Woman artist

Definition and stakes

Portrait of E. F. Ellet E. F. Ellet,  Women artists in all ages and countries (1859)

“ The profession of the painter would seem, in many respects, peculiarly fitted for woman. It demands no sacrifice of maiden modesty nor of matronly reserve; it leads her into no scenes of noisy revelry or unseemly license; it does not force her to stand up to be stared at, commented on, clapped or hissed by a crowded and often unmannered audience, who forget the woman in the artist. It leaves her, during a great portion of her time at least, beneath the protecting shelter of her home, beside her own quiet fireside, in the midst of those who love her and whom she loves. ”
Source: Gutenberg

History of Woman Suffrage, Volume I

“ The woman of the nineteenth century is the shapeless ball in the lofty position which she was designed fully and nobly to fill. The place is not too high, too large, too sacred for woman, but the type that you have chosen is far too small for it. The woman we declare unto you is the rude, misshapen, unpolished object of the successful artist. From your stand-point, you are absorbed with the defects alone. The true artist sees the harmony between the object and its destination. Man, the sculptor, has carved out his ideal, and applauding thousands welcome his success. ”
Source: Gutenberg

Portrait of H. De Vere Stacpoole H. De Vere Stacpoole,  The New Optimism

“ Every male artist inherits this sense from his mother. I am speaking from long observation and experience. It is the woman in the artist that paints; the woman in the poet that feels; the woman in the novelist that colours the work. Every man has the æsthetic sense more or less developed, but women have it, as a mass, more developed than men. Who, for instance, puts the flowers in the cottager’s window?
“I do not believe that the æsthetic sense in the greatest artist is more developed than it is in hundreds of thousands of women who never touch art.
”
Source: Gutenberg

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