Summary

Portrait of John Bagnell Bury John Bagnell Bury 1911 Encyclopædia Britannica, Volume 11… (1911)

His most ardent admirers, however, are constrained to admit that he was deficient in large-hearted benevolence; that he was destitute of any “enthusiasm of humanity”; and that so far as every sort of religious yearning or aspiration is concerned, his poverty was almost unique. Gibbon was such a man as Horace might have been, had the Roman Epicurean been fonder of hard intellectual work, and less prone than he was to the indulgence of emotion.
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Portrait of John Bagnell Bury John Bagnell Bury 1911 Encyclopædia Britannica, Volume 11… (1911)

We may remark in passing that the retreat was often enlivened, or invaded, by friendly tourists from England, whose “frequent incursions” into Switzerland our recluse seems half to lament as an evil. Among his more valued visitors were M. and Mme Necker; Mr Fox also gave him two welcome “days of free and private society” in 1788. Differing as they did in politics, Gibbon’s testimony to the genius and character of the great statesman is highly honourable to both: “Perhaps no human being,” he says, “was ever more perfectly exempt from the taint of malevolence, vanity, or falsehood.”
Source: Wikisource

Portrait of John Bagnell Bury John Bagnell Bury 1911 Encyclopædia Britannica, Volume 11… (1911)

The subject of this youthful effort was suggested, its author says, by a refinement of vanity—“the desire of justifying and praising the object of a favourite pursuit,” namely, the study of ancient literature. Partly owing to its being written in French, partly to its character, the Essai excited more attention abroad than at home. Gibbon has criticized it with the utmost frankness, not to say severity; but, after every abatement, it is unquestionably a surprising effort for a mind so young, and contains many thoughts which would not have disgraced a thinker or a scholar of much maturer age.
Source: Wikisource

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