Cathedral chapter

“ There is absolutely nothing else. This choir, of extraordinary elevation, forms the whole church. I sat there a good while; there was no other visitor. I had taken a great dislike to poor little Narbonne, which struck me as sordid and overheated, and this place seemed to extend to me, as in the Middle Ages, the privilege of sanctuary. It is a very solemn corner. The other peculiarity of the cathedral is that, externally, it bristles with battlements, having anciently formed part of the defences of the archeveche, which is beside it and which connects it with the hotel de ville. ”

“ Similarly, service being over in the old cathedral with the square tower, and the choir scuffling out again, and divers venerable persons of rook-like aspect dispersing, two of these latter retrace their steps, and walk together in the echoing Close.
Not only is the day waning, but the year. The low sun is fiery and yet cold behind the monastery ruin, and the Virginia creeper on the cathedral wall has showered half its deep-red leaves down on the pavement. ”

“ There is no clerestory to the church, only an arcade of rude character. The walls of the cathedral are of sandstone, and have been so gnawed by the wind and rain, that the whole pile looks like a piece of very decayed cheese. ”

“ Slowly, as if with reluctance, the new architecture dropped favorite traits of the old school. Sculpture continued longest faithful to Romanesque traditions.
Noyon, Senlis, Sens, Laon, and Soissons—it seems rash to treat of such a bevy of churches in one chapter, when students have made a single cathedral their life work. The passing traveler is encouraged by one fact: each big French church, once seen, remains a clear-cut memory, for each possesses a distinct personality. To confuse one cathedral with another is impossible. ”

“ You will have one of the finest cathedrals in the world, monasteries such as you love, and as for books, your library is so well furnished that I can hardly think that you can add to it by wandering along the quays. ”

“ Internally the cathedral has a nave of eight bays, with side aisles; transepts, not projecting beyond the aisles; a choir of five bays, with side aisles and an aisle at the east end, with chapels beyond it. At the north-east corner of the choir is the sacristy or vestiarium; below it is the chapter-house, with an entrance from the lower church; on the south side of the church, as a continuation of the transept, is another low church or crypt, called "Blacader's Aisle"; on the north side are the foundations of a large chapel. Over the crossing rise the tower and spire, 217 feet high. ”

“ The cathedral itself is the heart of the charming old place—so rich in tone, so impressive in outline, so profusely yet delicately adorned, it rose at the end of the long market-square, shedding on it, even through the grey sheets of rain, the warmth of its high tawny masses. The design of the western front is so full and harmonious that it effaces from memory the less salient impression of the interior. ”

“ In the nave is a beautiful pulpit, built in 1486, and covered with little statues, delicately carved, and not far from it the organ, up midway between the floor and arched ceiling. The perspective view in these old cathedrals is grand, and figures hardly give one an idea of their vastness. This cathedral is five hundred and twenty-five feet long, one hundred and ninety-five feet in width, and is one of the finest of those wonderful monuments of religious art that rose during the middle ages. ”

“ These granite saints and bishops, with their mutilated fingers and broken noses, seem to be bearing a silent, melancholy witness against that disposition in human nature, which, instead of making clean the cup and platter, breaks them altogether.
The roof of the cathedral is a splendid specimen of carving in black oak, wrought in panels, with leaves and inscriptions in ancient text. The church could once boast in other parts (so says an architectural work) a profusion of carved woodwork of the same character, which must have greatly relieved the massive plainness of the interior. ”

“ In addition to an internal narthex, the cathedral has, in front of its tower, another groined sort of passage-way, opening to the west with six arches, and to the north and south with one arch. There is a second stage above these arches, and then from behind this mass rises the steeple. The whole of this part of the building is Romanesque, as, indeed, is the substance of the entire church though it has been much mutilated by modern additions and alterations. The interior is painfully neglected and dirty, though it is, I believe, the only Catholic church in the place. ”

“ The decayed stones are taken out, and new ones replaced, and the carvings also are renewed where necessary, so that future ages may see what so delights us. The two towers are forty feet square and two hundred high, and you ascend by a staircase of four hundred steps. The form of the church is that of the Latin cross. Its dimensions inside are four hundred feet by one hundred and forty, and the height is one hundred feet. All through the cathedral is a line of Gothic arches supported by columns, and, as you enter the great door, you see the entire edifice. ”

“ Shrines and chapels, set in grand, heavy frames of pillared architecture, stand all along the aisles and transepts, and these seem in many instances to have been built and enriched by noble families, whose arms are sculptured on the pedestals of the pillars, sometimes with a cardinal's hat above to denote the rank of one of its members. How much pride, love, and reverence in the lapse of ages must have clung to the sharp points of all this sculpture and architecture! The cathedral is a religion in itself, —something worth dying for to those who have an hereditary interest in it. ”

“ The interior of the cathedral impresses by its vastness and height. A wider nave is not to be found among the cathedrals of France, and the aisles are proportionate in width. The eye ranges upwards to the wonderful roof, with its opulent decoration, to the beautiful triforium, and the tall, narrow windows of the clerestory. ”

“ We walked to the cathedral—a dark red heavy building, built almost entirely of brick, with one high tower; an open gallery surmounting its façade, which exhibits, one above the other, three ranges of porticoes, the pillars of the lowest and central one springing from the loins of guardian lions. Within, above the principal entrance, is some curious carving. The church is large without being handsome; 224 two thirds of the roof, glaring with fresh whitewash, contrast with the dark grey columns. The choir has its frescoes still ”

“ In what profusion are the antique slabs, with their great brass crosses. How the very atmosphere of the place is fragrant with the memory of the sainted dead! In visiting these cathedrals, in looking on the ruins of ancient abbey or monastery,—so complete in themselves, and exhibiting such evidence of former grandeur,—one is inclined to feel that each is the cathedral of all England,—the Mecca of all the Church; for what is lacking? Not capacity or costliness; not lack of graves of kings, earls, barons, or lords, for here beneath our feet repose the dust of enough such for an entire kingdom. ”

“ In a temple, a building devoted to religion, it is not easy to understand the propriety of mounting men on horseback high up in the towers; for such aerial equestrians are to be seen here, sentinel-like, in positions where saints and angels would seem more appropriate ornaments. In the interior of this cathedral there is a simple dignity and grandeur, a holy majesty that is almost overpowering. The magnificent rows of columns of gigantic dimensions and altitude, seen in long perspective, exceed in effect all we can well imagine. ”

“ The south sacristy door is a fine specimen of Gothic work. Unlike the exterior effect, nothing obtrudes inside this great cathedral. The eye on entering looks straight up to the east, conscious as it travels there, of great pillars rising into the gloom of the vault above, of fine glass and restful solemnity, in which even the chapels in the aisles are lost, to be discovered later on only when searched for. ”

“ Innumerable other works and wonders there are, and the sacristies contain great value of goldsmiths' products; but, unless it be made a subject of long artistic study, the fundamental charm of the cathedral consists in its general aspects, its mysterious perspectives, its proportions so simple and grandiose; the isolated pictures formed at almost any point by jewelled and candle-lit chapels sparkling dimly through a permanent dusk, rainbowed here and there by the light from old stained windows. ”

“ How grand is the perspective which opens upon the view, when, looking from the "Royal Gate" towards the sanctuary, the eye takes in this triple nave, with its forest of pillars, amongst which fall, in rich and softened splendor, warm rays of light and color from the higher windows! All the dimensions are on a scale of grandeur. In its elevation, the cathedral is divided into three parts, the idea of the Blessed Trinity ruling this arrangement. ”

“ We rode quickly past the arabesque buildings, the rich Gothic churches, the sculptured palaces, and the Moorish courts, through the gaudy, noisy market-place, with its stirring crowd, in garb as bright and various as that of a harlequinade, and out into the blazing white squares and sunny gardens, until the cool dim vault of the old cathedral once more hung over us like a grey cloud of stone. ”

“ There is no façade portal, and a small door-way in the north side leads into the great vaulted hall, one of the most usual and commonplace forms of the Gothic interior of the South. This room, which is painted, receives light from a beautiful rose-window at the West, and a series of small roses, like miniatures of the greater one, are cut in the upper walls of the nave; and little chapels, characterised by the same heavy monotony which hangs like a pall over the whole Cathedral, are lost in the church's capacious flanks. ”

“ The cathedral is not remarkable for its architecture. The façade has a semicircular termination, quadrants above the aisles, and an early Renaissance doorway. The stalls are carved and pierced like those at Arbe and Zara, but have lost the tops and the carved divisions. At each side is an ambo of stone supported on four columns, but with an octagonal body above, arcaded, with shafts at the angles. The arches are all round, but the change in the plan produces a curious pointed appearance in perspective in the lower arcade. ”

“ In a few seconds its walls are hideously aglow, and the people in the valley—although they know the truth—groan aloud, so real is the illusion. The nave lines of the Cathedral are silhouetted as it burns, the fires along the walls growing brighter, spread gradually at first,—then rapidly, and the whole Cité is the prey of great, waving clouds of flame and smoke. Men and women, as if fascinated by this lurid and magnificent destruction, press forward to get the last view of the Cathedral's lovely rose, or the peaked roof of some tower which is dear to them. ”

“ The cathedral is a substantial and handsome structure, with a couple of tall towers, after the usual Spanish style, each containing a dozen bells. The interior has all the florid and tawdry ornamentation always to be found in Roman Catholic churches, together with the usual complement of bleeding figures, arrow-pierced saints, high-colored paper rosettes, utterly meaningless, together with any amount of glittering tinsel, calculated to catch the eye and captivate the imagination of the grossly ignorant native population. ”

“ This battered yet coherent little edifice has the touching look that resides in everything supremely old: it has arrived at the age at which such things cease to feel the years; the waves of time have worn its edges to a kind of patient dul- ness; there is something mild and smooth, like the stillness, the deafness, of an octogenarian, even in its rudeness of ornament, and it has become insensible to differences of a century or two. The cathedral interested me much less than Our Lady the Great, and I have not the spirit to go into statistics about it. ”

“ It is grand and imposing, and its great width and height impress the beholder with a feeling of reverence and awe. The windows are of painted glass. Most of them are ancient and dim-appearing, and probably were never of rich design or very brilliant color. Every part of this vast interior is in the best possible repair, and the utmost neatness prevails. The cathedral has a crypt, or basement, and centuries ago it was customary to hold services in it. By the payment of a sixpence each, persons are permitted to visit it in company with the verger ”

“ Seldom in France do we find the cathedral so regally free of surrounding buildings. No shabby structures lean unworthy heads against its old grey walls, and where, on the north side, the canons' library, with its crumbling timbers of the fifteenth century, nestles under the wing of the church, the effect is entirely pleasing. ”

“ To the right, at the end of a narrow alley, is the baptistery, formerly probably the emperor's private temple or chapel, as one may say, which now contains a very interesting font made up of fragments of ninth-century carving, and the beautiful doors of the cathedral, stored there temporarily. The base blocks of the cathedral are nearly 20 ft. high, and there are twenty-two steps in the flight of approach. The portico which surrounds it has columns of marble and granite 21 ft. high. ”

“ The general appearance of the interior of a Gothic cathedral, with its long perspective of nave, aisles, and choir, its finely proportioned triforia and clerestories, and, above all, its graceful arches leading up to their points of union in the soaring roof, may justly be called a poem in stone, whilst its exterior is equally remarkable for the close correlation of all its parts, producing an impression of consistent unity of design. ”