Epic poet

“ The term lesser epic includes the numerous forms of narrative poems from the old-time ballad to the modern story-telling poem. The epic is essentially different from the lyric. While in the latter the personality of the author is always apparent, and properly so, in the epic the intrusion of the poet’s self is usually a defect. The lyric is subjective, the epic objective. To tell a story effectively and well is the prime motive, to tell it beautifully and in a way to excite the imagination and move the feelings of the reader is the contributory poetic impulse. ”

“ It needs not that a poet write an epic to prove himself chosen of the muse. The winds of time may blow into oblivion all but five lines of an opus magnum, in which five lines alone was the laborious author a poet. ”

“ The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling. ”

“ And this we should accept, not in a spirit of controversy or criticism, but with sympathy, as a part of the total aesthetic expression, striving to get, not only the poet's story, but his point of view regarding it as well.
This duality in the life of the epic involves a two-foldness in its time. In both lyric and dramatic poetry, life moves before us as a single stream actual in the present; but in the epic there is the time of the story-teller, which is present, and the time of the events that he relates, which is past. ”

“ In other words, it is the Epic poet himself with whose single personality, in his wanderings through hell, purgatory, and paradise, all and everything is so associated that he is able to recount the picture of his imagination as a personal experience, and is consequently entitled to interweave with the general substance of his composition his private emotions and reflections to a larger extent than is possible for other epic poets. ”

“ In the larger fields of epic and drama, the poet turns more directly to ourselves: he bids us approach, he confers with us, he interprets for our hearing some great truth of humanity, or some wise and searching judgment of life. But the lyric poet stands apart, careless of our presence, oblivious of our attention, pouring out his heart in a transport of purely personal joy or sorrow, singing because he must, and not because there are any to listen. ”

“ No poet who should accept the term could write an epic, with or without the “machinery.” Such acceptance would betoken that weakness of the poetic pinion which surely follows a want of faith in the invisible supervisive energies.
A genuine epic, of the first class, is a world-poem, a poem of depth and height and breadth, narrating long-prepared ruin or foundation of a race; and poetry, soaring beyond history, is bold to lay bare the method of the divine intervention in the momentous work. ”

“ If an epic poem may be defined, [514] "A fable related by a poet, to excite admiration, and inspire virtue, by representing the action of some one hero, favoured by heaven, who executes a great design, in spite of all the obstacles that oppose him:" I know not why we should withold the name of Epic Poem from the piece which I am about to analyse.
My copy is divided into IX. Parts or Cantos, the several arguments of which are as follows. ”

“ He was congenially employed on the completion of the great epic which was to make his name immortal. Never was a poet placed in a more brilliant position, nor more apparently certain of a splendid and triumphant career. ”

“ The poet who ventures on an epic in these days deserves well of literature. To turn from the puling, weak, or nauseous themes which form the subjects of most of the contemporary English poetry is in itself a sign of a strong and healthy temperament. ”

“ And the reason why epic poetry so imperiously demands reality of subject is clear; it is because such poetry has symbolically to re-create the actual fact and the actual particulars of human existence in terms of a general significance—the reader must feel that life itself has submitted to plastic imagination. No fiction will ever have the air, so necessary for this epic symbolism, not merely of representing, but of unmistakably being, human experience. ”

“ But, like most of the numerous epigrams that have been made about epic poetry, the remark does not describe the nature of epic, but rather one of the conspicuous signs that that nature is fulfilling itself. A poem which is, in some sort, a summation for its time of the values of life, will inevitably concern itself with at least one figure, and probably with several, in whom the whole virtue, and perhaps also the whole failure, of living seems superhumanly concentrated. ”

“ In an epic poem where the characters are vividly imagined, it follows naturally that their various moods and problems involve a variety of scenery and properties, and so the whole business of life comes into the story.
The success of epic poetry depends on the author's power of imagining and representing characters. A kind of success and a kind of magnificence may be attained in stories, professing to be epic, in which there is no dramatic virtue, in which every new scene and new adventure merely goes to accumulate, in immortal verse, the proofs of the hero's nullity and insignificance. ”

“ In lyric poetry we are conscious of emotion, reflection, the personal interest, and yearning. The drama converts the ideal claim of human action into an objective presence. The presentation of epic poetry, on the other hand, moves, as it were, within the element itself of essentially necessary existence. ”

“ The heroic ideal of epic is not attained by a process of abstraction and separation from the meannesses of familiar things. The magnificence and aristocratic dignity of epic is conformable to the practical and ethical standards of the heroic age; that is to say, it tolerates a number of things that may be found mean and trivial by academicians. Epic poetry is one of the complex and comprehensive kinds of literature, in which most of the other kinds may be included—romance, history, comedy ”

“ Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life. ”

“ Others, affected with substance more than with ornament, hesitate not to pronounce that poem to be epic. It is not a little diverting, to see so many shallow critics hunting for what is not to be found. They always take for granted, without the least foundation, that there must be some precise criterion to distinguish epic poetry from every other species of writing. ”

“ By its comprehensiveness and the variety of its substance, which are the signs and products of its dramatic imagination, epic poetry of the heroic age is distinguished from the more abstract kinds of narrative, such as the artificial epic, and from all kinds of imagination or fancy that are limited in their scope. ”

“ For it is only individuals, be they gods or men, who can veritably act; and just in proportion as they are interwoven in the vividness of life with such a panorama, to that extent they are entitled to attract the main interest to the fulness of their exposition. From this point of view epic poetry stands on level terms with lyric no less than dramatic poetry. It is therefore of some importance that we attempt to define more closely what the specific features are which distinguish the portrayal of personality in the epic composition. ”

“ Epic poetry will certainly never be didactic. What we may imagine—who knows how vainly imagine?—is, then, a sequence of odes expressing, in the image of some fortunate and lofty mind, as much of the spiritual significance which the epic purpose must continue from Milton, as is possible, in the style of Lucretius and Wordsworth, for subjective symbolism. ”

“ The interest of epic poetry arises from the contemplation of certain objects in themselves grand and beautiful: the interest of dramatic poetry from sympathy with the passions and pursuits of others; that is, from the practical relations of certain persons to certain objects, as depending on accident or will. ”

“ Their conduct in epic poetry may be very far unlike their actual demeanour in true history; their greatest works may be thrust into a corner of the epic, or barely alluded to, or left out altogether. Their greatness in epic may be quite a different kind of greatness from that of their true history and where there are many poems belonging to the same cycle there may be the greatest discrepancy among the views taken of the same hero by different authors, and all the views may be alike remote from the prosaic or scientific view. ”

“ First, we may remark that it is still the Middle Ages, which now, as previously, supplies the material for the Epos, although the same is conceived and presented in a new spirit, namely, one permeated with the culture of classic literature> We find here pre-eminently two directions in which the art of epic poetry displays itself. ”

“ By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made. ”

“ And it is the goodness of a great poet,—the poet of natural beauty, of romantic legend, of adventure, of chivalry, of life in its heyday of action and its golden glow of pageantry and pleasure. It found expression, and it wields invincible and immortal power, through an art whereof the charm is the magic of sunrise and sunset, the sombre, holy silence of mountains, the pensive solitude of dusky woods, the pathos of ancient, ivy-mantled ruins, and ocean's solemn, everlasting chant. Great powers have arisen in English literature ”

“ They tell us that these souls, flying like bees from flower to flower, and wandering over the gardens and the meadows, and the honey-flowing fountains of the Muses, return to us laden [Pg 121] with the sweetness of melody; and arrayed as they are in the plumes of rapid imagination, they speak truth. For a Poet is indeed a thing ethereally light, winged, and sacred, nor can he compose anything worth calling poetry until he becomes inspired, and, as it were, mad, or whilst any reason remains in him. ”

“ But with the departure of the lyrical emotion the narrative impulse ends as well.
(b) While keeping within the limits of the lyric he traverses an immense range of emotion and experience. The feelings he describes are those of the Scottish peasant, but the genius of the poet makes them germane to every member of the human race; he discovers the touch of nature that makes the whole world kin. Here we have the “passion and apathy, and glory and shame” that are the inspiration of the lyrical poet, and we have them in rich abundance. ”

“ Nothing short of it can satisfy the vast capacity of true poetic genius. Having one great End to direct all your poetical faculties to, and on which to lay out your hopes, your ambition, will shew you to what you are equal. By the sacred energies of Milton, by the dainty sweet and soothing phantasies of honeytongued Spenser, I adjure you to attempt the Epic. Or do something more ample than writing an occasional brief ode or sonnet; something "to make yourself for ever known,—to make the age to come your own". ”

“ His scornful lips upon the instant sing,
⁠And all his pulses leap with ecstasies.
'Tis love the poet wants; he cannot live
Without caressing and without caress,
⁠Which all to charity his fellows give;
But I will wrap his soul in tenderness,
⁠And straightway from his lips will burst a song
⁠All loving hearts shall echo and prolong.
POET.
O Earth, and Sky, and Flowers, and Streams agushing,
⁠God made ye beautiful to make us blest:
O bright-winged Songsters through the blue air rushing ”

“ The magic words of our great poet are the prism of the universe; all its wonders are there reflected, divided, and recomposed; sounds imitate colours, and colours are blended in harmony; rhyme, sonorous or bizarre, rapid or prolonged, is inspired by this poetical divination; supreme beauty of art! triumph of genius! which discovers in nature every secret in affinity with the heart of man. ”

“ An epic poem is an extended narrative of an elevated character that deals with heroic exploits which are frequently under supernatural control. This kind of poetry is characterized by the intricacy of plot, by the delineation of noble types of character, by its descriptive effects, by its elevated language, and by its seriousness of tone. The epic is considered as the highest effort of man's poetic genius. It is so difficult to produce an epic that but few literatures contain more than one. ”

“ It shews us the joys of our ancestors in their homeliness and their strength. It is full of the spirit of the time, and the impressions of surrounding things. Let us now see the same days through the magic mist of a modern poet’s imagination—a poet whose soul turned to all the beauty and picturesque splendour, and the jollity of the past, with a passion never, in any bosom, living with a stronger delight. ”

“ For the Subject I dare stand by it, that 'tis fit for a better Heroic Poem than any ever was, or will be made; and that if a good Poem cou'd not be made on't, it must be either from the weakness of the Art itself, or for want of a good Artist. I don't say the Subject with all its Circumstances is the best for Epic, but considered in it self, or with a prudent choice out of the vast Field of Matter which it affords. ”

“ The life of the ode is ideal, that of the epic grandiose, that of the drama real. In fine, this triple poetry springs from three grand sources—the Bible, Homer, Shakspere. Such are the diverse aspects of thought at different eras of man and society. Here are its three faces—youth, manhood, old age. Examine a single literature by itself or all literatures en masse, and you will always reach the same fact—the lyric poets before the epic, the epic before the dramatic. ”