Arnold Bennett,
The Old Wives' Tale
“ A few coloured prints and engravings—representing, for example, Louis Philippe and his family, and people perishing on a raft—broke the tedium of the walls. The first impression on Sophia’s eye was one of sombre splendour. Everything had the air of being richly ornamented, draped, looped, carved, twisted, brocaded into gorgeousness. The dark crimson bed-hangings fell from massive rosettes in majestic folds. The counterpane was covered with lace. The window-curtains had amplitude beyond the necessary, and they were suspended from behind fringed and pleated valances. ”
