Carpel

Definition and stakes

Julia de Wolf Gibbs Addison,  Arts and Crafts in the Middle Ages

“ The plain, solid Northern building was capable of unlimited enrichment by carving; this carving, when deeply cut, with forcible projection, acted as a noble embellishment in which the principal feature was a varied play of light and shade; the stone having little charm of colour or texture in itself, depended for its beauty entirely upon its bold relief, its rounded statuary, and its well shaped chiselled ornament. ”
Source: Gutenberg

Henry William Harper,  Letters from New Zealand, 1857-1911… (1914)

“ Most interesting, too, it was to watch the carver at
ST. MARY'S CHURCH, NAVE, TIMARU.
work on the capitals of the columns which support the inner arches of the lancet windows, and of the shafts which rise to meet the principal ribs of the roof, and the corbels on which the hood mouldings of the arches and doorways rest. The carver has to work on square blocks of stone placed in position. He does not work them out on the bench. Standing on a platform, he has to do his work than and there, trusting to his skill not to make a mistake, for the stone is a fixture.
”
Source: Wikisource

T. Roger Smith,  Architecture: Gothic and Renaissance

“ The tracery became towards the latter part of the time intricate and unmeaning, and the interpenetrating mouldings already described, though of course intended to be ornamental, are more perplexing and confusing than pleasing: the carving exaggerates the natural markings of the foliage represented, and being thin, and very boldly undercut, resembles leaves beaten out in metal, rather than foliage happily and easily imitated in stone, which is what good architectural carving should be. ”
Source: Gutenberg

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