Patina

Definition and stakes

Friedrich Rathgen,  The Preservation of Antiquities…

“ My own opinion is that the only patina which is really stable is that which consists of combinations of oxygen, hydrogen and carbonic acid with the metal, somewhat similar to those analysed by Schuler (see page 24) , and by Arche and Hassack (see page 27) . The presence of sulphides, and even of sulphates, does not seem to be injurious.
If a patina is to deserve the name of a good, sound, or, as it is termed, a “noble” patina (Edel-patina) , the original [35] contours of the bronze with all its markings must be distinctly visible.
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Source: Gutenberg

Friedrich Rathgen,  The Preservation of Antiquities…

“ Apart from chemical influences, such a patina can only have been formed in those cases in which the alloy has been homogeneous, fine-grained, dense and not porous, and when its surface has been so smooth that oxidation has taken place very slowly. Under these conditions the colour of the patina may vary greatly, for it may be [36] bright green, blue, or of darker shades from yellowish to brown, or even black. These latter tints often denote patina layers of very slight thickness. ”
Source: Gutenberg

Friedrich Rathgen,  The Preservation of Antiquities…

“ Unlike the blue patina, the dark green variety assists the preservation of bronze.
3. Black patina is probably due to a variety of circumstances. The substances which enter into its composition are cupric oxide, lead oxide, lead peroxide, copper sulphide and lead sulphide. If bronze does not contain lead it is blackened only by the action of sulphur. The rarity of black patina is no doubt due to the rapid oxidation of the copper on the originally rough, unpolished surface, which leads to the formation of a green patina.
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Source: Gutenberg

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