Tetrachord

Definition and stakes

Hermann Smith,  The World's Earliest Music

“ To have established a tetrachord, and after centuries of intellectual strife to have secured a double tetrachord forming merely a simple scale of one octave, and that, the scale of A minor, may seem a small matter as a record of human history and of mental achievement. There is a saying of Aristotle which will justify a more inspiriting estimate,—the philosopher wrote,—
“The true nature of a thing is whatsoever it becomes when the process of its development is complete.”
”
Source: Gutenberg

Alfred J. Hipkins and Kathleen Schlesinger,  1911 Encyclopædia Britannica, Volume 17… (1911)

“ We may regard the Olympus scale, however, as consisting of two tetrachords, eliding one interval in each, for the tetrachord, or series of four notes, was very early adopted as the fundamental principle of Greek music, and its origin in the lyre itself appears sure. The basis of the tetrachord is the employment of the thumb and first three fingers of the left hand to twang as many strings, the little finger not being used on account of natural weakness. ”
Source: Wikisource

Portrait of Vitruvius Pollio Vitruvius Pollio,  The Ten Books on Architecture

“ In the diatonic, the distance between the intervals is easier to understand, because it is natural. These three classes differ in their arrangement of the tetrachord. In the enharmonic, the tetrachord consists of two tones and two "dieses." A diesis is a quarter tone; hence in a semitone there are included two dieses. In the chromatic there are two semitones arranged in succession, and the [141] third interval is a tone and a half. In the diatonic, there are two consecutive tones, and the third interval of a semitone completes the tetrachord. ”
Source: Gutenberg

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