Model (arts)

“ Permit us, in illustration of our subject, to place before you a sketch of an American woman of fashion as she is and as she might be—as she must be to accomplish the task we would appoint her. Examine with a careful eye “the counterfeit presentment” of these two widely differing characters, and choose the model on which you will form yourselves. And first, by a few strokes of this magic wand—the pen—we will conjure within the charmed circle of your vision, the woman of fashion as she is. ”

“ I became infatuated with the idea that through some occult and mysterious influence I had had the opportunity of utilizing as a model the fairest of womankind. It was not by her own volition that she became my model. To hang her picture at the exhibition would be a crime. The most beautiful model in the whole world should not be gazed upon by the vulgar herd. ”

“ These models were all well-formed women, but they were commonplace. The hold Viola's form had upon the eye was that it was not commonplace. Its beauty was distinctive, peculiar, arresting. I was not a painter of types, but of exceptions. The common things of life are not interesting, nor do I think they are worthy subjects for Art to concern itself with. Something unusually beautiful, transcending the common type, is surely the best for the artist to try to perpetuate.
Friday came, the end of the week, and I was still without a model. ”

“ When the chosen model rightly inspired him—and without that model his invention was often vapid and inert—he could succeed in a degree which no other artist has matched or surpassed in registering not only the permanent facts of beauty in form and feature, but in arresting with equal felicity the most fleeting moments of tender or passionate expression. ”

“ A secret of her appeal may lie in the fact that the artist is the father of the model. The little girl, crowned with a wildflower, posed with the pertness of a wayside blossom, her hands extended like pointed leaves, has a roguishness and playful grace that charm. ”

“ It is impossible to say in the presence of work of this kind how much has been contributed by the model, how much conferred by the artist; but that the artist’s share in the result is predominant is proved by the fact that nobody else has combined in the same fashion the portraiture of individual features with the most delicate suggestion of the emotion that moves them. ”

“ PASTEBOARD MODELS FOR A HOME DRAWING
CLASS
Study drawing at home and make your own models; form a class of several girls and work together; criticise one another’s drawings, and get a criticism from an artist whenever you can. Much may be accomplished in this way if you have the enthusiasm, perseverance, and will to carry it through. Starting with one object, complete in itself, a variety of forms may be evolved, and combinations can be made until an entirely new model is produced. ”

“ Never try to place a model in a pose which he can only hold by an unnatural strain. You will not get a satisfactory result from it. Study your model; see what poses he most naturally falls into, and then take advantage of one of these, and arrange your picture with reference to it.
Never attempt to represent a character in your picture by using a model of a different class or type from it; you will not be successful either in painting a lady from a model who is a peasant, nor in painting a peasant from a model who is a lady. ”

“ Hence, when our great artists required an ideal of beauty in painting or in sculpture, they would take several models, each supplying some beautiful detail not to be found in the rest,—one model furnishing the features, another the general outline, each a separate limb. ”

“ A face like that described, could not belong to an ungainly form. When nature designs beauty, it is rare that she does her work by halves. Unlike the artists of the anatomic school, she makes the model for herself—hence the perfect correspondence of its parts. ”

“ I heard of one young artist, whose circumstances did not permit his going to Europe, but who being nevertheless determined that his studies should, as nearly as possible, resemble those of the European academies, was about to commence drawing the human figure, for which purpose he had provided himself with a thin silk dress, in which to clothe his models, as no one of any station, he said, could be found who would submit to sit as a model without clothing. ”

“ He used to say in his sane days, when talking about his work, and about art in general, "If you feel the drapery or the hang of a garment in a drawing is shaky, and your model cannot understand the subtleties of the pose you require, get a cheval glass, pose yourself, if possible, and sketch your reflection. Sometimes it is astonishing how successful the result is." ”

“ That they are precious and beauteous no one can deny. How sparkling are the successive descriptions of women—blonde, brune, Spanish, contralto-voiced, coquettish, etc.—whom the poet, like some capricious artist, invites into his atelier, drapes hastily with old Moorish or Venetian or diaphanous costumes, and then reflects in a diminishing mirror, changing the model into a fine statuette of ivory and enamel! ”

“ It is, of course, an advantage for the young artist sitting in his studio to be able to isolate ‘a little corner of life,’ as the French say, from disturbing surroundings, and to study it under certain effects of light and shade. But this very isolation leads often to mere mannerism in the painter, and robs him of that broad acceptance of the general facts of life which is the very essence of art. Model-painting, in a word, while it may be the condition of art, is not by any means its aim. ”

“ Nothing could be simpler. First you get your model;—she’s most probably stood for hundreds of other men, and knows more about the business than you do yourself; your master tells you how to pose her; you put her in a cabbage-patch or kitchen prepared for the purpose, like those in Chailly, for example; paint the background as carefully as you know how, and your picture’s made. It’s easier to learn how to paint than to find motives for yourself; so follow as closely as possible in other men’s steps ”

“ The invitation was gladly accepted and I promptly began casting about for a suitable theme—a matter that often constitutes the most difficult part of the artist’s labors. The department of painting in which I was particularly adept was the study of the nude and I quite naturally resolved to produce something in the line of my308 favorite work. And then came the search for a model.
“Contrary to the popular notion, a satisfactory model is a very scarce commodity. The human form divine rarely stands the keen professional criticism of the eye artistic. ”

“ I have been asked the question you put to me—tho' never asked so poetically and so pleasantly—I suppose a score of times: and I can only answer, with something of shame and contrition, that I undoubtedly had Wordsworth in my mind—but simply as 'a model'; you know, an artist takes one or two striking traits in the features of his 'model', and uses them to start his fancy on a flight which may end far enough from the good man or woman who happens to be 'sitting' for nose and eye. ”

“ She came back to me with tale upon tale, and it all might be or mightn't. I never met my pretty model in the world—she moved, it appeared, in exalted circles—and could only admire, in her wealth of illustration, the grandeur of her life and the freedom of her hand. ”

“ If she asks if she is expected to be a model woman, the reply must be that the world does not much hanker after what—is called the “model woman.” It seems to be more a matter of tendency than anything else. Is she sagging towards Realism or rising towards Idealism? Is she content to be the woman that some of the novelists, and some of the painters also, say she is, or would she prefer to approach that ideal which all the world loves? ”

“ Our aim just now is to keep them to facts. Some of them,” the artist added with a smile, “are rather too much inclined to draw upon their imagination. Now there is one girl there who is, humanly speaking, certain to paint the model’s hair jet-black, or as black as paint can be made. And yet, you see, there is not a black thread in it.” ”

“ I am unknown as an artist, and who wants studies from the antique and sketches from the living model, or my unfinished Love and Psyche, or the perspective sketch of my room, or my portrait of Nikíta, though it is really better than the portraits painted by any of your fashionable fellows? ”

“ I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. ”

“ We teachers of art schools in engaging models have to take from human material as we find it. The best we find is seldom or never what we would prefer. If I, for instance, could have my choice, my students would never be allowed to work from a model who repelled the student or left the student indifferent. No students of mine, if I could have my way, should ever paint from a model that failed to call forth the finest feelings. Otherwise, how can your best emotions have full play in your work; and unless your best emotions enter into your work, what will your work be worth? ”

“ Here again I find a similitude among the artists who paint or model. Studios are full of such caricatures, and the hard-working, honest souls who have made them believe that they are true reproductions of nature and life. ”

“ Daniel Webster, struggling as district school teacher in New England, clothed in ill-fitting garments, would somehow furnish a better model for the sculptor or painter who would make a statue or picture or a head of him who was, indeed, a mighty man. ”

“ I got much interested when I saw the Count painting from life. He tied Lil to an easel with{83} soft rags, so as not to hurt her hands, and later he painted the rocks from a sketch, behind her, where the old easel was. While Lil rested, she would swing (still naked) in the big swing, and jump about and sing. In all my experiences later as an artist’s model in America, I never saw a model who behaved as Lil did. ”

“ This arrangement makes every guest both an artist and a model. At a signal they begin their artistry and are given three minutes in which to draw portraits of the models assigned. All artists must put their names on their pictures, but models’ names are omitted. ”

“ XXVII I HAD been posing for various artists for nearly two months, and I not only was used to the work but beginning to like it. How else, except as a model, could I have seen all I did at close range, and, in a way, assisted in the making of many great paintings by the best artists in Boston? Also I learned much from them, for nearly every artist I posed for talked to me as he worked. Some would tell me their hopes and fears and stories about other artists. I have even been the confidante of their love affairs.
One well-known painter proposed to a girl upon my advice. ”

“ On the other hand, the tendency of the modern artist is to set back his model in her actual environment and to discover her affinity thereto. Or, if his model be nature, he no longer attempts to spiritualise it by arrangement of lines and forms that accord with his abstract theories of beauty, or by investing it with atmosphere and sunlight, drawn from his own imagination. ”

“ She is by no means a model character. ”

“ I have observed that he who exercises little or no selection, and contents himself with the first model he sees, belongs to that class of conventional artists who allow themselves such an infinity of additions and subtractions, and corrections of the model, that generally only the remnants of nature are to be found in their works; while those who follow the opposite school copy the model minutely just as it is, and even with all its imperfections. ”

“ When a man's virtues are depicted for us, they are represented in the effort of action; but those which are admired in a [Pg 301] woman always infer a model as motionless as a beautiful statue in a marble gallery. She is an inconsistent image, a tissue of vices quiescent, of inert qualities, of slumbering epithets, of passive movements, of negative forces. ”

“ Only one little ghostly nameless creature—a model, a dancer, the catalogue uncertainly conjectures—detaches herself from the polite assemblage as if impaled with quivering wings on the sharp pencil of the portraitist. ”

“ It is not an easy task to point out those various excellencies for your imitation which lie distributed amongst the various schools. An endeavour to do this may, perhaps, be the subject of some future discourse. I will, therefore, at present, only recommend a model for style in Painting, which is a branch of the art more immediately necessary to the young Student. Style in painting is the same as in [Pg 19] writing, a power over materials, whether words or colours, by which conceptions or sentiments are conveyed. ”

“ There’s lots better opportunities, especially for a model. I have all the work I can do just now posing for the Standard, a theatrical paper.{237}
Now, there’s a fellow here who is going to get a bunch of girls and put us in living pictures. All one needs is the looks. Say, why don’t you come on and join me here? I’ve a little flat with a couple of other girls, and we need another to squeeze in and help pay the expenses. I’d prefer you to anyone I’ve seen here. Say, some of them are tough though!
I was awfully sorry to hear about the old Count dying. ”