Apollodorus

Definition and stakes

Portrait of Anatole France Anatole France,  The White Stone (1910)

“ Let us love virtue for its own sake. Gallio, if what the poets tell of the infernal regions be true, if after your death you are arraigned before the tribunal of Minos, you may say to him: "Minos shall not judge me. By my actions have I been judged."
"How," inquired Apollodorus the philosopher, "can the gods give to men an immortality they themselves do not enjoy?"
Apollodorus, indeed, did not believe in the immortality of the gods, or rather that their sway over the world should be exercised for all time.
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Source: Wikisource

Portrait of Georg Ebers Georg Ebers,  The Emperor — Volume 07

“ But it was too late, for the door of the antechamber had burst open and they could hear the clatter of weapons. "Lost, lost, all is lost!" cried Apollodorus.
"Adonai! help us Adonai!" murmured the old man and he clung more closely to his nephew, who overtopped him by a head and who held him clasped in his right arm as if to protect him.
The danger which threatened Apollodorus and his guests was indeed imminent, and it had been provoked solely by the indignation of the excited mob at seeing the wealthy Israelite's house unadorned for the feast.
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Source: Gutenberg

Clara Erskine Clement Waters,  A History of Art for Beginners and Students…

“ Apollodorus was an Athenian, and lived at about the close of the fifth century b.c. Although he was a remarkable artist then, we must not fancy that his pictures would have satisfied our idea of the beautiful—in fact, Pliny, the historian, who saw his pictures six hundred years later, at Pergamos, says that Apollodorus was but the gatekeeper who threw open the gates of painting to the famous artists who lived after him.
Zeuxis was a pupil of Apollodorus, and a great artist also. He was born at Heraclea, probably in Lower Italy. When young he led a wandering life
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Source: Gutenberg

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