American architecture

“ As the architecture of a country always follows the earliest structures, American architecture should be a refinement of the log-house. The Egyptian is so of the cavern and mound; the Chinese, of the tent; the Gothic, of overarching trees; the Greek, of a cabin.
"Though we speak nonsense, God will pick out the meaning of it,"—an extempore prayer by a New England divine. ”

“ An American architecture will have its growth in American necessities, and not through the blind copying of foreign styles and architecture. Nor to have an American style does it necessarily mean that we should ignore foreign precedent. ”

“ American architecture will be simply carrying out, in an architectural way, the requirements of the American people in their buildings. From their homes the march of progress will be through the kitchens, pantries, and dining-rooms. It will unite with the parlor and sitting-room ideas, which have been more clearly worked out. The exterior will be formed in a natural way by the requirements of the interior, and by the variations of climate, and it will be decorated in a rational, artistic manner. ”

“ It is a great pleasure and a great privilege for me to speak to this sentiment, and it is especially a privilege for me to speak upon it to an association of builders, because it seems to me that the real, radical defect of modern architecture in general, if not of American architecture in particular, is the estrangement between architecture and building—between the poetry and the prose, so to speak, of the art of building, which can never be disjoined without injury to both. ”

“ Strangely enough, in carrying out our plan of representing contemporary architecture as it should be represented, it is to Americans that we must most earnestly and urgently appeal for cooperation. We know where we can get drawings, plans, photographs, descriptions and details of all the best current work in North and South Germany, Italy, France and England, and even in Russia, but to secure anything like a decent representation of modern American architecture has hitherto been, according to our experience, absolutely impossible. ”

“ By American Renaissance I allude to no “American eclectic style.” That term “eclectic style,” which so frequently crops out in treatises upon architecture, were you to follow it up, would be found to signify, as a rule, merely American nonsense and aberration. And I suppose there is no nation which may show such an imposing array of architectural nonsense as the United States during the last fifty years of their independence. Certainly no nation has evolved a national style of architecture, intentionally, as is constantly urged upon American enterprise. ”

“ Our greatest architect is our greatest “stunt-master” and bears to American commercialism the same relationship that a certain society leader bears to his equally noted patroness. And it does not require the perspicacity of a Voodoo woman either, to see how ephemeral, in comparison to the ages of good architectural development, is this modern American extravaganza, which, not unlike the airy creatures who enjoyed existence in the dream of the White-King in Lewis Carroll’s classic, “Through the Looking Glass,” is liable to go out of vogue bang! ”

“ THE DEVELOPMENT OF AMERICAN ARCHITECTURE.
The rule held, anciently, that a nation's architecture was the exponent of its national character, growing with and out of its social, civil, and religious peculiarities, and modified by climate, habit, and taste. In those early ages, the halcyon days of the art, men built with a purpose, built what they wanted in a natural and appropriate way, and—built successfully. ”

“ In my opinion, this American architect understands the adaptation of a Jacobean manor-house better than any other of his day.
It is style and historical development—not fashion—that produces the architectural comedy—its story, its personality, its life. And now that I am about to speak again of the most popular kind of houses of all in America—Colonial houses, notwithstanding the very great number of them erected during the last decade or two, I am yet almost in despair of finding illustrations where the architectural comedy, its personality and life are to be sufficiently discovered. ”

“ The result of the best adaptation is the gradual formation of a national style of architecture. The closest adaptation that has been exploited in America both in recent and what we call our ancient work, compared with its separable prototypes, who shall say is not unmistakably modern and American? Style is never evolved by the empirical architecture of irrepressible inventors. Invention belongs to science. ”

“ He hints at the mysteries of design, half advocating, half condemning, the two salient American traits—namely, originality and enterprise; for he readily sees that if he commends those traits unequivocally, he must acknowledge the architects of our Reign of Terror to have been the greatest of all American architects whose work has passed into history, as they were assuredly the most original and enfranchised. ”

“ I cannot refrain from again speaking of the effect that this original genius has had upon American architecture, especially in the West, when money and enterprise afforded him free scope. It is not too much to say that he created a new era, and the influence of his ideas is seen everywhere in the work of architects who have caught his spirit. ”

“ How many of those who turn over our pages realize that this is by far the most ambitious and costly architectural periodical in the world, and that it has been reserved for America to try to present every week, with a due proportion of the more valuable models from the past, an adequate view of all the best architecture which modern civilization can show? ”

“ To the brief but brilliant interregnum lasting from the beginning of the nineteenth century until the year 1825 we are indebted for some excellent domestic architecture. The end of the ancient régime in America, at least up to the war with Great Britain in 1812, was marked by a healthy and material progress which seems to have encouraged domestic architecture before everything. ”

“ The rapidity of architectural development in America, it may be observed, since about 1875, has been something astonishing; there is no parallel to it anywhere else. Before then the currently accepted architecture of the American Republic was little more than a bad repetition of the English Gothic and Classic types of revived architecture. At the present day no nation, except perhaps France, takes so keen an interest in architecture and produces so many noteworthy buildings ”

“ This is an attempt to evaluate architecture in America in terms of our civilization. I have not sought to criticize particular buildings or tendencies: I have tried, rather, by approaching our modern problems from their historic side, to criticize the forces that from one age to another have conditioned our architecture, and altered its forms. Lest my purpose be misunderstood, I have left out illustrations; for a building is not merely a sight; it is an experience: and one who knows architecture only by photographs does not know it at all. ”

“ To which I reply, Heaven forbid! Let us never "improve" away with "American architecture" the Moorish-looking dwellings which, to lovers of the picturesque, should be one of the principal inducements for visiting the country. ”

“ Clever as were the architects of the Jacobin houses—and I consider some of them to have been very clever—clever as are the inventors of our newest type of building expression, there are no inherent qualities in the work of either school of design that will serve historical succession. Invented architecture has no more atmosphere than exists upon the surface of the moon. It may divert popular fancy for a time. ”

“ We hope to see a good style of civic architecture long before any material improvement in the country edifices, for reasons that would be tedious to enumerate here. Suffice it to say that we are far more anxious to see an American architecture than an American literature ”

“ Don't you know that a distinguished American art critic declares this building the most symmetrical, the most harmonious, the most perfectly proportioned bit of architecture on the American continent. ”

“ Still more are we moderns overawed by the columns and entablatures, so that we dare not play with them: and yet, how can you hope to design if you are afraid to play with the members of your composition? The taste of the American communities, our great cities within the borders of the United States, is markedly for that kind of gravity which we associate with the classical styles—with the few large openings, the horizontal cornices, the low-pitched or invisible roofs, the smooth white, or light colored, surfaces of unbroken simplicity, the carefully studied classical colonnade. ”

“ The question whether there is any American architecture is not yet so triumphantly answered that it is other than provincial to lay much stress on local differences. The general impression that the Eastern observer derives from Western architecture is the same that American architecture in general makes upon the European observer ”

“ Still, granted for the moment that these two antithetical schools of design, both palpable products of the modern brain enfranchised from all considerations of precedent, are equal measured by the laws of harmony and logic alone, it does seem almost beyond belief that the newly invented architecture of this epoch, for which such fine promises are made in all good faith by representative architects, is destined to acquire quite the discreditable reputation of the Reign of Terror, and by the inconstancy of fashion. ”

“ And domestic or middle-class architecture is not neglected. The American "master builders" do not confine themselves to towers and palaces, but give infinite thought and loving care to "homes for human beings." ”

“ I have heard the head draughtsman of a noted modern architectural office in New York City distinguish one of his principals from the other partners
PLATE XIV.
DOORWAY, MEANS’ HOUSE, AMHERST, N. H.
{43}
of the firm by a very significant expression, viz.: “Mr. —— is an architect.” And I am constrained to discriminate with equal severity when I see the illustration or the usual “modern American house,” so called, placed in “deadly parallel column” beside a Colonial exemplar erected a century ago. Nobody, as a rule, can inform us who made the drawings of our fascinating prototype. ”

“ Characteristic architecture is of very slow development, and although there have been building epochs of remarkable activity, in none is the progress appreciable from year to year. American Renaissance differs from that of other countries only as it has been affected by the local conditions and requirements of America. Good Renaissance—I regret there is a sight of building that is bad—is like good-breeding, pretty much the same the world over, differentiated only by local color or custom. ”

“ In America, however, the pioneer jumped baldly from log cabin to White House, or its genteel and scroll-sawed equivalent; and the arts inherent in good building never had a chance to develop. With the animus of the miner in back of everything the pioneer attempted, the pioneer’s architecture was all false-work and scantling. ”

“ If he be fair, sincere with himself, while caviling at adaptation, how can he make use of such a class of architecture as we have exemplified in every-day acquaintances like Trinity Church by Upjohn and Grace Church by Renwick, two intensely American designs, yet gauged by the standard of modern criticism, out and out adaptations of mediæval Gothic! ”

“ By this French movement the Americans have, on the one hand, shared the advantages and the influence of what is undoubtedly the most complete school of architectural training in the world; but, on the other hand, they have foregone the opportunity which might have been afforded them of developing a school or style of their own, influenced by the circumstances of their own requirements, climate and materials. Figs. 133 and 134, Plate XV., show examples of recent American architecture of the European classic type. ”

“ After a good many years of such struggles, we should be inclined to say that we would trouble ourselves no further, and that American architects who are capable of carrying out important work successfully, and do not want other people to know it, may please themselves in the matter, were it not that, in a journal which now intends to show what is done all over the world, we most earnestly wish to have American, architecture properly represented. ”

“ Compared to most work of these decades by French architects, all trained like the American leaders at the École des Beaux-Arts, the greater ‘correctness’ of the detailing of these buildings is notable. The boast of ‘good taste’ was not altogether a hollow one, although it is at best a negative rather than a positive criterion for architecture.
So extensive was American building production during the twenties that it is difficult to know how to epitomize it. ”

“ The resulting picturesqueness has, however, in many cases been treated as an end instead of an incidental result, and the affectation of picturesqueness has in such designs become as detrimental as any affectation of style. In the internal treatment of American houses there has also been a notable artistic advance, harmony of color and domestic comfort and luxury being sought after rather than monumental effects. A number of large city and country houses designed on a palatial scale have, however, given opportunity for a more elaborate architecture ”

“ Fiske Kimball, who urge the acceptance of the classic tradition in America as a foundation for a general modern style. Form and function are too far divorced in the classic mode to permit the growth of an architecture which will proceed on all fours in houses and public buildings, and factories and barns; moreover, there are too many new structures in the modern world which the builders of Rome or the Renaissance have not even dimly anticipated. ”