Dizziness, a complex phenomenon examined in both literature and medicine, includes both physical sensations and metaphorical states of disorientation. From Erasmus Darwin’s physiological study of vertigo to E. Thayles Emmons’ unsettling account of existential unity, writers have analyzed its origins and consequences.
Boris Sidis connects it to nervous disorders, while the Duchess of Newcastle extends it metaphorically to the body’s outer parts. Medical sources link it to symptoms such as headache and fainting, yet literary portrayals frequently invest it with psychological or surreal qualities. This duality—scientific and symbolic—reveals dizziness as a liminal experience bridging the physical and the abstract.