Musical talent

Definition and stakes

Leta S. Hollingworth,  Special talents and defects (1923)

“ III. THE ANALYSIS OF MUSICAL TALENT Since about the year 1915, psychologists have turned somewhat from the study of the nature of music to the investigation of the musical person. They have raised the questions: In what way does the musician differ from others in his psychophysical equipment? Why are some persons unable to produce or appreciate music?
The pursuit of these questions led immediately to an analysis of musical talent, for it was evident at once that a great variety of subsidiary functions contribute to any kind of musical performance.
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Source: Gutenberg

John F. Runciman,  Old Scores and New Readings: Discussions on Music & Certain Musicians

“ And so personal force, musical genius, business talent, education, and general brain power went to the making of a man who hobnobbed with dukes and kings, who ruled musical England with an iron rule, who threatened to throw distinguished soprano ladies from windows, and was threatened with never an action for battery in return, who went through the world with a regal gait, and was, in a word, the most astonishing lord of music the world has seen. ”
Source: Gutenberg

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