Central Italy

Portrait of Douglas William Freshfield Douglas William Freshfield,  Italian Alps

“ Here the bold dark outlines of the granite precipices hanging over the luxuriant yet untamed loveliness of the valley appeal to our emotions with the strong power of contrast. The majesty of the central ranges wedded to the beauty of Italy excites in us that enthusiasm beyond tranquil admiration which is our tribute to the highest expression of the Romantic whether in Art or Nature. We can contemplate calmly a rich lake-scene or an Umbrian Madonna; we feel disposed to cry out with delight before a figure of Michael Angelo or this view in Val Maggia. ”
Source: Gutenberg

Edward Bunbury, Thomas Ashby, Robert Conway, John A. Symonds, John Rose, Luigi Villari & Henry Steed,  1911 Encyclopædia Britannica (1911)

“ The whole of this portion of Central Italy is a hilly country, much broken and cut up by the torrents from the mountains, but fertile, especially in fruit-trees, olives and vines; and it has been, both in ancient and modern times, a populous district, containing many small towns though no great cities. Its chief disadvantage is the absence of ports, the coast preserving an almost unbroken straight line, with the single exception of Ancona, the only port worthy of the name on the eastern coast of Central Italy. ”
Source: Wikisource

Ella Noyes,  The Story of Milan

“ The triumph of Francesco Sforza in 1450 began a new era of prosperity for Milanese art. A long peace, a succession of sovereigns in whom a policy of splendour was assisted by stupendous wealth and a genuine love of beauty and culture, the concourse of strangers of genius to their Court, bringing the inspiration of the great classic revival from Tuscany and Central Italy, roused the Lombards to an enthusiasm and activity which carried them to their highest pitch of achievement at the end of the fifteenth and sixteenth centuries. ”
Source: Gutenberg

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