Flemish school

Definition and stakes

Sir Archibald Alison,  Travels in France during the years 1814-15

“ The Dutch and Flemish school, to which you next advance, possesses merit, and is distinguished by a character of a very different description. It was the well-known object of this school, to present an exact and faithful imitation of nature; to exaggerate none of its faults, and enhance none of its excellencies, but exhibit it as it really appears to the eye of an ordinary spectator. ”
Source: Gutenberg

A Popular Handbook to the National Gallery…

“ The Early Flemish School, covering roughly the period 1400-1500, was the result, the most important masters being Van Eyck, Van der Weyden, Bouts, David, and Memlinc. (3.) It was now the turn of this school to influence that of Germany. The Flemish masters were great travellers, and the German masters were no doubt attracted to Flanders by the great technical skill there in vogue. Hence we now come to a second period in German painting—marked by Flemish influence. There is less of the mysticism and more realism; but with the realism there is an element of brutality and ugliness. ”
Source: Gutenberg

Fernand Khnopff, Gerard Brown, Léonce Bénédite, Marion H. Spielmann, Richard Muther and John Van Dyke,  1911 Encyclopædia Britannica (1911)

“ It is the tradition of the old Flemish school. It would be more correct, indeed, to say traditions; for the modifications of each tendency, inevitably reviving when the success of another has exhausted itself, constantly show a reversion either to the domestic “Primitives” (or, as we might say, Pre-Raphaelites) of the Bruges school, or to the “decorative” painters of the later time at Antwerp, and no veneer of modern taste will ever succeed in masking this traditional perennial groundwork. ”
Source: Wikisource

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