Thomas De Quincey

“ Then, suddenly, —oh, heavens! what a revelation of beauty!—forth stepped, walking in brightness, the most faultless of Grecian marbles, Miss Helen Faucit as Antigone. What perfection of Athenian sculpture! the noble figure, the lovely arms, the fluent drapery! What an unveiling of the ideal statuesque! Is it Hebe? is it Aurora? is it a goddess that moves before us? Perfect she is in form; perfect in attitude;
'Beautiful exceedingly,
Like a ladie from a far countrie.' ”

“ In the Greek we see a breathless waiting for a doom that cannot be evaded; a waiting, as it were, for the last shock of an earthquake, or the inexorable rising of a deluge: in the English it is like a midnight of shipwreck, from which up to the last and till the final ruin comes, there still survives the sort of hope that clings to human energies. ”

“ At this moment, if the murderer knew all, could he see the open window above stairs ready for the descent of the journeyman, could he witness the life- and-death rapidity with which that journeyman is working, could he guess at the almighty uproar which within ninety seconds will be maddening the population of this populous district—no picture of a maniac in flight of panic or in pursuit of vengeance would adequately represent the agony of haste with which he would himself be hurrying to the street-door for final evasion. ”

“ And angelic was the ear of Milton. Many are the prima facie anomalous lines in Milton; many are the suspicious lines, which in many a book I have seen many a critic peering into, with eyes made up for mischief, yet with a misgiving that all was not quite safe, very much like an old raven looking down a marrow-bone. In fact, such is the metrical skill of the man, and such the perfection of his metrical sensibility, that, on any attempt to take liberties with a passage of his, you feel as when coming, in a forest, upon what seems a dead lion ”

“ So far the error was in Burke, not in the House of Commons. Yet, also, on the other side, it must be remembered, that an intellect of Burke's combining power and enormous compass, could not, from necessity of nature, abstain from such speculations. For a man to reach a remote posterity, it is sometimes necessary that he should throw his voice over to them in a vast arch—it must sweep a parabola—which, therefore, rises high above the heads of those next to him, and is heard by the bystanders but indistinctly, like bees swarming in the upper air before they settle on the spot fit for hiving. ”

“ The journeyman felt sure that the murderer would not be satisfied to kill the poor child whilst unconscious. This would be to defeat his whole purpose in murdering her at all. To an epicure in murder such as Williams, it would be taking away the very sting of the enjoyment, if the poor child should be suffered to drink off the bitter cup of death without fully apprehending the misery of the situation. ”

“ Partial exercise of the faculties (literally "one-sidedness in the exercise of the faculties") leads the individual undoubtedly into error, but the species into truth. In no other way than by concentrating the whole energy of our spirit, and by converging our whole being, so to speak, into a single faculty, can we put wings as it were to the individual faculty and carry it by this artificial flight far beyond the limits within which nature has else doomed it to walk. ”

“ This doctrine is the main pillar of our constitution, and perhaps the finest discovery that was ever made in the theory of government. Hitherto the doctrine that the King can do no wrong had been used not to protect the indispensable sanctity of the king's constitutional character, but to protect the wrong. Used in this way, it was a maxim of Oriental despotism, and fit only for a nation where law had no empire. Many of the illustrious patriots of the Great Parliament saw this; and felt the necessity of abolishing a maxim so fatal to the just liberties of the people. ”

“ Addison, the champion of all that is easy, natural, superficial, a pedant and a master of pedantry! Get down, Schlosser, this moment; or let me get out.
Pope, by far the most important writer, English or Continental, of his own age, is treated with more extensive ignorance by Mr. Schlosser than any other, and (excepting Addison) with more ambitious injustice. A false abstract is given, or a false impression, of any one amongst his brilliant works, that is noticed at all; and a false sneer, a sneer irrelevant to the case, at any work dismissed by name as unworthy of notice. ”

“ The English drama, by its metrical dress, and by other arts more disguised, unrealized itself, liberated itself from the oppression of life in its ordinary standards, up to a certain height. Why it did not rise still higher, and why the Grecian did, I will endeavor to explain. It was not that the English tragedy was less impassioned; on the contrary, it was far more so; the Greek being awful rather than impassioned; but the passion of each is in a different key. It is not again that the Greek drama sought a lower object than the English: it sought a different object. ”

“ He laid himself down to his work of extermination like the brawniest of reapers going in steadily with his sickle, coat stripped off, and shirt sleeves tucked up, to deal with an acre of barley. One duty, and no other, rested upon his conscience; one voice he heard—Slash away, and hew down the rotten growths of this abominable amanuensis. The carnage was like that after a pitched battle. The very finest passages in every book of the poem were marked by italics, as dedicated to fire and slaughter. ”

“ How idly do we say, in speaking of the events of our own time which affect our party feelings,—'We stand too near to these events for an impartial estimate: we must leave them to the judgment of posterity!' For it is a fact that of the many books of memoirs written by persons who were not merely contemporary with the great civil war, but actors and even leaders in its principal scenes—there is hardly one which does not exhibit a more impartial picture of that great drama than the histories written at his day. ”

“ Like one bred in crowded cities, when first left alone in forests or amongst mountains, he is frightened at their silence, their solitude, their magnitude of form, or their frowning glooms. It has been remarked by others that Addison and his companions never rise to the idea of addressing the 'nation' or the 'people;' it is always the 'town.' Even their audience was conceived of by them under a limited form. ”

“ Does anybody suppose that Wordsworth would be jealous of Archimedes if he now walked upon earth, or Michael Angelo, or Milton? Nature does not repeat herself. Be assured she will never make a second Wordsworth. Any of us would be jealous of his own duplicate; and, if I had a doppelganger, who went about personating me, copying me, and pirating me, philosopher as I am, I might (if the Court of Chancery would not grant an injunction against him) be so far carried away by jealousy as to attempt the crime of murder upon his carcass ”

“ This expresses rudely the character of awe and religious horror investing the Greek theatre. But to my own feeling the different principle of passion which governs the Grecian conception of tragedy, as compared with the English, is best conveyed by saying that the Grecian is a breathing from the world of sculpture, the English a breathing from the world of painting. What we read in sculpture is not absolutely death, but still less is it the fulness of life. ”

“ Such a use of the word ought to be abandoned to women: doubtless, when sitting in a bower in the month of May, it is pleasant to hear from a lovely mouth—'I put implicit confidence in your honor:' but, though pretty and becoming to such a mouth, it is very unfitting to the mouth of a scholar: and I will be bold to affirm that no man, who had ever acquired a scholar's knowledge of the English language, has used the word in that lax and unmeaning way. ”

“ At this time, half a century after his last sigh, Burke is popular; a thing, let me tell you, Schlosser, which never happened before to a writer steeped to his lips in personal politics. What a tilth of intellectual lava must that man have interfused amongst the refuse and scoria of such mouldering party rubbish, to force up a new verdure and laughing harvests, annually increasing for new generations! ”

“ There are few things perfect in this world of frailty. Even lightning is sometimes a failure: Niagara has horrible faults; and Mont Blanc might be improved by a century of chiselling from judicious artists. Such are the works of blind elements, which (poor things!) cannot improve by experience. As to man who does, the sculpture of the Greeks in their marbles and sometimes in their gems, seems the only act of his workmanship which has hit the bull's eye in the target at which we are all aiming. Not so, with permission from Messrs. Boileau and Addison, the Greek literature. ”

“ On the fatal Saturday night, about half-past one o'clock, when Williams returned from his dreadful labors, he found the English and Scotch party asleep, but the Germans awake: one of them was sitting up with a lighted candle in his hands, and reading aloud to the other two. Upon this, Williams said, in an angry and very peremptory tone, 'Oh, put that candle out; put it out directly; we shall all be burned in our beds.' Had the British party in the room been awake, Mr. Williams would have roused a mutinous protest against this arrogant mandate. ”

“ Reader, it mortifies me that all which I said to you upon the peculiar and separate grandeur investing the Greek theatre is forgotten. For, you must consider, that where a theatre is built for receiving upwards of thirty thousand spectators, the curve described by what in modern times you would call the tiers of boxes, must be so vast as to make the ordinary scale of human features almost ridiculous by disproportion. ”

“ Popular he is now, but popular he was not in his own generation. And how could Schlosser have the face to say that he was? Did he never hear the notorious anecdote, that at one period Burke obtained the sobriquet of 'dinner-bell?' And why? Not as one who invited men to a banquet by his gorgeous eloquence, but as one that gave a signal to shoals in the House of Commons, for seeking refuge in a literal dinner from the oppression of his philosophy. This was, perhaps, in part a scoff of his opponents. ”

“ Strange that history should make an end of a man, before it had made a beginning of him. These, however, are the facts; which, in writing a romance about Sir Wellerand and Sir Percival, I shall have great pleasure in falsifying. But how, says the too curious reader, did the De Wellesleighs find themselves amongst Irish kernes? Had these scamps the presumption to invade Somersetshire? Did they dare to intrude into Wells? Not at all: but the pugnacious De Wellesleys had dared to intrude into Ireland. ”

“ Taylor is not right, if Sir Philip Francis is not Junius, then was no man ever yet hanged on sufficient evidence. Even confession is no absolute proof. Even confessing to a crime, the man may be mad. Well, but at least seeing is believing: if the court sees a man commit an assault, will not that suffice? Not at all: ocular delusions on the largest scale are common. What's a court? Lawyers have no better eyes than other people. Their physics are often out of repair, and whole cities have been known to see things that could have no existence. ”

“ Really the two men, considered simply as men of business, are both meritorious. Like chorus and semi-chorus, strophe and antistrophe, they work each against the other. Pull journeyman, pull murderer! Pull baker, pull devil! As regards the journeyman, he is now safe. To his sixteen feet, of which seven are neutralized by the distance of the bed, he has at last added six feet more, which will be short of reaching the ground by perhaps ten feet—a trifle which man or boy may drop without injury. All is safe, therefore, for him: which is more than one can be sure of for miscreant in the parlor. ”

“ Ever since the restoration of letters there has been a cabal, an academic interest, a factious league amongst universities, and learned bodies, and individual scholars, for exalting as something superterrestrial, and quite unapproachable by moderns, the monuments of Greek literature. France, in the time of Louis XIV., England, in the latter part of that time; in fact, each country as it grew polished at some cost of strength, carried this craze to a dangerous excess—dangerous as all things false are dangerous, and depressing to the aspirations of genius. ”

“ Meantime the genial pleasure from the vital processes, though not represented to the consciousness, is immanent in every act—impulse—motion—word—and thought: and a philosopher sees that the idiots are in a state of pleasure, though they cannot see it themselves. Now I say that, where this principle of pleasure is not attached, madness is often little more than an enthusiasm highly exalted; the animal spirits are exuberant and in excess; and the madman becomes, if he be otherwise a man of ability and information, all the better as a companion. ”

“ Connected so nearly with the noblest house of scenic artists that ever shook the hearts of nations, nobler than ever raised undying echoes amidst the mighty walls of Athens, of Rome, of Paris, of London,—himself a man of talents almost unparalleled for versatility,— why should not Mr. Murray, always so liberal in an age so ungrateful to his profession, have sacrificed something to this occasion? He, that sacrifices so much, why not sacrifice to the grandeur of the Antique? ”