John Millais

Definition and stakes

1911 Encyclopædia Britannica, Volume 18… (1911)

“ The Winter Exhibition of the Royal Academy in 1898 was devoted to his works. The list of his honours at home and abroad is a long one. Millais was one of the greatest painters of his time, and did more than any other to infuse a new and healthy life into British art. He had not the imagination of an idealist, but he could paint what he saw with a force which has seldom been excelled. As a man he was manly, frank and genial, devoted to his art and his family, and very fond of sport, especially hunting, fishing and shooting. ”
Source: Wikisource

Portrait of Gleeson White Gleeson White,  English Illustration 'The Sixties'…

“ The astounding fact remains that Sir John Millais, dealing with the hair-net and the Dundreary whiskers, the crinoline and peg-top trousers, imparted such dignity to his men and women that even now they carry their grotesque costumes with distinction, and fail to appear old-fashioned, but at most as masqueraders in fancy dress. For in Millais' work you are face to face with actual human beings, superbly drawn and fulfilling all artistic requirements. ”
Source: Gutenberg

Portrait of Sir Frederick Wedmore Sir Frederick Wedmore,  On books and arts (1899)

“ Sir John Millais was only nine years old when he gained his first medal at the Society of Arts—Mozart himself scarcely came before the public in more tender years, as an executant upon the limited keyboard of his day—and when he was seventeen, ‘Jack’ Millais was already an exhibitor at the Academy. He was only twenty when his ‘Isabella,’ from the poem of Keats, disclosed a new talent, almost a new order of talent; at the least, a personality that had to be reckoned with—an influence that had to be either accepted or fought against. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature