Summary

Various Encyclopaedia Britannica, 11th Edition…

From all periods of the world—from medieval piety and stoical pride, Kant and Sophocles, science and art, religion and philosophy—with disdain of mere chronology, Hegel gathers in the vineyards of the human spirit the grapes from which he crushes the wine of thought. The mind coming through a thousand phases of mistake and disappointment to a sense and realization of its true position in the universe—such is the drama which is consciously Hegel’s own history, but is represented objectively as the process of spiritual history which the philosopher reproduces in himself.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

It was the very aim of Hegelianism to render fluid the fixed phases of reality—to show existence not to be an immovable rock limiting the efforts of thought, but to have thought implicit in it, waiting for release from its petrifaction. Nature was no longer, as with Fichte, to be a mere spring-board to evoke the latent powers of the spirit. Nor was it, as in Schelling’s earlier system, to be a collateral progeny with mind from the same womb of indifference and identity.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

The beauty of art is a beauty born in the spirit of the artist and born again in the spectator; it is not like the beauty of natural things, an incident of their existence, but is “essentially a question, an address to a responding breast, a call to the heart and spirit.” The perfection of art depends on the degree of intimacy in which idea and form appear worked into each other.
Source: Gutenberg

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