Church architecture

“ Yet, though Mr Bond’s solution is probably correct, in the main, with respect to our cathedrals, minsters, and abbey churches, it seems quite unsatisfactory for hundreds of parish churches. All thoughtful students must, indeed, admit that the aesthetic and devotional aspect of church architecture—its grandeur, its freedom, its wealth of what was choicest in design and ornament, its sculpture, painting, stained glass, and mosaic work—cannot be eliminated when considering the question of size. ”

“ The first design made was on a scale too magnificent for their means, and in the Perpendicular style.{135} This was perforce put aside, and the church actually erected in the Early Pointed style.
The whole design shows the remarkable progress of church architecture, since the time when his hand was formerly employed in its service. The plan is cruciform, with nave, aisles, transepts and chancel, the latter being thoroughly spacious, and open to the body of the church, though well raised above it. The scale is considerable, for it provides for a thousand people, without galleries. ”

“ There is also a pressing necessity for us to obtain fuller information, and come to a decision about the subject of church architecture, and all that relates to the exterior of divine worship. We are building cathedrals and churches in every style, and on principles which are as various as there are fancies and theories in the brains of architects. ”

“ Every day, as the work went on, the Virgin was present, directing the architects, and it is this direction that we are going to study, if you have now got a realizing sense of what it meant. Without this sense, the church is dead. Most persons of a deeply religious nature would tell you emphatically that nine churches out of ten actually were dead-born, after the thirteenth century, and that church architecture became a pure matter of mechanism and mathematics; but that is a question for you to decide when you come to it; ”

“ There is no reason to doubt that the earliest Christian churches were very unpretentious in form and that some time elapsed before there was anything which could be called a definite church architecture, beyond that to which we have alluded. ”

“ When these people enter this new cathedral or temple which has been in process of construction, they will find themselves in one of the most imposing church edifices in the country—yes, in the world. For in its interior architecture it is different from any other church in the world. In fact, nearly all the traditions of church interior architecture have been set aside in this temple, for here are neither nave, aisles, nor transept—just one vast auditorium which will seat exactly five thousand and twelve people on floor and galleries, and seat them comfortably. ”

“ In the other, we look across the choir proper, that is the liturgical enclosure, from southwest to northeast, seeing the beginnings of the curve of the chevet or rounded apse. In these interior views are seen in a more intimate way the characteristics of a great Gothic church. The vastness, the height, the soaring grandeur of the interior are for the moment ignored, and we see the lower vaults and the clustered pillars which support them and the higher vaults of the nave, as well as the delicate sculpture of the capitals. ”

“ The general form of the church being thus determined, more through chance than design, yet with great convenience and propriety, this accidental form was adhered to in the subsequent erections for sacred purposes; but with certain internal arrangements, modified by the lessened resources of the art, the prevailing taste, and the novel exigencies of the case. Instead of the horizontal entablature resting upon the internal ranges of pillars, as in the more classical Basilicon, churches were constructed internally of arcades, the arches resting upon the capitals of the columns. ”

“ The Roman Catholics press all the lighter emotions of the heart into the service of religion, which with us maintains a more solemn and serious character. The upper church is a simple, Gothic hall, with some very interesting early paintings. It is without side aisles, pretty well proportioned, although it might perhaps have been more lofty, and much, and perhaps rather gaudily, ornamented. Yet certainly painting and gilding, if well applied, tend to deepen the impression, even of the most severe and solemn styles of architecture. ”

“ It is obvious, for example, that the features of a large Church, compressed into a small building, form a mere caricature; and, on the other hand, the features that would be perfectly suitable in a small Church, being increased in their dimensions, to accommodate them to a large building, produce a monster in art. The materials should likewise affect the style of architecture. Many features—such as deeply-sunk mouldings, and traceried windows—which are easily worked in sand and free stones, cannot be produced in our granites and limestones. ”

“ In my own practice of architecture I am constantly providing Presbyterian, Congregational, and even Unitarian churches, by request, with chancels containing altars properly vested and ornamented with crosses and candles, while the almost universal demand is for church edifices that shall approach as nearly as possible in appearance to the typical Catholic church of the Middle Ages. Of course some of this is due to a revived instinct for beauty, that almost sacramental quality in life which was ruthlessly destroyed by Protestantism, and also to a renewed sense of the value of symbol and ritual ”

“ For the Anglican architect, it will be necessary to know enough of the earlier styles to be able to restore the deeply interesting churches, which they have left us as precious heirlooms; enough of the Debased styles, to take warning from their decline: but for his own style, he should choose the glorious architecture of the fourteenth century; and, just as no man has more than one hand-writing, so in this one language alone will he express his architectural ideas. ”

“ Though church architecture is generally allowed to have reached its highest perfection during the prevalence of the Decorated style, it cannot be said to shew any symptoms of decline at the first appearance of the Perpendicular ”

“ The remainder of the church has been much altered; but a good flying-buttress remains on the south side, and one or two lancet-windows which convey the impression that the first foundation of the church must have been in the thirteenth century. The east wall is not square, but built so as to suit the irregular site. The whole church is ungainly and ugly on the exterior, and its planning and proportions neither picturesque nor scientific. ”

“ The interior of the church, which is covered over with an open timber roof, painted in colour and gilded, is decorated with inlaid patterns of black and white marble of conventional design, and the same scheme is adopted in the main façade, enriching the panels of the blind arcade on the lower storey, and above an extremely classic design of Corinthian pilasters, entablature and pediment. ”

“ Here we have a church expressly designed, and with great judgment, for the requirements of the climate. The windows are very high up, and very small for the size of the building, so that no sunlight could ever make its way to any unpleasant extent into it. There are galleries in front of all the windows, both in the nave and aisles, but they are of thoroughly Renaissance character. The section of the church gives a main clerestory to the nave, and a second clerestory on one side of each aisle over the arches opening into the side chapels. ”

“ The dome is divided into panels of various shapes by broad flat ribs with coarse mouldings. The chancel and choir beyond have barrel vaults divided into simple square panels.
The church then, though interesting from its plan, is—inside especially—remarkably unpleasing, though it is perhaps only fair to attribute a considerable part of this disagreeable effect to the state of decay into which it has fallen—a state which has only advanced far enough to be squalid and dirty without being in the least picturesque. Far more pleasing than the church is the round cloister behind. ”

“ Our Protestant churches are built, not for ceremonies and spectacles and processions, but for prayer and preaching. And the fitness of means to ends that first law of architecture is sacrificed by a church interior made more to be looked at than to be heard in. ”

“ Père Du Breul (one of the Benedictines of S. Germain des Près) , writing in 1612 in his Théâtre des Antiquités de Paris, speaks of the church as follows: "Ce sera un des plus beaux bâtiments de l'Europe, s'il peut être parfait comme il a été commencé; car rien n'y manque pour ce qui est de la perfection de l'architecture, soit pour le haut exhaussement, les fenêtres et ouvertures, et aussi l'enrichissement des diverses frises et moulures de toutes sortes et façons. ”

“ Among the churches of that city we find one type of great elegance, the Church of St. Nicodemus (Fig. 430) , in which the dome occupies the width of what we should call the nave and its aisles; each side of the square over which it stands being divided into three unequal arches, over which it rises on a lofty drum, and is carried on eight pendentives. This forms a most elegant interior, susceptible of many varieties; and, from the spacious central space which it affords, seems the most valuable type on which to found a domed design for a modern church. ”

“ Inside the church consists of a nave of five bays, flanked with chapels but not aisles, transepts which are really only enlarged chapels, and a chancel like the nave but without chapels. The chief feature of the inside is the very elaborate vaulting, which with the number and intricacy of its ribs, is not at all unlike an English Perpendicular vault, and indeed would need but little change to develop into a fan vault. ”

“ The danger [272] of earthquakes precluded the building of lofty structures there, and the priests of the conquering age, which was the great era of construction, rather avoided the hot lands for the cooler plateaus.
The beauty and originality in the churches is principally in the exterior. This is the reverse of the architecture in the homes, for there the outside walls are plain, and skill and ornamentation are devoted to the decoration of the patio. The interior is generally quite commonplace, and a church in one city is very much like a church in another. ”

“ From whatever source his inspiration came, Christ Church is a peculiarly beautiful and graceful structure, well meriting all the praise that has been bestowed upon it and incidentally affording a striking instance of what might be achieved by the amateur architects of the eighteenth century who believed that a knowledge of architecture was an essential part of every gentleman’s education and who were willing to put aside their own professional vocations for a time in order to plan and superintend the erection of some public structure as a kind of public duty. ”

“ Some fragments of this church remain in spite of the changes which time has wrought, notably the small arches in the east wall of north transept, and an arch in the canons' vestry, the north wall of the nave, the doorway between the east cloister and the nave, the lower part of the north-west tower and the crypt. ”

“ In proportion as the Church lost its hold on the culture of the age, this new architecture entered increasingly into the service of private luxury and public display. It created, it is true, striking types of church design, and made of the dome one of the most imposing of external features; but its most characteristic products were palaces, villas, council halls, and monuments to the great and the powerful. The personal element in design asserted itself as never before in the growth of schools and the development of styles. ”

“ There is scarcely a church, certainly scarcely one of any size or importance which even in the far north has not some lining or dado of tiles, while others are entirely covered with them from floor to ceiling or vault. ”

“ In restoring the ecclesiastical architecture of the middle ages, there are certain modifications and changes which the altered position of religion renders absolutely necessary; for instance, in erecting a cathedral or bishop's church it should be so arranged as to be perfectly available for the public worship of the faithful, and the choir, on that account, should not be enclosed in a solid manner, but with open screens like the great parochial churches at Lubeck, and many other continental cities, and also not unfrequently in England, as at Newark, a grand parochial church ”

“ It has a fine central dome, which is excellently seen from many points of view externally, and forms the principal feature of the very effective interior. Each arm of the building is covered by a flat domical vault; a single order of pilasters and columns runs quite round the interior of the church occupying the entire height of the walls; and the light is admitted in a most successful manner by large semicircular windows at the upper part of the church, starting above the cornice of the order. ”

“ The interior of the church is of the most [90] disapproved churchwarden order of architecture, and the exterior, with humpbacked roof and whimsical, squatty little red brick tower,—said to date back three hundred years, but not looking half that age,—is in a curiously debased Gothic ”

“ The episcopacy stood for the rights of the Pope, on the one hand, and the rights of the people, on the other. Next to the papal supremacy, stood the kingly prerogative. Under the double patronage of the Church and the state ecclesiastical art advanced with rapid strides.
Gothic architecture reached its highest development during the thirteenth century. Europe was covered with magnificent churches, cathedrals, and monasteries. Architecture was the dominant art of the Middle Ages. The church building occupied a unique place in the community. ”