is impossible not to see what a demoralising influence such performances must have upon the rising generation, indeed upon the whole audience. ”

“ But in the scale of emotion and excitement the theatre comes next to fighting, whether you be the author of the play or opera to be given for the first time before the greatest and most critical audience in the world, or the actor, or actress, or singer, who has not yet been heard or seen and of whom wonders are expected on the great night. ”

“ This inclination of the audience to sing along with the actors so prevails with them that I have sometimes known the performer on the stage to do no more in a celebrated song than the clerk of a parish church, who serves only to raise the psalm, and is afterwards drowned in the music of the congregation. Every actor that comes on the stage is a beau. ”

“ The phenomenal unnaturalness [266] of acting is a thing discounted in the minds of most people by early visits to the theatre. They get used to the fantastic gestures, the flamboyant emotions, the weird mouthings, melodious snortings, agonising yelps, lip-gnawings, glaring horrors, and other emotional symbolism of the stage. ”

“ All that it behoves us to deduce from them is the unimpeachable principle that the success of the romantic drama on the stage depends not merely on the actor's gift of imagination, but to an even larger extent on the possession by the audience of a similar faculty. ”

“ For theatrical talent consists in the power of making your characters not only tell a story by means of dialogue but tell it in such skilfully devised 6 form and order as shall, within the limits of an ordinary theatrical representation, give rise to the greatest possible amount of that peculiar kind of emotional effect, the production of which is the one great function of the theatre.”1 Certain underlying differences between the relation of the novelist to his reader and that of the dramatist to his audience reveal why the art of each must be different. ”

“ In melodramas like the 'Round Up' and 'Ben Hur,' as in fairy-plays like the 'Blue Bird,' the acting is properly subordinated to the spectacular splendor of the whole performance. When we enter a theater to behold a play of either of these types, we expect the acting to be adequate, no doubt, but we do not demand the highest type of histrionic excellence. What we do anticipate, however, is a spectacle pleasing to the eye and stimulating to the nerves. ”

“ Sitting on the edge of the rock, you can imagine the actors strutting out into the theatre below, and the acquiescent chorus chanting its surprise or horror, and almost see the bent shoulders and heads of the people filling the half-circle and leaning forward to catch each word of the play as it comes to them through the actors' masks. ”

“ In explaining the mysteries of stage representations, and indicating the tricks of ring performances, as well as in speaking of the private lives of performers and giving biographies of the most noted actors and actresses now before the public, an attempt has been made to be perfectly accurate in every detail. ”

“ From this disposition of the light in our theatres, whenever an actor, whose features are not particularly sharp and pointed, comes near the front of the stage, and turns his face fully to the audience, every feature immediately becomes shortened and snub, and less capable of any expression, unless it be of the ludicrous kind. ”

“ They have tried beauty, richness, novelty, to win back excitement. They have only just begun to see that the liveliest excitation in the playhouse may come from the art of the actor and the art of the régisseur when they are stripped to the task of providing exaltation. Present the actor as an actor, and the background as an honest, material background, and you are ready for what glories the playwright and the peculiar genius of the theater can provide. The drama is free again for its eternal task—the showing of the soul of life. ”

“ Moreover, in a theatre we must consider, not the marble of its pavements, not the boards of the stage, nor the columns of the back-scene, nay, nor yet the height of its gables, the splendour of its fretted roofs, the expanse of its tiers of seats; we need not call to mind that this place is sometimes the scene for the foolery of the mime, the dialogue of comedy, the sonorous rant of tragedy, the perilous antics of the rope-walker, the juggler's sleight of hand, the gesticulation of the dancer, with all the tricks of their respective arts that are displayed before the people by other artists. ”

“ It one could really be a spectator, a mere spectator, of what is passing in the world around us, without taking part in the events, or sharing in the passions and the actual performance on the stage; if we could sit ourselves down, as it were, in a private box of the world's great theatre, and quietly look on at the piece which is playing, no more moved than is absolutely implied by sympathy with our fellow-creatures, what a curious, what an amusing, what an interesting spectacle would life present! ”

“ What culture, though—what a combination of gifts, does this portrayal require and call into play! An actor may be in turn, painter, sculptor, poet, musician, psychologist, moralist, historian, and yet be inadequately equipped for his calling.
Does one go to the theatre to see life depicted upon the stage, or, on the contrary, to escape from life and forget it? Irving takes up a position half-way between the realist and that of the ultra-idealist. ”

“ How, during the performance of the Passion Play, they act and sing and stand about upon the uncovered stage without taking the slightest notice of the downpour of water that is soaking their robes and running from their streaming hair, to make great pools upon the boards; and how the audience, in the cheaper, unroofed portion of the theatre, sit with equal stoicism, watching them, no one ever dreaming even of putting up an umbrella—or, if he does dream of doing so, experiencing a very rude awakening from the sticks of those behind. ”

“ But the practice of stage representation reduces everything to a controversy of elocution. Every character, from the boisterous blasphemings of Bajazet to the shrinking timidity of womanhood, must play the orator. ”

“ The audience, as the play began, was in the customary benevolent mood of audiences beholding amateur productions, ready to see good if possible, anxious to show favour to all the young actors and to praise without discrimination, aware of the proximity of proud fathers and mothers. ”

“ As to my Performances, the Audience are the only, proper Judges: But I may venture to affirm, That my Labour, and Application, have been greater than any other Performers on the Stage. I have not only acted in almost all the Plays, but in Farces and Musical Entertainments ”

“ It is not with the stage performance that we are most concerned, but with that other play, quite out of sight of the audience in the little theatre that night, which is to us more interesting than the scenes they acted behind the footlights. ”

“ Whichever turn the thing takes, you can hear no more of what is passing on the stage, where actors and singers, according to ancient usage, do not suffer themselves to be interrupted by such occurrences, but declaim or warble away, ‘comme si rien n’était.’ And such things happen not once, but sometimes twenty times, in the course of a performance, and amuse many of the audience more than that does. ”

“ Every Movement of the Theatre, by a skillful Poet, is communicated, as it were by Magic, to the Spectators, who weep, tremble, resent, rejoice, and are enflam'd with all the Variety of Passions, which actuate the several Personages of the Drama. ”

“ Any consideration of dramatic literature, apart from the actual conditions of performance, apart from the special theater for which any given play was composed, and to the conditions of which it had, perforce, to conform, is bound to be one-sided, not to say sterile. The masterpieces of dramatic literature were all of them written to be performed by actors, in a theater, and before an audience. ”

“ Undoubtedly the most marvellous example of dramatic eccentricity that was ever put upon record is the one which tells us of a regular performance by professional actors in a public theatre, before an ordinary audience, who had extraordinary interest in the drama. ”

“ Indeed, I am not yet certain that a wealthy theatre could not shape it to an impressive pageantry, or that a theatre without any wealth could not lift it out of pageantry into the mind, with a dim curtain, and some dimly robed actors, and the beautiful voices that should be as important in poetical as in musical drama. ”

“ Exceptional instances apart, the actor who is speaking or being spoken to, or who is singing a song, should stand well to the front of the stage. Not only does this let you make the best use of your voice, but it helps you, what is more important, to rivet the attention of the audience.
6. Keep up a keen personal interest in the play. If you are in the chorus, your job is not solely to help in the singing and to show off a picturesque costume, but to assist in focussing the interest on the central incident. ”

“ The actors in the mimic life of the theatre are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous. ”

“ A play is a representation, by actors, on a stage, before an audience, of a struggle between individual human wills, motivated by emotion rather than by intellect, and expressed in terms of objective action. ”

“ Do you know that even when there is no such conflict of comic and tragic on the stage, the strain of performing is greatly increased if the performers have to attend to the audience as well as to their parts at the same time? ”

“ But those who work day by day in the theatre sometimes find, as the rehearsals advance, that this ill-lit, unfurnished void can on a sudden be transformed into a world of enchantment. The actor and the author together are as yet undisturbed in their task, and what is still to come in the way of added illusion their imagination can readily supply. ”

“ I think the voice of actors when off the stage is peculiar. It is deep and hollow, as if trained to be thrown to a distance. By the drama two of the senses which afford most pleasure are entertained—the eye and the ear. ”

“ Prior to the enactment, and for the benefit of those in the audience who might be innocent of French, a British officer gave out the motif in English.
As I sat contentedly in my place—the burden of the wearinesses of the last weeks fallen from my shoulders—it was borne in upon me that much of the success of a play is in the eager and receptive mood of the audience; also that in the naïve freshness [61] of an amateur performance is a charm which has too frequently perished in the more finished production of the professional actor. ”

“ The aim of the dramatist employing it is obviously to create such an illusion of actual life passing on the stage as to compel the spectator to pass through an experience of his own, to think, and talk, and move with the people he sees thinking, talking, and moving in front of him. ”

“ The plays written for them, though no genuine dramas, are not without value as spectacle, and the opportunity, however lame, gives freer play to the actor’s powers, than would the simple recitation, by which some have thought any attempt at acting whole plays should be superseded. ”

“ The public does not realize the nervous and mental strain the great actors and singers undergo when on the stage, portraying the characters they represent for the pleasure and entertainment of their auditors. ”

“ For ourselves, we believe the day of the regular drama to be past; and, though we recognize the need of some kind of spectacle and dramatic representation to be absolutely coincident with an animated state of the public mind, we have thought that the opera, ballet, pantomime and briefer, more elastic forms, like the vaudeville of the French theatre, or the proverb of the social party, would take the place of elaborate tragedy and comedy. ”