Zinc white

Definition and stakes

George D. Armstrong,  Cyclopedia of Painting (1908)

“ Zinc white is, when compared with lead, quite light in weight, or, in other words, its volume is much greater than lead. Now, it being an entirely different product, it must not be treated in the same way as lead would be. The painter, perhaps, takes some zinc, mixes it with raw oil, with a liberal amount of patent driers and a more liberal dose of turpentine, and then he grumbles because it does not show up to advantage. What he does is to destroy its inherent good qualities. To repeat then, zinc white must not be treated in the same way as white lead. ”
Source: Wikisource

George D. Armstrong,  Cyclopedia of Painting (1908)

“ Zinc white has a very good body, better, or as good as white lead. If a proper comparison be made, and if both be thinned out to a consistency suitable to be applied by brush, it is true that zinc white will apparently not have so good body as lead, but it will spread much farther. If an exactly equal quantity of lead and zinc are both painted on an exactly equal area, zinc will cover a little better than lead. In this state, however, the consistency of the zinc paint would be rather too thick. It is easily thinned, more so, comparatively, than the lead would be. ”
Source: Wikisource

Josef Bersch,  The manufacture of mineral and lake pigments (1901)

“ Although zinc white is a most important pigment, it is very seldom made in colour works, because on account of its origin it is a product of metallurgical processes. Zinc white in chemical composition is pure zinc oxide; it is formed when zinc vapour burns in air. In zinc-smelting works zinc white is obtained by putting zinc in tubes which are heated to whiteness; the zinc vapours burn when they come in contact with the air, and the zinc oxide is caught by special arrangements.
The retorts used for this purpose are similar to those employed in the manufacture of coal gas.
”
Source: Gutenberg

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