Wordplay

“ Facts, incidents, plots, simply form the artistic speech—its mode of expression, or medium—and if there is no idea behind the facts, then you have no longer language but gibberish. Just as language is made up of the letters of the alphabet, arranged in significant words and sentences; so is the artistic language made up of plots, incidents, sentences which are informed with significance. ”

“ Language, rather than matter, would thus become the object of emulation—speeches would swell into orations—and, in this contention and conflict of genius, men of cleverness, ready wit, brilliant imagination, retentive memory, caustic reply, and last, though not least, soundness of constitution, would rise to the surface, far above those who, with much deeper reflection, much heavier sense, more sterling knowledge, and more powerful judgment, were yet found to be wanting in activity in their parts of speech. ”

“ Speech is always in close contact with writing; in time, even slang may become elegant and pass into the recognized vocabulary of literature. Poetical, a specialized branch of the literary language, tends for special reasons of rhythm, ryhme, assonance, solemnity, dignity, pathos, sonority and the like to be more conservative, archaic and formal than the language of prose, but even the poetry of an age reflects its tendencies of educated speech and thought. ”

“ Action is important to the orator, and changes of action must accord with the language; the lower the language the slower should be the movements and vice versa, observing Shakespeare's rule: "Suit the action to the word, the word to the action, with this special observance—that you o'erstep not the modesty of nature." Study repose, without it, both in speech and action, the ears, eyes, and minds of the audience, and the powers of the speaker are alike fatigued; follow nature, consider how she teaches you to utter any sentiment or feeling of your heart. ”

“ Till, at last, some happy genius arose, and tracing the sounds made by the human voice, to their most simple elements, reduced them to a very few vowels and consonants; and, by affixing to each of these, the signs which we now call letters, taught men how, by their combinations, to put in writing all the different words, or combinations of sound, which they employed in speech. By being reduced to this simplicity, the art of writing was brought to its highest state of perfection; and, in this state, we now enjoy it in all the countries of Europe."--Blair's Rhetoric, Lect. ”

“ The habitual use of the active voice makes for forcible writing. This is true not only in narrative principally concerned with action, but in writing of any kind. Many a tame sentence of description or exposition can be made lively and emphatic by substituting a verb in the active voice for some such perfunctory expression as there is, or could be heard.
11. Put statements in positive form.
Make definite assertions. Avoid tame, colorless, hesitating, non-committal language. Use the word not as a means of denial or in antithesis, never as a means of evasion. ”

“ It does not explain the value of words, nor their proper use, and adds little to our vocabulary, though an abundance of words is indispensable to correct speaking and writing. It teaches neither pronunciation nor accent, nor the orthography of the variable parts of words, nor their diverse meanings, nor the difference of signification between words improperly called synonyms, nor the propriety of figurative language, nor any of those delicacies of expression which constitute the genius of a language, and characterize a clear, elegant, and correct style. ”

“ Man tries to utter his meaning, to give sound to the sense of his thought. All students of words appear to agree to this as a primary creative principle. And in the utterance of language he employs instinctively what some story-tellers condemn as the “show” tricks of elocutionists: suggestive quality or pitch of voice; slow or rapid rate of speaking; grouping, inflection, and pause. Mastery of this instinctive use of speech in its fullness and perfection, as a means to an end, is what is meant by mastery of oral technique. ”

“ Then, again, we have discovered that often we are made to feel most deeply, not by detailed statement, but by suggestion: in the case of a speaker, perhaps by a momentary gesture, or play of features, by a sudden inflection of the voice, or a pause in speech, and the occasional accent of a word or sentence; in the case of a writer, often as much by what he leaves unsaid, by the thought that is veiled behind the statement, by the choice and emphasis of certain features of his record. Further, we may have learned to find occasional value even in uncertainty or indecision. ”

“ Having pointed out the importance of correct grammar and the right choice of language, I wish now to furnish you with some practical suggestions for the construction of sentences. Remember that a good thought often suffers from a weak and faulty expression of it.
Your sentences will certainly shape themselves after the structure of your own mind. If your thoughts are vivid and definite, so will be your language; if dreamy and hazy, so will your composition be obscure. Your speech, whether oral or written, can be but the expression of yourself; and what you are, that speech will be. ”

“ Language as a Means of Expression. Narration is especially suited to the conditions imposed by language. Men do not think in single words, but in groups of words,—phrases, clauses, and sentences. In hearing, too, men do not consider the individual words; the mind waits until a group of words, a phrase, or a simple sentence perhaps,—which expresses a unit of thought, has been uttered. In narration these groups of words follow in 15 a sequence exactly as the actions which they represent do. ”

“ Independently of speech, or the art of writing, other methods employed by primitive man of communicating with his kind should first be noted. Thus, the ancient gesture language, common to all races and people, whereby facial expression, attitudes or gesticulations, sorrow, hatred, love, confidence, regret, all emotions were expressed; that picture action which we find appearing in picture writing. ”

“ It involves a careful recognition of what psychology calls the 'prose attitude' and the 'verse attitude,' and also (as has been suggested above) the peculiar union of prose with the spatial rhythm of verse. We read with ear and eye together, though with varying proportions of emphasis on the one or the other; for some 'vocalize' whatever they read, others read almost entirely with the eye. Since it is the eye that takes the earlier and quicker perception of printed language, we tend to judge by the appearance of a page whether it contains prose or verse. ”

“ Ease and flexibility of articulation, quickness in catching the drift of ideas, and readiness in varying the tones of the voice in the utterance of words so as impressively to portray their latent sentiment,—all this is possible with those alone to whom difficult word-forms, complex sentence-structures, and the infinite variety and play of thought and emotion, are more or less familiar through such a wide range of reading as only the silent prosecution of it makes possible. ”

“ But language, by its very nature, offers to the ear not only a pattern of rhythm but also a pattern of letters. A mastery of literation is therefore a necessary element of style. Effects indisputably potent in suggestion may be gained by running a recurrence of certain letters, deftly for a time withheld,—since blatancy must always be avoided,—and yet triumphant in harmonious return. The great sentences of literature which echo in our ears because their sound is married to their meaning will be found upon examination to incorporate an intricate pattern of tastefully selected letters. ”

“ Force grows out of simplicity, clearness, terseness of style. The story told in plain, curt phrase is more effective than the story which shows a conscious striving after effect. Diction is important. A strong word lends strength to an entire sentence, while a weak word may spoil the vividness of an impression. As a rule the words that are deeply rooted in everyday speech are stronger than their synonyms of foreign origin. Words derived13 from the Anglo-Saxon are the bone and sinew of the language. ”

“ At the same time this very imperfection of speech, and the struggle of primitive thought to express itself in language sometimes creates, as it were by accident, the very flower of strength and vividness in picturesque description, and the interpretation of emotion as the most skillful art has been unable to do. ”

“ It is not merely that verse by its external appearance notifies the reader, or by its [47] perceptible regularity notifies the listener, that the writer is putting forth his highest efforts, that language is being driven to its highest possibilities; it is not that the use of verse signalizes greater aims and intentions than the use of prose; but rather that the higher efforts, the greater aims, turn by a natural, spontaneous, but partly mysterious instinct to metrical forms for adequate or fit expression. ”

“ It is to common language what springs [Pg 425] are to a carriage, or wings to feet. In ordinary speech we arrive at a certain harmony by the modulations of the voice; in poetry the same thing is done systematically by a regular collocation of syllables. It has been well observed, that every one who declaims warmly, or grows intent upon a subject, rises into a sort of blank verse or measured prose.... An excuse might be made for rime in the same manner. ”

“ Articulation is the forming and joining of the elementary sounds of speech. It seems an appalling task to utter articulately the third-of-a million words that go to make up our English vocabulary, but the way to make a beginning is really simple: learn to utter correctly, and with easy change from one to the other, each of the forty-four elementary sounds in our language. ”

“ Not only is perception measurably quite distinctly slower, but book language is related to oral speech somewhat as an herbarium is to a garden, or a museum of stuffed specimens to a menagerie. The invention of letters is a novelty in the history of the race that spoke for countless ages before it wrote. The winged word of mouth is saturated with color, perhaps hot with feeling, musical with inflection, is the utterance of a living present personality, the consummation of man's gregarious instincts. ”

“ The best way to avoid this is to translate poetry into prose; to take, for instance, a page of narrative in verse and relate the same story in plain prose; or to peruse a page of didactic poetry, and set down the argument in a plain, unpoetical fashion. This will make you familiar with the art of composition, only to be acquired by practice; and the advantage, at this early stage of your education in the arts of writing and speaking, of putting into proper language the thoughts of others rather than your own is, that you are better able to discover your faults. ”

“ Speech makes use of sound, and reaches the mind through the ear: writing makes use of characters, and conveys knowlege through the eye. The ideas that rise in the mind of the speaker, together with the operations, affections, and energies, of the mind itself, are manifested and communicated in speech, by articulate sounds, combined, or separated in various proportions; by rests of the voice in certain places; by accents, emphases, and tones. The same is attempted in writing, by different combinations of letters, according to stated rules, and by certain points, stops, and lines. ”

“ We find spelling-books filled with lists of words to be memorized; we find grammars filled with names and definitions of all the different forms which the language assumes; we find rhetorics filled with the names of every device ever employed to give effectiveness to language; we find books on literature filled with the names, dates of birth and death, and lists of works, of every writer any one ever heard of: and when we have learned all these names we are no better off than when we started. ”

“ Because of the pattern, the play aspect of language, I believe in written stories even for very little ones. If we loved our language better and played with its sound in our ordinary speech, perhaps stories for two- and three-year-olds would not be needed. But as it is, we need to present them [Pg 66] with something more intentional, more thought out than is possible with most of us in a story told. ”

“ He possessed it as every one who dabbles in poetry with us, possesses what may be called the poetical vocabulary, as distinguished from the vocabulary of common speech and of modern prose: I mean, such expressions as perchance for perhaps, spake for spoke, aye for ever, don for put on, charméd for charm’d, and thousands of others. ”

“ The vitalising power is in the rhythm of the sentence, the turn of phrase, the knowledge of idiom, and of, beyond all, the attitude of mind. A laborious system of spelling exasperates the reader, jades the eye, and fails to convince the ear. ”

“ Under the heat and pressure of emotion, things alter their shape and size and quality, ideas are transformed into concrete images, diction becomes impassioned, plain speech tends to become metaphorical. The language of any excited person, whether he is uttering himself in prose or verse, is marked by "tropes" ”