Musical ear

“ With the musical sound given out by these vibrating strings must inevitably be mixed the dull and unmusical sound of the blow that set them vibrating. The trained ear will detect not only the thud of the hammer against the string, but that of the finger against the key, and that of the key itself upon its base. The study of touch and tone upon the piano is the study of the combination and the control of these two elements of sound, the one musical, the other unmusical. ”

“ It is just at this tender age when impressions are so easily received that the best musical advantages should be afforded. What can be better adapted to the cultivation of a musical ear than the constant presence of musical tones of the highest quality and purity? The ear requires close musical companionship in order to promote corresponding development. ”

“ On the contrary it would seem that from the earliest times lyrists of all sorts, and players on stringed instruments of every nation, even up to the present day have found the habit of the ear sufficient for the purposes of their art, that indeed to the soloist, the musical ear relies upon itself for tuning. ”

“ It does not depend on the delicacy of the sense of hearing, for there are some persons half deaf, who have the greatest relish for music; while others who have a very acute sense of hearing have no relish for music. In some instances I think a musical ear has been acquired where it did not seem originally to exist.
The force of sound is increased by the reflection of many bodies, particularly such as are hard or elastic, which receive the waves or pulses of the air and reflect them back again; these reflected pulses, striking the ear along with the original, strengthen the original sound. ”

“ Of course, those individuals who have a natural or an acquired "musical ear" are the most likely to be influenced by the concord or succession of sweet sounds; and in such the simplest music of the commonest instrument, or even an air sung by a voice in a mediocre style, shall excite the strongest emotions of joy or melancholy, according as the air is cheerful or plaintive ”

“ The delicacy and perfection of the mechanism of the ear are so great, that by its power we not only are able to distinguish the vibrations of the air, caused by the voice of one person, from those produced by that of another, but even to distinguish the vibrations, produced by one string of a musical instrument from those of another. ”

“ But, further, because, in consequence of the physical theory which lies at its foundation, the musical quality of the notes is in the proportion of the rapidity of their vibrations, but not in their relative strength, the musical ear always follows by preference, in harmony, the highest note, not the loudest. ”

“ As the pressure is increased, the air, passing through the holes, assumes a rhythmical beat, which soon becomes metamorphosed into musical notes. It is evident, therefore, that, by means of this instrument, the number of vibrations which produce a definite tone can be measured with absolute accuracy by any one who has an ear capable of appreciating a musical note. ”

“ The combination of fine forms, and ever-varying tints, which it presents in succession to the eye, have already been found, by experience, to communicate to those who have a taste for this kind of beauty, a pleasure as intense and as permanent as that which the finest ear derives from musical sounds. An eye for admiring and appreciating the effect of fine forms, seems, indeed, to be much more general than an ear for music ”

“ But play the diatonic scale on the piano, or strike a random chord here and there, and though the thing means nothing, the ear is bound to take some pleasure in it. Musical sound gives us pleasure in and by and for itself, independently of our finding even the remotest mental connection between its parts. This connection may be great, or small, or practically non-existent; and the greater it is, of course, the more complicated becomes our pleasure; but it is not essential to our taking physiological delight in music considered purely as sound. ”

“ The combinations of sounds, therefore, in the audible creation, if not all in detail musical, are pervaded by the musical element: No ear is insensible to the music of the air in the branches of a tree ”

“ It is, however, practically certain that there is a brain development peculiar to the born musician, and that this, whatever else it may be, involves a special excellence of the auditory path within the brain, rather than any unusual development of the essential parts of the ear. The individual who is a musical prodigy has, without question, a more perfect connection established between his auditory apparatus, in the widest sense of the word, and those muscular mechanisms employed in the execution of music, whether vocal or instrumental, than is the case with the average man. ”

“ What is really the truth is found to be, on analysis, that certain guiding sensations, chiefly those from the hearing apparatus (ear, nerves, brain) , are insufficient, owing either to natural defect or lack of training; but that this is not the only explanation is plain from the fact that many composers with the most vivid musical imagination, the most perfect auditory memory, and the most acute ear, cannot sing in any but the most imperfect manner. As we have said before, the speaker of great power to affect his fellows through tones, or the artistic singer, must be a sort of vocal athlete. ”

“ Artistic license as a medium for self-expression is, therefore, clear evidence of a musical temperament.
Ear-mindedness. The successful musician is ear-minded as distinguished from the painter who is fundamentally eye-minded. This ear-mindedness grows out of his genetic auditory constitution at birth and develops through the practical use that he makes of the various attributes of sounds. Fundamentally, it is the tonal image which, in the great musicians, is practically as vivid, stable, and complete as the ordinary perception of the actual physical sound. ”

“ This may be best avoided by practising on an instrument of fine musical quality and beautiful singing tone, which promotes the habit of listening attentively, and thus contributes in the highest degree to the development and training of the ear.
It is true that musical temperament is inborn, and those who possess it have native insight, and hence develop with rapidity. There are, however, very many who are not "to the manner born." ”

“ The very early habit of hearing and performing music stimulates the musical sense, and gives musical tendency to all the youthfully supple faculties which bear upon the use of this sense. The habit in almost first childhood of associating sight with sound, written characters with uttered notes, the office of the eye with that of the ear or of the voice, which is the ear's agent, does more in favourable cases to develop some of the best essentials in an artist, than can be accomplished by the unremitting study of after life. ”

“ We have thus proved, in a simple way, that a musical tone is produced by rapid, regular vibration, as shown by the marking—the air-waves, set up by the vibration, seeming to blend in the ear in a manner similar to that in which the vibrations of the string blend to the eye, which makes the tone seem continuous. ”

“ Perception of musical tones by the human ear. Starting from the anatomical discoveries of the Marchese Corti, Helmholtz has shown how different parts of the ear are set in vibration by tones of different pitch. ”

“ This incapacity of the ear is the fertile source of many of those false judgments which impress a supernatural character upon sounds that have a fixed locality and a physical origin.—We know of a case, where a sort of hollow musical sound, originating within three or four feet of the ears of two persons in bed, baffled for months every attempt to ascertain its cause. ”

“ In respect to the artificial proportions of sound excited by musical instruments, those, who have early in life associated them with agreeable ideas, and have nicely attended to distinguish them from each other, are said to have a good ear, in that country where such proportions are in fashion: and not from any superior perfection in the organ of hearing, or any intuitive sympathy between certain sounds and passions. ”

“ A musical note, we all know, is the effect upon our ears of regularly recurring vibrations. A pianoforte wire emits a given note, or in other words, vibrates at a certain and constant rate. These vibrations are taken up by the air, and by it communicated to the ear, and the sensation of sound is produced. ”

“ Because wood is a good conductor of sound, and its atoms are susceptible of considerable vibration. It is, therefore, chosen in numerous instances for the construction of musical instruments.
Deaf persons have been known to derive pleasure from music by placing their hands upon the wood-work of musical instruments while being played upon.
739. Why is the hearing of deaf persons assisted by ear-trumpets?
Because ear-trumpets collect the vibrations of the air into a focus, and make the sounds produced thereby more intense. ”

“ It may be that I have given too much time to music, but what would life have been without it? I do not like to exaggerate, or say anything that is not quite true. Musical ears grow sensitive to anything false, whether sharp or flat. ”

“ It is also through the vibrations conveyed by the air to the little membrane called the drum of the ear that the sensations of sound are received, and of the nature of these vibrations a few words must be said presently. In considering the different qualities of sound, we have so far confined ourselves to sustained musical notes, as, for instance, the vowel sounds in singing. This has been done to show the relations of rapidity of vibration to pitch and for simplicity of illustration of the superposition of vibrations, etc. ”

“ The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound. ”

“ We often instinctively make the palm of the hand act as an ear-trumpet when we do not hear distinctly. Many animals have the external ears movable, so that they can direct their concave surface toward the point from which they wish to hear. Such ears are movable ear-trumpets.
263. Difference Between a Musical Sound and a Noise.—The difference between a musical sound and a noise is very analogous to the difference between a crystal and the same substance destitute of the crystalline arrangement. ”

“ His music leads us into a realm where musical experience is a matter not of the ear but of the soul alone—and from this point begins the music of the future. ”

“ The third quality of sound is due to the form of the vibrations regardless of the pitch or the loudness. The trained ear recognizes, for instance, in the note of the tuning fork, the violin, the clarionet and the piano, the same tone howsoever made. ”

“ Every tone which proceeds from a stringed instrument, as a violin, a harp, a piano-forte, or from a pipe, as a flute, or an organ, or from a bell, gives out at the same time other sounds which are not the same, but yet unite so as to form one whole in their effect. In a large bell this can easily be perceived when it is tolled slowly ; the note sounds, and immediately after we hear others, more particularly the twelfth, fifteenth, and seventeenth. A delicate ear will perceive the same in a piano-forte ”

“ As I have said, the instrument possessed a singular fascination over me. I had grown to love it, not alone as a piece of mechanism for the transmission of sound, but like a living 40thing, and I replaced it in the tower with the same pleasure one feels who has rescued a friend from death. My listening ear never grew weary, but now I drew quickly away. It was not music I heard, or the ripple of water, or the prattle of merry tongues, but the harsh grating cries that had echoed in the church, that had rattled and died out in the forest—that voice which was not a voice. ”

“ As rhythm is the heart pulsation of music, [69] it naturally took hold of the first singers of in any measure formulated melody, leading to swaying of the body, clapping of the hands, stamping of the feet, and quickly suggested the employment of other resonant means for marking its progress. Our drums were at first only hollow pieces of wood, our cymbals, triangle, and gong may have had double duties,—musical and culinary,—and our harp and piano were anticipated by single strings stretched to yield a sonorous tone regardless of pitch. ”

“ Next we were favoured with a song in bass, accompanied with the piano—in which a male voice was so closely imitated as to defy the most acute ear to make it anything else; a male voice, however, highly refined—deeper, stronger, sweeter—than ever before fell upon our ear. The feelings of all present were delightfully stirred,—even the atmosphere in which we sat seemed trembling with emotion.
These were followed by other songs, enough to exhibit the vocal charms and operatic talent of this wonderful cantatrice, in all their strength and compass. ”

“ Nay, verily, the air still vibrates, sound is still produced, but the note is below the gamut of the natural ear, which was created to comprehend only sounds within a certain compass: its capacity goes no farther, and any sound pitched either above or below that compass we cannot perceive. In proof of this is the simple fact that a cultivated ear—that is, an ear of enlarged capacity, can readily catch the faintest harmonics of a guitar, to which others are totally deaf. ”